And I went my own way.
Henry Kingsley,—or rather a character of his creation,—in one of his novels, remarks that he suspects there is some of the poetical faculty about him, because he is accustomed to walk out of nights when anything goes wrong.
This is also my case.
To "fetch a walk" about the streets, late in the evening, has long been a favorite antidote for trouble with me. When the night is stormy, the value of this remedy for fretting cares is tenfold increased. There is an exhilarating sense of power in overcoming the opposing forces of the elements, and breasting along at a brisk pace against a furious storm of sleet or rain. As Leigh Hunt said, you have a feeling of respect for your legs under such circumstances; you admire their toughness as they propel you along in the teeth of the storm. As your blood begins to warm up, and to whirl through your veins with an exhilaration beside which that of wine is tame and effeminate, the "blues" that have been gibing you vanish like magic. Always, after such a bout, I return home and "sleep like a top," no matter what discomforts or sorrows have been running their sleep-dispelling race through my head before starting out.
On the night of the day that I met St. John I started out about eleven o'clock for such a walk. The winds were holding high carnival that night, and a fierce storm of mingled hail and rain swept through the almost deserted streets. I forged along (as the sailors say), with my head down, block after block, fighting the forces of nature, with the same pleasure that Victor Hugo's hero felt, no doubt, in like effort. True, my fight was to his as a cock-fight is to an encounter of lions; but the limit of power is the limit of delight in overcoming in any case. The boy who declaims "the Roman Soldier" at school to the rapture of his gaping audience is as happy in his achievement as the tragedian who thrills a theatreful. Gilliatt conquered storms, and so did I; he was on the high seas, and I was in the streets of Chicago.
Sounds of music and dancing fell on my ear. They came from the beer-saloon of the morning. Curiosity impelled me to enter.
The air was reeking with tobacco-smoke and the fumes of lager-bier. The seats about the half-dozen tables were crowded with Teutonic guzzlers; and, at the lower part of the room there was a cleared space where a half-dozen couples were whirling in a waltz with that thorough abandon which characterizes your German in his national dance. On a slightly raised platform against the wall was a band composed of a violin, a clarionet, and a trombone.
The violinist was my acquaintance of the morning.
He caught sight of me as I elbowed my way toward the dancing-floor, and blushed violently. Then an expression of angry pride settled on his countenance, and he continued his playing with stolid indifference to my gaze.
When the dance was over (and St. John kept up the music till the surprised Teutons who played the wind-instruments were sheer worn-out with their prolonged exertions), I went up to the young man, and shook hands with him.