"Here's your feast," she called to them in the gay tone we use with sick children. "Come, Ellen. I'll go down and give your father his dinner, and you two can play any kind of party you want to with this."
The little girl with skin like white cotton cloth rolled her big, gray eves toward the tray and asked listlessly, "What you got for dinner, ma?" The brown-skinned one, tidily dressed from her carefully combed head with its crisp, black mass that was scarcely hair, held in place by spick-and-span hair ribbons, to the toes of her stout, handsome shoes, got up quickly and came forward to arrange the meal.
"They's molasses pie, Nell," Ma'Lou said joyously. "Oh, I'm going to bring it over there and fix it by the side of the lounge. We'll play you' a sick lady, and I'm you' trained nurse. Just wait till I fix my handkerchief into a cap like they wear."
Mrs. Kendrick turned away and left the children at their play. Mary Louise Jackson had been kept at home from school that she might come over and spend the day with Ellen. For when Ellen Kendrick was ill, her cry always was, "Oh, send for the doctor—and Mary Louise."
The old Kendrick place sat back in its grassy yard and concealed behind voluminous chinaberry trees such shabbiness as time had brought it; but on the corner, the home of Ezra Jackson perched proudly above its stone wall and added a considerable touch of elegance to the street.
It was in the early eighties, and the Queen Anne style of architecture was just coming into great popularity in the South. Jackson, who could well afford it, had let an architect have full sway in producing for him a dwelling in the new mode. Ezra Jackson, a full-blooded negro born a slave, had been a teamster on his master's Georgia plantation, and after the war that master, who still maintained friendly relations with his ex-slaves, gave him a start in life with a mule and a dray. From this the honest, industrious, and enterprising man had built up a transfer business which was the best of its sort in town. There were many teams and drivers now, and Ezra could walk in the garb of other men of means about him; yet he still wrote his name in the manner of the kings of old—he produced it as a sort of landscape effect without any idea of what the separate characters meant. He was a good citizen, a dignified man; and, except for his black skin, he would have been an acceptable neighbor to the Kendricks, and a desirable resident in their quarter of town. The young wife whom he had married rather late in life, and to whose taste the Queen Anne house catered, had a good grammar-school education, gained from those first devoted teachers that the Freedman's Bureau sent to the Southern negroes in the years immediately following the war. At first she had kept his books and made out his bills; and she always insisted on the best of schooling for their children.
Of these latter, only Mary Louise concerns this history, since she chanced to be very near the age of Ellen Kendrick and had become a necessity in the life of that peevish little invalid. The negro girl had smooth features, and her mother saw to it that she was always spotlessly dressed and that her manners were perfect. The children of her race take to good manners very readily, being usually amiable and eager for approbation. Mrs. Jackson undoubtedly took pride in the connection with her aristocratic white neighbors, and Mrs. Kendrick was forced to be glad of the chance to have the Jackson child come over and play with Ellen. A nurse she could have hired, but a child near the afflicted girl's age, a sound-natured, sweet-tempered, well-bred little girl, was not to be had for money—love was the only coin current that could pay for that.
And the two girls loved each other—of course they did. Did not Ellen need Ma'Lou and is not service the basis of all love? The flame on the altar of their affection burned always clear and strong, unshaken by the peevish gusts that extinguished many a less sturdy light of friendship for the Kendrick girl. So that existence to Ellen—the pleasant part of it, anyhow—meant a great deal of Ma'Lou, and there was scarcely an object in her room, a game or a pursuit of her days, that was not associated with the brown girl. The pair grew up in a companionship closer than that of some born sisters.
The mere fact of this intimacy was not regarded by the Kendricks with any disfavor whatever. Scott and Fanny both had played with negro children, both had been reared by negro mammies. Neither realized that conditions were changed, that the negroes with whom they had associated were no longer an enslaved people, hopeless of any equality, nor that, with the coming of freedom, and still more with the growing ferment among the blacks, such association was different from the intimacy of slavery days.
And Ezra Jackson's wife watched jealously that the preponderance of gifts and favors should be always on her child's side. If any present were given Mary Louise in the Kendrick house, her mother always retorted instantly, as one might say, with something better or handsomer. Mrs. Kendrick was a slow woman, and such a point would naturally have been obscure to her; yet she finally came to be aware of the fact, and at last it vexed her a little. She turned the question in her mind and sought for some substantial favor or patronage which she might offer to the Jacksons, to quiet once for all her offended sense of fitness.