"Oh, well," said the daughter of the house finally, "I won't bother you any more about it now, Ma'Lou. It's hard for you to explain just how to fix it, but you can show me when you come over this evening. I'll have the chrysanthemums ready. You come a little early—won't you, please?"
Mary Louise, in the doorway, glanced from mother to daughter in some confusion. Would this do? Her own mother had cautioned her to be certain to go to the side door.
"I—I don't know," she hesitated doubtfully. "I'll bring the candies over, if you like, and I might be able to show you a little about the table then." And again she looked from the face of the girl who had been her childhood's most intimate friend and associate to that of the woman who had accepted so much at her childish hands.
"Why, I supposed you'd be here when I was giving the party, Ma'Lou," argued Ellen petulantly. "I don't see why not! Isn't it all right, mother?" she appealed sharply. "Shouldn't Ma'Lou come over this evening?"
For one desperate moment Mrs. Kendrick sought to shape a policy; Ellen's words sounded frightfully like an invitation to the party. Would Mary Louise accept them so? Her worried, resentful glance traveled over the tall, dignified figure, the correct, quiet costume. Oh, it had no business to be as hard as this! But she must make the girl understand; she could not run the risk of injury to Ellen's belated social opportunities.
"Why—you see—we—" she began, in an agony of embarrassment, "we can't—we can't—" Her voice failed her. She looked fleetingly at Mary Louise, who returned the gaze with a look hurt, accusing, difficult to meet. She drew her breath sharply, and began again with more resolution. "We'll have an extra maid in to help with the serving. If you don't mind staying in the dining room with her—" She ceased and waited hopefully, to see if the girl understood. There was an uncertain silence. She must finish. "Ma'Lou, if you'd stay in the dining room with Tillie, and wouldn't mind wearing a—cap—and apron like she does, why you could come over and look on."
Ellen Kendrick had seen somebody coming down the street. It was Emory Ford, and she flushed and dimpled and smiled as she bowed to him, forgetting everything else, including the departing Mary Louise, who, after one mute look at Mrs. Kendrick's flushed, disturbed face, turned and walked with hanging head toward the house on the corner.
Arrived at home, she went methodically to work upon the promised candies and the little baskets that were to contain them. Ezra Jackson's wife, noting the face of set misery, forbore long to question her as she brought out the novel materials and pursued her work.
The afternoon wore on. Mrs. Jackson was at work at her sewing-machine in the front hall; but she could not keep out of the kitchen, she made continual futile errands through it, giving anxious, sidelong glances at the child over whom her heart yearned.
Finally, when she could bear it no more, "Did—did something hurt your feelings over there, Ma'Lou?" she asked huskily.