[Issued only with the International Edition.]
These figure sketches embrace five typical examples from the late Lord Mayor’s show, in which Mediæval, Tudor and Stuart costumes were (thanks to the research and artistic knowledge of Hon. Lewis Wingfield) so pleasantly associated. We have selected five, both on account of their diversity and also because of their being representative costumes of different eras in English history. The dresses, for magnificence and accuracy of detail, have rarely been equalled.
HOUSE OF MRS. CHARLES BLAKE, BEACON ST., BOSTON, MASS. MESSRS. STURGIS & CABOT, ARCHITECTS, BOSTON, MASS.
[Issued only with the Imperial and International Editions.]
COMPETITIVE DESIGN FOR THE CATHEDRAL OF ST. JOHN THE DIVINE, NEW YORK, N.Y. MR. GLENN BROWN, ARCHITECT, WASHINGTON, D.C.
Although the selection of material is a matter that can be well dispensed with until the general design has been determined, the architect suggests as in harmony with the treatment, Westerly, R.I. granite for the body of the cathedral, with trimmings of carved capitals, bases, columns, belts, arches and other ornamental stonework of a Georgia marble. The granite is cream color, with a suspicion of red, and the marble is of the same shade but a trifle darker and more positive. Both from chemical and physical tests they are apparently of equal strength and durability. The colors suggested would not give the building the cold appearance of white marble, or the somewhat sombre appearance produced by gray granite.
The stones are to be laid in square blocks, regular courses and rock-face in the body of the building, with square and sharp corners. The columns, lintels, sills, belts, finials and mouldings are to be close hammered work, with carving where indicated on the drawings.
The different tower roofs are to be fine-hammered or rubbed granite. The distinction between the tower roofs and the body of the building is not brought out clearly in the different drawings, as this would require shading all the granite stonework except the tower roofs, and shading is prohibited by the instructions.
The interior of the church is designed to be finished in marbles of harmonious colors, with carved and other decorated work, as shown in the section. The surface of the floor is to be laid in mosaic tile, the presumption being that fixed pews will not be used in the cathedral. Ample storage can be obtained for portable seats in the cellar.
The floors are laid on terra-cotta arches, built on iron beams, and the beams are protected by terra-cotta casings.