Finally, Aristotle's Politeia falls into line with the hide-money records. In § 56, the statement is made that the Archon Eponymos had the Megala Dionysia in charge. In the following section, the Archon Basileus is said to have control, not of the Lemaea or of the Anthesteria--for neither is mentioned by name,--but of the Dionysia επι Ληναίω. The Basileus and the Epimeletae together directed the procession; but the basileus alone controlled the [dramatic] contest. Here again, it is inconceivable that either Anthesteria or Lenaea should be omitted; so both must be included under Dionysia επι Ληναίω.

We thus find our position supported by inscriptions of undoubted authority, and by a list of names ranging in time from before Aristophanes to the 9th century A.D., and in weight from Thucydides and Aristotle to the Scholiasts.

If the Limnae were not by the existing theatre of Dionysus, where were they? Not on the south side of the Acropolis, as a careful examination of the ground proves. In our study of the theatre-precinct, we found that the earth here in antiquity was at a much higher level than at present, while immediately outside the wall of this precinct to the south, the ground was considerably lower than it is now. The present height of the theatre-precinct is 91.4 m. above the sea level; of the Odeum, 97.7 metres; of the Olympieum, 80.8 m.; of the ground within the enclosure of the Military Hospital due south from the theatre, 75 m.; of Callirrhoe in the Ilissus opposite the Olympieum, 59 m.; of the Ilissus bed opposite the theatre, 50 m. From the present level of the theatre to the bed of the stream there is a fall of more than 41 m.; the fall is about equally rapid along the entire extent of the slope to the south of the Acropolis, while the soil is full of small stones. Surely, it would take more than the oft-cited handful of rushes to establish a swamp on such a hillside. We have, however, excellent geological authority that from the lay of the land and the nature of the soil, there never could have been a swamp there. The Neleum inscription [186] can be held to prove nothing further than that, as Mr. Wheeler suggests, the drain from the existing theatre ran through this precinct. We must therefore seek the Limnae elsewhere.

Footnote 186:[ (return) ] Am. Journal of Archæology, III. 38-48.

We know that from time immemorial the potters plied their trade in the Ceramicus, because here they found the clay suitable for their use. The so-called Theseum is 68.6 m. above the sea-level; the present level at the Piræus railroad station, 54.9 m.; at the Dipylum (and here we are on the ancient level), only 47.9 m. Out beyond the gate comes a long slope, extending till the Cephissus is reached, at an elevation of 21 m. So the Dipylum is over 43 m. below the present level of the theatre-precinct; and it is the lowest portion of the ancient city. Here, therefore, in the northwest part of the city, is where we should expect from the lay of the land and the nature of the soil to find the marshes. Out in the open plain beyond this quarter of the city to-day, after every heavy rain, the water collects and renders the ground swampy. With the Dipylum as a starting-point, there is no difficulty in supposing that, in very ancient times, the Limnae extended to Colonus Agoraeus, to the east into the hollow which became a portion of the agora in the Ceramicus, and to the west into the depression between Colonus Agoraeus and the Hill of the Nymphs. The exact extent and character of the low ground in these two directions can only be determined by excavating the ancient level, which, as it appears to me, has not been reached by the deep new railroad cutting running across this section north of the so-called Theseum.

The excavations of Dr. Dörpfeld between Colonus Agoraeus and the Areopagus, have shown that the ruins and the ancient street at this point have been buried to a great depth by the débris washed down from the Pnyx. Unfortunately, these diggings have not been extensive enough to restore the topography of the west and southwest slopes of Colonus Agoraeus.

We have abundant notices, besides those already given, of a precinct or precincts of Dionysus in this section. Hesychius speaks [187] of a house in Melite where the tragic actors rehearsed. Photius repeats [188] the statement almost word for word. Philostratus mentions [189] a council-house of the artists near the gate of the Ceramicus. Pausanias (I. 2. 5), just after entering the city, sees within one of the stoas the house of Poulytion which was dedicated to Dionysus Melpomenus. He speaks next of a precinct with various αγάλματα, and among them the face of the demon of unmixed wine, Cratus. Beyond this precinct was a building with images of clay, representing, among other scenes, Pegasus, who brought the worship of Dionysus to Athens. This building also was plainly devoted to the cult of the wine-god. In fact, the most venerable traditions in Athens, with reference to Dionysus, centre here. All the various representations here are connected with the oldest legends. Pausanias (I. 3. 1.) says that the Ceramicus had its very name from Ceramus, a son of Dionysus and Ariadne.

Footnote 187:[ (return) ] HESYCH. Μελιτέων οίκος.

Footnote 188:[ (return) ] PHOTIUS. Μελιτέων οίκος.

Footnote 189:[ (return) ] PHILOST. Vit. Soph. p. 251.