At a recent meeting of the Society for Preserving the Memorials of the Dead, a letter from a correspondent was read in which it was stated that, whilst on an architectural tour, he found a register book open in the church and the leaves blown on the floor, or at least, such of them as dampness and the mice had not obliterated. Although the living had been held by one family for nearly 300 years, and is a very rich one, the writer adds: “I venture to affirm that a family could not prove its descent for three generations from its parish register.” It is also stated that parchment registers, having one side vacant, were sometimes cut up for directions for game!
A report has been received from the committee appointed with reference to the preservation of the ancient records of the county of Middlesex. The index of these valuable historical documents is very nearly completed, and they have all been properly classified and housed, so that they will be preserved from any damage in the future. The documents altogether number 16,000 separate records. The money allotted for the purpose of classifying them not being found sufficient, it has been decided, on the motion of Mr. Basil Woodd Smith, that a further sum of £200 be granted for the completion of the fittings of the new record room and the sorting and calendaring of the records.
Messrs. Christie, Manson & Woods lately disposed of the collection of old Sèvres and Chelsea porcelain, old French decorative furniture, snuff-boxes, and other decorative objects, the property of the late Mr. W. King. Among the best prices obtained were: A statuette of a nymph, by Falconet, in statuary marble, 400 gs.; a Louis XVI. clock, in case of gros-bleu Sèvres porcelain, surmounted by a mask of Apollo, 215 gs.; a pair of Louis XVI. ormolu candelabra, with large Dresden figures of a shepherd and shepherdess, 165 gs.; an oblong bloodstone box, carved with hunting subjects, the lid studded with diamonds, £270; a fine oblong double box, formed of slabs of agate, set with diamonds, £205. The sale realised over £4,600.
On Saturday, June 28, Messrs. Christie, Manson & Woods sold at their rooms the splendid collection of paintings by the old masters, the property of Sir Philip Miles, M.P., known as the Leigh Court Gallery. Five pictures were purchased for the National Gallery—the grand upright landscape by Gaspar Poussin, “The Calling of Abraham,” “The Adoration of the Magi,” by Bellini; the two Hogarths, portrait of Miss Fenton, afterwards Duchess of Bolton, as “Polly Peachum,” and “The Shrimp Girl;” and Stothard’s “Canterbury Pilgrims.” The total paid for these pictures was under £4,000. The two Alfieri Claudes were purchased by Messrs. Agnew—the “Apollo Sacrifice” for 5,800 guineas, and the “Landing of Æneas” for 3,800 guineas—while the little picture of the “Herdsman at the Ford” was bought by the same firm for 1,950 guineas, and the Murillo “Holy Family” for 3,000 guineas. The little predella panel by Raphael, “Christ bearing His Cross to Calvary,” was also purchased by Messrs. Agnew for 560 guineas, and has passed into the collection of Lord Windsor. Several important pictures were bought in. The sale realised nearly £44,300.
Among the later additions to that most interesting corner in the Health Exhibition where Old London is reproduced is a collection of views and etchings of Old Southwark, shown by Mr. S. Drewet (F. S. Nichols & Co.) in the Guard Chamber over the Bishop’s Gate. Old London Bridge as it appeared in the time of Henry VIII. and at several periods since until its demolition may here be seen, as well as some of the historic buildings of Southwark—Winchester Palace, &c., and its famous hostels, the old Tabarde and the White Hart, of which the picturesque characteristics have been preserved in etchings by Mr. Percy Thomas. Some reproductions of old maps and a small collection of pottery, weapons, and coins found in the borough of Southwark, and most of them during the progress of excavations on the site of the old Tabarde Inn, should not be passed unnoticed. The rooms over the workshops on the north side of the Old London street at the Exhibition have been filled with furniture of antique form, and the walls hung with tapestries from the Royal Tapestry Works at Windsor. Along the south side a very fine collection of armour, arms, and ancient and mediæval ironwork has been arranged by Messrs. Stark & Gardner, among the contributors being Lady Dorothy Nevill, Sir Coutts Lindsay, the Rev. Canon Harford, Mr. J. G. Litchfield, and Mr. J. E. Gardner, F.S.A.
The sale of the first portion of the extensive library of the late Mr. James Crossley, President of the Chetham Society, took place at the rooms of Messrs. Sotheby, Wilkinson & Hodge, on Monday, July 21, and six following days. Many of the books were in an imperfect and stained condition, which considerably affected the prices realised. Ainsworth’s Memorials, described by the owner as “by far the rarest book connected with Halifax,” being stained, sold for only £3 3s.; and Brown’s Religio Medici, the 1642 surreptitious impression, £6 10s. Byron’s Hours of Idleness, first published edition, brought £4 6s. Milton’s Paradise Lost, first edition, with first title-page, £25; and other copies, with second, third, fourth, seventh, and eighth title-pages, £16 18s.; Paradise Regained, first edition, £3 17s. 6d. The Philobiblon Society’s Publications, £25. Miscellanies, 20 vols., £21. Miscellanies, in one stout volume, £51. Shelley’s Queen Mab, first edition, wanting title, £4 6s. Royal Society’s Philosophical Transactions, £49. Camden Society’s Publications, £10 10s. Chetham Society’s Publications, £25 10s. Abbotsford Club Publications, £15 10s. Spenser’s Fairie Queene, first edition, £12 10s.; second edition, £10 10s.; and 1617 edition, with autograph of Ben Jonson, £10 10s. Shakespeare’s Plays, Second Folio, £17; Third Folio, imperfect, £12; Fourth Folio, £9 10s. Tracts and Pamphlets, £16, £60, £39. Watson’s Halifax, £9 9s.; and a copy with Canon Raines’s MS. notes, £37. The 2,824 lots realised nearly £3,600.
Dr. Schliemann has been in London for a week or two. He has in preparation a book on his discoveries at Tiryns. The Academy communicates the following details with regard to these discoveries: “The walls of the prehistoric palace which Dr. Schliemann has disinterred at Tiryns are formed of limestone and clay; the latter has been turned into brick by the action of fire, while the stone has been burnt into lime. In some places the surface of the walls had been coated with stucco, on which traces of painting can still be observed. The colours used in these paintings are black, red, blue, yellow, and white; and Professor Virchow has pointed out that the blue is composed of pulverised glass mixed with copper, but without cobalt. One of the paintings represents the same pattern as that found on the roof of the thalamos attached to the Treasury of Minyas at Orchomenos. Another depicts a man riding on an ox, whose tail he holds. The artist has made three attempts to draw the tail, and has forgotten to obliterate the two unsuccessful ones. The paintings have been carefully removed and sent to Athens. Among the ruins of the palace twenty-seven bases of limestone columns have been discovered, but no drums, besides a sandstone capital in the old Doric style. The chambers of the building were full of objects of all kinds, including pottery, obsidian knives, rude hammers of diorite, and grape-stones. No iron has been met with, and but little metal of any sort, though lead is relatively plentiful. All traces of writing are equally absent. The pottery resembles that of Mycenæ, but the presence of obsidian and the scarcity of metal imply that Tiryns was the older city of the two.”
The name of John Payne Collier has been so long known to all those persons who take an interest in literature, that the recent sale of the first portion of the books and manuscripts which had belonged to the editor of “Shakespeare” by Messrs. Sotheby, Wilkinson & Hodge, was certain to excite much attention. The second portion of the library is reserved for a future sale. Of those just sold, the more interesting lots were: Ballads, &c., an interesting manuscript of the seventeenth century, including a period of about sixty years, a most curious collection of ballads, quotations from Shakespeare, Ben Jonson, and Sir W. Raleigh, and summary of its contents by J. P. Collier, who gave Hoope £25 for the volume—£52 (Quaritch); Cartwright (W.), Comedies, &c., portrait by Lombart, manuscript note by J. P. Collier, with the rare cancelled leaves “On the Queen’s Return from the Low Countries,” and the uncancelled leaves on the same, £5 15s. (Quaritch); Cibber (C.), “Tony Aston’s Brief Supplement to C. Cibber, his lives, &c., notes by Collier, extremely rare—£2 15s. (Westell); Collier, J. P., Punch and Judy coloured etchings by G. Cruikshank, notes by author among others—“The plates in this volume were coloured by Cruikshank; he gave it to me”—£5 10s.; Collier, J. P., “Notes and Emendations to the Text of Shakespeare’s Plays,” with a great mass of manuscripts, notes by Collier, 1853—£40 15s. (A. R. Smith); Cruikshank, 24 illustrations of “Punch and Judy,” India proofs, with a portrait of the artist himself etched at the bottom of one of the plates, and a view on another, &c., S. Prowett, 1828—£19 5s. (Richardson); Baxter (N.), Sir P. Sydney’s “Ourania,” autograph signature, and manuscript corrections by author, 1606—£9. (Stevens); Collier, J. P., “History of English Dramatic Poetry,” profusely illustrated by rare portraits, autograph letters, and manuscript notes by Collier, 1879—£59 (Stevens); Collier, J. P., “An Old Man’s Diary Forty Years Ago,” 1832-33, only 25 copies printed, illustrated like the last named, 1871-72—£150. (B. F. Stevens); Cooperi, T., “Thesaurus Linguæ Romanæ et Britannicæ,” “This book before it was rebound belonged to John Milton, as is testified in his own handwriting in more than 1,500 places,” manuscript note by Collier—£3 11s. (Quaritch); “Miltoni pro Populo Anglicano Defensio,” with autograph of O. Cromwell—£8 15s. (Quaritch); Shakespeare’s works, 1844-53, Mr. Collier’s working copy, manuscript notes, and letters from his friend—£10 (Ellis); Peckham, Sir G., “A True Reporte of the late Discoveries, &c., of Sir Humphrey Gilbert, Kt.,” very curious and rare, John Charlewood for John Hinde, 1583, and many other rare tracts, in one volume, with manuscript notes by Collier—£210 (Quaritch). The entire proceeds of the sale were a little over £2,100.
