After awhile we turned into a by-road, and presently descending between high hedges, the object of our excursion suddenly and unexpectedly opened up before our astonished vision.

It would be difficult to forget the effect of that first view of le Folgoët. The high hedges on either side had concealed everything. These fell away, and within a few yards of us, in a barren and dreary plain uprose the wonderful church.

A few poor houses and cottages comprise the village, and here nearly a thousand inhabitants manage to stow themselves away. But nothing strikes you more in these Breton villages than their silent and apparently deserted condition, even at midday. Nine times out of ten, there is scarcely a creature to be seen in the streets, the house doors are for the most part closed, no face peers curiously from the windows, and no sound breaks upon the stillness of the air.

So was it to-day. The tramp of our horses, the rumbling of wheels alone startled the silence as we approached the church. The small houses forming the village in no way took from its grandeur or interfered with its solitude and solemnity.

There in the desolate plain it rose, "a thing of beauty and a joy for ever." Its charm fell upon us in the first moment, its wonderful tone and colouring held us spellbound. Our first wonder was to find a building so perfect in the midst of this desolate plain, so far away from the world and civilization. It was our first wonder; and when presently we turned away from it I think it was our last. But this solitude and desolation add infinitely to its charm; just as the mystery and romance that enshroud the far-off monasteries in their desolate mountain retreats would fall away as "the baseless fabric of a vision" if they were brought into the crowded and commonplace atmosphere of town life.

The legend of le Folgoët is a curious one:

Towards the middle of the fourteenth century, there lived in a neighbouring forest a poor idiot named Soloman, or Salaun, as it is written in the Breton tongue. This idiot was known as the Fool of the wood—le Folgoët.

There, in the quiet solitude, his voice might constantly be heard singing, in his own strange way, hymns to the Virgin; and often during the night, chanting an Ave Maria. Daily he begged his bread in the neighbouring town of Lesneven, always using the same form of words: Ave Maria: adding in Breton, "Salaun a zébré bara." "Soloman would eat some bread."

Thus for forty years he lived, never having injured anyone, or made an enemy. Then he fell ill, and one morning was found dead in the wood, near the little spring from which he had drunk daily and the hollow tree that had been his nightly shelter.

Soloman the fool was already fading from men's minds, when a miracle happened. Above the little grave in the wood where he had been buried there suddenly sprang a white lily, remarkable for its beauty and the exquisite perfume it shed abroad. But what made it more wonderful was that upon every leaf, in gold letters, appeared the words "Ave Maria!"