The walk across the hills to Shenton was exhilarating, and at the end of it a pleasant surprise awaited Nancy. She found Miss Michin already at work on a dress for Miss Sabina Hurst when she arrived. The good-natured little woman greeted her apprentice brightly. "You are looking better, Nancy; the walk has given you a colour." Then she reached out her hand to a table near her, and took a little parcel from it and gave it to Nancy.
"It is nothing," she explained, as the girl looked at it curiously. "Open it, dear; it is a trifle for a Christmas gift. I wish it was more."
Nancy could only say "Oh, Miss Michin—how kind!" to begin with. Then she unwrapped the paper and saw a dainty pair of brown kid gloves with ever so many buttons. This matter of the buttons was not unimportant in Nancy's eyes. Had her mother given her the money, she thought, she could never have bought gloves with more than two buttons.
"This is just what I needed—oh, thank you so much," she exclaimed, when she had looked at them.
"That was what I thought," said the dressmaker; "so now we must set to work and get a good day."
And Nancy did work well that day, never looking up from her work, except once to glance across to the Post-office at the time she knew Benny Dodd usually came out to go to the church. She could not see Fred, so it was some pleasure to her to look at the small boy who blew the organ for him.
But Benny did not perform that office for the young musician on this day, for Fred Hurst had gone to London that morning, summoned thither by a letter from Messrs. Hermann and Scheiner, music publishers. The marked success of "Winged Love" had disposed these gentlemen to make the young composer a good offer for his next song. The more immediate cause of their determination was the fact that Señor Florès had chosen to sing "Winged Love" at the last Saturday afternoon concert at St. James' Hall, and its reception had been such as to establish a certain sale for songs from the same hand. "Who is this Fred Hurst?" people in London were asking.
Miss Sabina, in her showy drawing-room up at the Manor Farm, thought over the event all day in her own critical way, and predicted evil as the result. There was an old Broadwood grand piano in the room where she sat, covered with a pile of old music—Beethoven, Mendelssohn, Haydn, and all the composers whose music Miss Sabina disliked. This music had belonged to Fred's mother, a fair and unfortunate creature, whose own story I shall some day write. Miss Sabina's performances upon the pianoforte were limited to such compositions as the "Canary Birds' Quadrilles," "My Heart is Over the Sea," etc., which she never played at all now. But she looked at the old piano, and recalled her sister-in-law's pretty baby looks and tragic end, and prophesied evil for Fred. Jacob Hurst laughed the whole business to scorn. The one being in Shenton who could have genuinely rejoiced at Fred's success knew nothing about it.
Nancy's thoughts were constantly with him, however, and when her work ended for the day, and she walked homeward across the hills to Braley Brook, she connected many an inanimate object she passed with some look or word of his. These looks and words had always been so kind, so gentle, that as the brook, where the forget-me-nots grew in summer, or the bank in the hollow where the primroses grew thickest in spring, or the fallen tree, which, as the weeks passed, would become golden with moss and lichen again—as all these would awaken to summer sunshine and gladness;—so would her heart. Fred's love for her—she felt sure he had loved her—was only hidden away like the flowers under the snow, to bloom forth again in spring. It was her winter, that was all, she told herself. She must wait as the flowers did.
When she reached home, her mind was filled with hope—hope which but too soon was to give place to despair. Last night Mrs. Forest had struck her—but then she had not looked nearly so angry as she did now when her daughter appeared before her.