If our times are sterile in genius, we must cheer us with books of rich and believing men who had atmosphere and amplitude about them. Every good fable, every mythology, every biography out of a religious age, every passage of love, and even philosophy and science, when they proceed from an intellectual integrity, and are not detached and critical, have the imaginative element. The Greek fables, the Persian history, (Firdousi,) the "Younger Edda" of the Scandinavians, the "Chronicle of the Cid," the poem of Dante, the Sonnets of Michel Angelo, the English drama of Shakspeare, Beaumont and Fletcher, and Ford, and even the prose of Bacon and Milton,—in our time, the ode of Wordsworth, and the poems and the prose of Goethe, have this richness, and leave room for hope and for generous attempts.
There is no room left,—and yet I might as well not have begun as to leave out a class of books which are the best: I mean the Bibles of the world, or the sacred books of each nation, which express for each the supreme result of their experience. After the Hebrew and Greek Scriptures, which constitute the sacred books of Christendom, these are, the Desatir of the Persians, and the Zoroastrian Oracles; the Vedas and Laws of Menu; the Upanishads, the Vishnu Purana, the Bhagvat Geeta, of the Hindoos; the books of the Buddhists; the "Chinese Classic," of four books, containing the wisdom of Confucius and Mencius. Also such other books as have acquired a semi-canonical authority in the world, as expressing the highest sentiment and hope of nations. Such are the "Hermes Trismegistus," pretending to be Egyptian remains; the "Sentences" of Epictetus; of Marcus Antoninus; the "Vishnu Sarma" of the Hindoos; the "Gulistan" of Saadi; the "Imitation of Christ," of Thomas à Kempis; and the "Thoughts" of Pascal.
All these books are the majestic expressions of the universal conscience, and are more to our daily purpose than this year's almanac or this day's newspaper. But they are for the closet, and to be read on the bended knee. Their communications are not to be given or taken with the lips and the end of the tongue, but out of the glow of the cheek, and with the throbbing heart. Friendship should give and take, solitude and time brood and ripen, heroes absorb and enact them. They are not to be held by letters printed on a page, but are living characters translatable into every tongue and form of life. I read them on lichens and bark; I watch them on waves on the beach; they fly in birds, they creep in worms; I detect them in laughter and blushes and eye-sparkles of men and women. These are Scriptures which the missionary might well carry over prairie, desert, and ocean, to Siberia, Japan, Timbuctoo. Yet he will find that the spirit which is in them journeys faster than he, and greets him on his arrival,— was there already long before him. The missionary must be carried by it, and find it there, or he goes in vain. Is there any geography in these things? We call them Asiatic, we call them primeval; but perhaps that is only optical; for Nature is always equal to herself, and there are as good pairs of eyes and ears now in the planet as ever were. Only these ejaculations of the soul are uttered one or a few at a time, at long intervals, and it takes millenniums to make a Bible.
These are a few of the books which the old and the later times have yielded us, which will reward the time spent on them. In comparing the number of good books with the shortness of life, many might well be read by proxy, if we had good proxies; and it would be well for sincere young men to borrow a hint from the French Institute and the British Association, and, as they divide the whole body into sections, each of which sit upon and report of certain matters confided to them, so let each scholar associate himself to such persons as he can rely on, in a literary club, in which each shall undertake a single work or series for which he is qualified. For example, how attractive is the whole literature of the "Roman de la Rose," the "Fabliaux," and the gai science of the French Troubadours! Yet who in Boston has time for that? But one of our company shall undertake it, shall study and master it, and shall report on it, as under oath; shall give us the sincere result, as it lies in his mind, adding nothing, keeping nothing back. Another member, meantime, shall as honestly search, sift, and as truly report on British mythology, the Round Table, the histories of Brut, Merlin, and Welsh poetry; a third, on the Saxon Chronicles, Robert of Gloucester, and William of Malmesbury; a fourth, on Mysteries, Early Drama, "Gesta Romanorum," Collier, and Dyce, and the Camden Society. Each shall give us his grains of gold, after the washing; and every other shall then decide whether this is a book indispensable to him also.
THE DIAMOND LENS.
I.
THE BENDING OF THE TWIG.
From a very early period of my life the entire bent of my inclinations had been towards microscopic investigations. When I was not more than ten years old, a distant relative of our family, hoping to astonish my inexperience, constructed a simple microscope for me, by drilling in a disk of copper a small hole, in which a drop of pure water was sustained by capillary attraction. This very primitive apparatus, magnifying some fifty diameters, presented, it is true, only indistinct and imperfect forms, but still sufficiently wonderful to work up my imagination to a preternatural state of excitement.
Seeing me so interested in this rude instrument, my cousin explained to me all that he knew about the principles of the microscope, related to me a few of the wonders which had been accomplished through its agency, and ended by promising to send me one regularly constructed, immediately on his return to the city. I counted the days, the hours, the minutes, that intervened between that promise and his departure.
Meantime I was not idle. Every transparent substance that bore the remotest semblance to a lens I eagerly seized upon and employed in vain attempts to realize that instrument, the theory of whose construction I as yet only vaguely comprehended. All panes of glass containing these oblate spheroidal knots familiarly known as "bull's eyes" were ruthlessly destroyed, in the hope of obtaining lenses of marvellous power. I even went so far as to extract the crystalline humor from the eyes of fishes and animals, and endeavored to press it into the microscopic service. I plead guilty to having stolen the glasses from my Aunt Agatha's spectacles, with a dim idea, of grinding them into lenses of wondrous magnifying properties,—in which attempt it is scarcely necessary to say that I totally failed.