Now contrast this mental disgust, which proceeds from mental debility, with the sunny and soul-lifting exhilaration radiated from mental vigor,—a vigor which comes from the mind's secret consciousness that it is in contact with moral and spiritual verities, and is partaking of the rapture of their immortal life. A spirit earnest, hopeful, energetic, inquisitive, making its mistakes minister to wisdom, and converting the obstacles it vanquishes into power,—a spirit inspired by a love of the excellency and beauty of knowledge, which will not let it sleep,—such a spirit soon learns that the soul of joy is hid in the austere form of Duty, and that the intellect becomes brighter, keener, clearer, more buoyant, and more efficient, as it feels the freshening vigor infused by her monitions and menaces, and the celestial calm imparted by her soul-satisfying smile. In all the professions and occupations over which Intellect holds dominion, the student will find that there is no grace of character without its corresponding grace of mind. He will find that virtue is an aid to insight; that good and sweet affections will bear a harvest of pure and high thoughts; that patience will make the intellect persistent in plans which benevolence will make beneficent in results; that the austerities of conscience will dictate precision to statements and exactness to arguments; that the same moral sentiments and moral power which regulate the conduct of life will illumine the path and stimulate the purpose of those daring spirits eager to add to the discoveries of truth and the creations of art. And he will also find that this purifying interaction of spiritual and mental forces will give the mind an abiding foundation of joy for its starts of rapture and flights of ecstasy;—a joy, in whose light and warmth languor and discontent and depression and despair will be charmed away;—a joy, which will make the mind large, generous, hopeful, aspiring, in order to make life beautiful and sweet;—a joy, in the words of an old divine, "which will put on a more glorious garment above, and be joy superinvested in glory!"
LOO LOO.
A FEW SCENES FROM A TRUE HISTORY.
SCENE I.
Alfred Noble had grown up to manhood among the rocks and hills of a New England village. A year spent in Mobile, employed in the duties of a clerk, had not accustomed him to the dull routine of commercial life. He longed for the sound of brooks and the fresh air of the hills. It was, therefore, with great pleasure that he received from his employer a message to be conveyed to a gentleman who lived in the pleasantest suburb of the city. It was one of those bright autumnal days when the earth seems to rejoice consciously in the light that gives her beauty.
Leaving behind him the business quarter of the town, he passed through pleasant streets bordered with trees, and almost immediately found himself amid scenes clothed with all the freshness of the country. Handsome mansions here and there dotted the landscape, with pretty little parks, enclosing orange-trees and magnolias, surrounded with hedges of holly, in whose foliage numerous little foraging birds were busy in the sunshine. The young man looked at these dwellings with an exile's longing at his heart. He imagined groups of parents and children, brothers and sisters, under those sheltering roofs, all strangers to him, an orphan, alone in the world. The pensiveness of his mood gradually gave place to more cheerful thoughts. Visions of prosperous business and a happy home rose before him, as he walked briskly toward the hills south of the city. The intervals between the houses increased in length, and he soon found himself in a little forest of pines. Emerging from this, he came suddenly in sight of an elegant white villa, with colonnaded portico and spacious verandas. He approached it by a path through a grove, the termination of which had grown into the semblance of a Gothic arch, by the interlacing of two trees, one with glossy evergreen leaves, the other yellow with the tints of autumn. Vines had clambered to the top, and hung in light festoons from the branches. The foliage, fluttering in a gentle breeze, caused successive ripples of sun-flecks, which chased each other over trunks and boughs, and joined in wayward dance with the shadows on the ground.
Arrested by this unusual combination of light and shade, color and form, the young man stood still for a moment to gaze upon it. He was thinking to himself that nothing could add to the perfection of its beauty, when suddenly there came dancing under the arch a figure that seemed like the fairy of those woods, a spirit of the mosses and the vines. She was a child, apparently five or six years old, with large brown eyes, and a profusion of dark hair. Her gypsy hat, ornamented with scarlet ribbons and a garland of red holly-berries, had fallen back on her shoulders, and her cheeks were flushed with exercise. A pretty little white dog was with her, leaping up eagerly for a cluster of holly-berries which she playfully shook above his head. She whirled swiftly round and round the frisking animal, her long red ribbons flying on the breeze, and then she paused, all aglow, swaying herself back and forth, like a flower on its stem. A flock of doves, as if attracted toward her, came swooping down from the sky, revolving in graceful curves above her head, their white breasts glistening in the sunshine. The aërial movements of the child were so full of life and joy, she was so in harmony with the golden day, the waving vines, and the circling doves, that the whole scene seemed like an allegro movement in music, and she a charming little melody floating through it all.
Alfred stood like one enchanted. He feared to speak or move, lest the fairy should vanish from mortal presence. So the child and the dog, equally unconscious of a witness, continued their graceful gambols for several minutes. An older man might have inwardly moralized on the folly of the animal, aping humanity in thus earnestly striving after what would yield no nourishment when obtained. But Alfred was too young and too happy to moralize. The present moment was all-sufficient for him, and stood still there in its fulness, unconnected with past or future. This might have lasted long, had not the child been attracted by the dove-shadows, and, looking up to watch the flight of the birds, her eyes encountered the young man. A whole heart full of sunshine was in the smile with which he greeted her. But, with a startled look, she turned quickly and ran away; and the dog, still full of frolic, went bounding by her side. As Alfred tried to pursue them, a bough knocked off his hat. Without stopping to regain it, he sprang over a holly-hedge, and came in view of the veranda of a house, just in time to see the fairy and her dog disappear behind a trellis covered with the evergreen foliage of the Cherokee rose. Conscious of the impropriety of pursuing her farther, he paused to take breath. As he passed his hand through his hair, tossed into masses by running against the wind, he heard a voice from the veranda exclaim,—
"Whither so fast, Loo Loo? Come here, Loo Loo!"
Glancing upward, he saw a patrician-looking gentleman, in a handsome morning-gown, of Oriental fashion, and slippers richly embroidered. He was reclining on a lounge, with wreaths of smoke floating before him; but seeing the stranger, he rose, and taking the amber-tubed cigar from his mouth, he said, half laughing,—