At the little post-hut of Ojos del Agua, in the State of Córdova, Quiroga, with his secretary, Ortiz, halted one night on the homeward journey. Shortly before reaching the place, a young man had mysteriously stopped the carriage, and had warned its hurrying inmates that at a spot called Barranca Yaco a partida, headed by one Santos Perez, was awaiting the arrival of Quiroga. There the massacre was to take place. The youth, who had formerly experienced kindness at the hands of Ortiz, begged him to avoid the danger. The unhappy secretary was rendered almost insane with terror, but his master sternly rebuked his fears.—"The man is not yet born," he said, "who shall slay Facundo Quiroga! At a word from me these fellows will put themselves at my command, and form my escort into Córdova!"

The night at Ojos del Agua was passed sleeplessly enough by the unhappy Ortiz, but Quiroga was not to be persuaded into ordinary precautions. Confident in his mastery over the minds of men, he set out unguarded, on the 18th of February, at break of day. The party consisted of the chieftain and his trembling secretary, a negro servant on horseback, two postilions,—one of them a mere lad,—and a couple of couriers who were travelling in the same direction.

Who that has been on the Pampas but can picture to himself this party as it left the little mud-hut on the plain? The cumbrous, oscillating galera, with its shaggy, straggling four-in-hand,—the caracoling Gaucho couriers,—the negro pricking on behind,—the tall grass rolling out on every side,—the muddy pool that forms the watering-place for beasts and men scattered over a hundred miles of brookless plain,—the great sun streaming up from the herbage just in front, awakening the voices of a million insects and the carols of unnumbered birds in the thickets here and there! Look long, Quiroga, on that rising sun! listen to the well- known melody that welcomes his approach! gaze once more upon the rolling Pampa! look again upon those flying hills! Thou who hast said, "There is no life but this life," who didst "believe in nothing," shalt know these things no more! five minutes hence thy statecraft will be over, thy long apprenticeship will have expired! thou shalt be standing—where thou mayst learn the secret that the wisest man of all the bookworms thou despisest will never know alive!

Barranca Yaco is reached. The warning was well founded. A crack is heard, —there is a puff of smoke,—and two musket-balls pass each other in the carriage, yet without inflicting injury on its occupants. From either side the road, however, the partida dashes forth. In a moment the horses are disabled, the postilions, the negro, and the couriers cut down. Ortiz trembles more violently than ever; Quiroga rises above himself. Looking from the carriage while the butchery is going on, he addresses the murderers with a few unfaltering words. There is glamour in his speech; the ensanguined assassins hesitate,—another instant, only one moment more, and they will be on their knees before him; but Santos Perez, who was at one side, comes up, raises his piece,—and the body of Juan Fecundo Quiroga falls in a soulless heap with a bullet in the brain! Ortiz was immediately hacked to pieces; and the tragedy of Córdova is at an end.

Such were the life, misdeeds, and death of the Terror of the Pampas. Having in the most rapid and imperfect manner sketched the career of this extraordinary Fortune's-child, his rise from the most abject condition to unbridled power, his ferocious rule, and his almost heroic end, we may surely exclaim, that "nothing in his life became him like the leaving of it," and, presenting this bare résumé of facts as a mere outline, a mere pen-and-ink sketch of the terrible chieftain, refer the curious student to the impassioned narrative whence our facts are mainly derived.

It may be well to add, that Santos Perez, who was actively pursued by the government of Buenos Ayres, which itself had instigated him to the commission of the crime, was finally, after many hairbreadth escapes, betrayed by his mistress to the agents of Rosas, and suffered death at Buenos Ayres with savage fortitude. The Lord have mercy on his soul!

MADEMOISELLE'S CAMPAIGNS.

THE SCENE AND THE ACTORS.

The heroine of our tale is one so famous in history that her proper name never appears in it. The seeming paradox is the soberest fact. To us Americans, glory lies in the abundant display of one's personal appellation in the newspapers. Our heroine lived in the most gossiping of all ages, herself its greatest gossip; yet her own name, patronymic or baptismal, never was talked about. It was not that she sank that name beneath high-sounding titles; she only elevated the most commonplace of all titles till she monopolized it, and it monopolized her. Anne Marie Louise d'Orléans, Souveraine de Dombes, Princesse Dauphine d'Auvergne, Duchesse de Montpensier, is forgotten, or rather was never remembered; but the great name of MADEMOISELLE, La Grande Mademoiselle, gleams like a golden thread shot through and through that gorgeous tapestry of crimson and purple which records for us the age of Louis Quatorze.

In May of the year 1627, while the Queen and Princess of England lived in weary exile at Paris,—while the slow tide of events was drawing their husband and father to his scaffold,—while Sir John Eliot was awaiting in the Tower of London the summoning of the Third Parliament,—while the troops of Buckingham lay dying, without an enemy, upon the Isle of Rhé,— while the Council of Plymouth were selling their title to the lands of Massachusetts Bay,—at the very crisis of the terrible siege of Rochelle, and perhaps during the very hour when the Three Guardsmen of Dumas held that famous bastion against an army, the heroine of our story was born. And she, like the Three Guardsmen, waited till twenty years after for a career.