He was mightily pleased with the reception of that poem of his about the chaise. He spoke to me once or twice about another poem of similar character he wanted to read me, which I told him I would listen to and criticize.
One day, after dinner, he came in with his face tied up, looking very red in the cheeks and heavy about the eyes.—Hy'r'ye?—he said, and made for an arm-chair, in which he placed first his hat and then his person, going smack through the crown of the former as neatly as they do the trick at the circus. The Professor jumped at the explosion as if he had sat down on one of those small calthrops our grandfathers used to sow round in the grass when there were Indians about,—iron stars, each ray a rusty thorn an inch and a half long,—stick through moccasins into feet,—cripple 'em on the spot, and give 'em lockjaw in a day or two.
The Professor let off one of those big words which lie at the bottom of the best man's vocabulary, but perhaps never turn up in his life,—just as every man's hair may stand on end, but in most men it never does.
After he had got calm, he pulled out a sheet or two of manuscript, together with a smaller scrap, on which, as he said, he had just been writing an introduction or prelude to the main performance. A certain suspicion had come into my mind that the Professor was not quite right, which was confirmed by the way he talked; but I let him begin. This is the way he read it:—
Prelude.
I'm the fellah that tole one day
The tale of the won'erful one-hoss-shay.
Wan' to hear another? Say.
—Funny, wasn'it? Made me laugh,—
I'm too modest, I am, by half,—
Made me laugh 's though I sh'd split,—
Cahn' a fellah like fellah's own wit?
—Fellahs keep sayin',—"Well, now that's nice;
Did it once, but cahn' do it twice."—
Don' you b'lieve the'z no more fat;
Lots in the kitch'n 'z good 'z that.
Fus'-rate throw, 'n' no mistake,—
Han' us the props for another shake;—
Know I'll try, 'n' guess I'll win;
Here sh' goes for hit 'm ag'in!
Here I thought it necessary to interpose.—Professor,—I said,—you are inebriated. The style of what you call your "Prelude" shows that it was written under cerebral excitement. Your articulation is confused. You have told me three times in succession, in exactly the same words, that I was the only true friend you had in the world that you would unbutton your heart to. You smell distinctly and decidedly of spirits.—I spoke, and paused; tender, but firm.
Two large tears orbed themselves beneath the Professor's lids,—in obedience to the principle of gravitation celebrated in that delicious bit of bladdery bathos, "The very law that moulds a tear," with which the "Edinburgh Review" attempted to put down Master George Gordon when that young man was foolishly trying to make himself conspicuous. One of these tears peeped over the edge of the lid until it lost its balance,—slid an inch and waited for reinforcements,—swelled again,—rolled down a little further,—stopped,—moved on,—and at last fell on the back of the Professor's hand. He held it up for me to look at, and lifted his eyes, brimful, till they met mine.
I couldn't stand it,—I always break down when folks cry in my face,—so I hugged him, and said he was a dear old boy, and asked him kindly what was the matter with him, and what made him smell so dreadfully strong of spirits.