"But, by your leave, where was this 'silken wonder' when your unhandy heroine was casting about her for a substitute for the quilted petticoat?"
Anywhere but in her mind. Of the round-aboutness of her directness you have had examples enough already; nothing could be more romantic than her simplest realities, and that which would seem most out-of-the-way to another woman was often "handiest" to her. So, when you ask me, Why did not Sally Wimple sooner think of her great-grandmother's dress? my easiest answer is, Because she was Sally Wimple.
When Miss Wimple first put on the new dress, in Madeline's presence, Madeline smiled again, for she thought she understood; and Miss Wimple smiled also, for she knew no one could understand.
Then Miss Wimple broke the news to Madeline, by telling her that "an old friend of her father's," a wealthy Mr. Osgood, of New York, was in want of a governess for his two daughters, and had written to her on the subject;—(a not very improbable story; for Madeline could not but be aware that in the conscientious and proud little bookseller was the making of a very respectable "Jane Eyre," under favorable circumstances;)—whereupon she had taken the liberty to recommend a clever and accomplished friend of her own, one Mrs. Morris, a widow,—"of course, that's you, Madeline,"—and Mr. Osgood had accordingly done her the honor to offer the place to Mrs. Morris, and, "with characteristic consideration and delicacy," had inclosed a check, by way of an advance on her salary, which would be liberal, to defray the expense of an outfit,—"and there it was." His writing to her, Miss Wimple said, was a circumstance as strange as it was fortunate; for, in fact, she had, personally, but a very slight acquaintance with him, and was "quite sure she should not recognize him, if she were to see him now";—as for his little girls, she had never seen them, nor even heard their names. But Mr. Osgood's character was of the very highest, and she rejoiced that Madeline would have so honorable, influential, and generous a protector, who had given his word that she should be received and entertained with the consideration due to a superior and esteemed friend.
[Never mind Miss Wimple's white lies, my dear; there is no danger that they will be found filling the blank place in the Recording Angel's book, left where his tear blotted out My Uncle Toby's oath. And in a purely worldly point of view, too, those touching offerings to Mercy were safe enough; for when Miss Wimple promised Madeline that she would find Mr. Osgood "a singularly discreet person, who would be sure not to annoy her with impertinent curiosity," it was not said by way of a hint;—she well knew, that, from the moment the proud and jealous Madeline departed across the threshold of the Hendrik Athenæum and Circulating Library, she would set a close and solemn seal upon her heart and upon her lips, and the "old familiar faces" and places would be to her as the things that Memory is a silent widow for. Nevertheless, in writing to Mr. Osgood, to acknowledge the receipt of the check, and to thank him, that cunning Miss Wimple took the precaution to put him in possession of as much of her personality as would serve his purpose in case of accident, and provide for the chance of a shock to his suspicious and vigilant governess.]
Madeline received Miss Wimple's extraordinary good news with the silence of one bewildered. Nor even when she had come fully to appreciate all the beauty and the joy of it, did she give audible expression to her gratitude; she was too proud—or rather say, too religious—to subject the divine emotion to the vulgar ordeal of words; she only kissed Miss Wimple's hands, and mutely laid them on her bosom.
Then Miss Wimple arrayed her protégée in the skimped delaine, for which the "trifling alterations" and the "little cleaning" had done wonders,—and Madeline was, as it were, "clothed on with chastity." And Miss Wimple was jubilant over the charming effect, and "went on" in a manner surprising to behold. First she kissed Madeline, and then she kissed the dress; and she told Madeline, in a small torrent of triumph, what a tremendous fellow of a skimped delaine it was,—how cheap, and how dear it was,—what remarkable powers of endurance it had displayed, and with what force and versatility of character it had adapted itself to every new alteration or trimming,—and how she was so used to its ways, and it to hers, that she was almost ready to believe it could "get on her by itself,"—and how she felt sure it was expressly manufactured to do good in the world,—until she had so glorified the lowly skimped delaine, that Madeline began to feel in it like a queen, whose benignant star has forever exalted her above the vulgar sensation of having Nothing to Wear.
Now Madeline was quite ready to depart on her pilgrimage of penitence.
But almost at the parting hour a circumstance occurred which
grievously alarmed Miss Wimple, and so roused the devil whereof
Madeline had been but just now possessed, that it stirred within her.
CHAPTER V.
The "nest" looked out upon the street by two front windows, that were immediately over the sign of the Hendrik Athenæum and Circulating Library. There was also a small side-window, affording a view of a bit of yard, quite private, and pleasant in its season, with an oval patch of grass, some hollyhocks, a grape-vine trained over a pretty structure of lattice to form a sort of summer-house, and a martin-box, in a decidedly original church-pattern, mounted on a tall, white pole. Of course the scene was cheerless and unsightly now; lumpy brown patches of earth showed through the unequally melting snow, where the grass-plot should have been; a few naked and ugly sticks were all the promise of the hollyhocks' yellow glory; the bare grape-vine showed on the dingy lattice like a tangled mesh of weather-stained ropes; and "there were no birds in last year's nest" to make the martin-box look social.