"I hope you enjoy your health abroad, and shall be glad of every opportunity to convince you that I am most heartily and sincerely, dear Sir, your, &c.,
"G. COLMAN.
"London, 28 Sept. 1770."
* * * * *
The piece referred to here by Colman (who was at this period, we believe, the manager of the Haymarket Theatre) may possibly have been a farce that was brought out fifteen years later on the Covent-Garden stage, with the title of "The Israelites, or the Pampered Nabob." Its merits and its success are said by Scott to have been but slight, and the proof of its having been written by Smollett very doubtful; so that it was never printed, and was soon forgotten.
At this time, (1770,) it must be remembered, Smollett was established at Leghorn, where a milder climate and sunnier skies tended to promote, we fancy, a serener condition of mind than he had known for years. In leaving England, he left behind him some friends, but many enemies. In his literary career, as he himself had not been over-merciful, so he was in return not always tenderly handled. As a sample of the invective which was occasionally poured forth on him, we will quote some lines from "The Race," a dull imitation of "The Dunciad," ascribed to one Cuthbert Shaw, and published in 1766. Although reprinted in "Dilly's Repository," (1790,) it has long ago been very properly forgotten, and is now utterly worthless save for purposes of illustration. The Hamilton referred to is the same person to whom Colman makes allusion; he was indeed Smollett's fidus Achaies.
"—Next Smollet came. What author dare resist
Historian, critic, bard, and novelist?
'To reach thy temple, honoured Fame,' he cried,
'Where, where's an avenue I have not tried?
But since the glorious present of to-day
Is meant to grace alone the poet's lay,
My claim I wave to every art beside,
And rest my plea upon the Regicide.
* * * * *
But if, to crown the labours of my Muse,
Thou, inauspicious, should'st the wreath refuse,
Whoe'er attempts it in this scribbling age
Shall feel the Scottish pow'rs of Crilic rage.
Thus spurn'd, thus disappointed of my aim,
I'll stand a bugbear in the road to Fame,
Each future author's infant hopes undo,
And blast the budding honours of his brow.'
He said,—and, grown with future vengeance big,
Grimly he shook his scientific wig.
To clinch the cause, and fuel add to fire,
Behind came Hamilton, his trusty squire:
Awhile he paus'd, revolving the disgrace,
And gath'ring all the honours of his face;
Then rais'd his head, and, turning to the crowd,
Burst into bellowing, terrible and loud:—
'Hear my resolve; and first by—I swear,
By Smollet, and his gods, whoe'er shall date
With him this day for glorious fame to vie,
Sous'd in the bottom of the ditch shall lie;
And know, the world no other shall confess,
While I have crab-tree, life, or letter-press.'
Scar'd at the menace, authors fearful grew,
Poor Virtue trembled, and e'en Vice look'd blue."
It is unnecessary to pursue this vapid composition to its most lame and impotent conclusion; it is sufficient to cite it as a specimen-brick of the hostility which many literary characters entertained against the author of "Roderick Random." Despite his own birthplace being north of the Tweed, many Scots were aggrieved at the incidental ridicule with which characters from "the land o' cakes" are sometimes treated in that and other works from the same hand; and the picture of Lismahago in "Humphrey Clinker" is said to have still more violently inflamed their ire. It is to this feeling on the part of his countrymen that Charles Lamb alludes, in his essay upon "Imperfect Sympathies." "Speak of Smollett as a great genius," he says, "and they [the Scots] will retort upon Hume's History compared with his continuation of it. What if the historian had continued 'Humphrey Clinker'?" In fact, there were a good many North Britons, a century ago, who seem to have felt, on the subject of English censure or ridicule, pretty much as some of our own people do to-day. No matter how well-founded the objection may be, or how justly a local habit may be satirized, our sensitiveness is wounded and our indignation aroused. That the portrait in Lismahago's case was not altogether overcharged may be deduced from a passage in one of Walter Scott's letters, in which he likens the behavior and appearance of one of his oldest and most approved friends to that of the gallant Obadiah in a similar critical moment. "The noble Captain Ferguson was married on Monday last. I was present at the bridal, and I assure you the like hath not been seen since the days of Lismahago. Like his prototype, the Captain advanced in a jaunty military step, with a kind of leer on his face that seemed to quiz the whole matter." That the sketch was a portrait, though doubtless disguised to such an extent as rendered its introduction permissible, is very probable; and as it is beyond question one of the masterpieces of English fiction, a few lines may well be given to the point. With great justice the Quarterly Reviewer pronounces the character of Lismahago in no whit inferior to that of Scott's Dugald Dalgetty; and who would not go out of his way to trace any circumstance in the history of such a conception as that of the valiant Laird of Drumthwacket, the service-seeking Rittmaster of Swedish Black Dragoons?
Scott himself tells us that he recollected "a good and gallant officer" who was said to have been the prototype of Lismahago, though probably the opinion had its origin in "the striking resemblance which he bore in externals to the doughty Captain." Sir Walter names no name; but there is a tradition that a certain Major Robert Stobo was the real original from which the picture was drawn. Stobo may fairly be said to fulfil the necessary requisites for this theory. That he was as great an oddity as ever lived is abundantly testified by his own "Memorial," written about 1760, and printed at Pittsburg in 1854, from a copy of the MS. in the British Museum. At the breaking out of the Seven-Years' War, he was in Virginia, seeking his fortune under the patronage of his countryman, Dinwiddie, and thus obtained a captaincy in the expedition which Washington, in 1754, led to the Great Meadows. On the fall of Fort Necessity, he was one of the hostages surrendered by Washington to the enemy; and thus, and by his subsequent doings at Fort Du Quesne and in Canada, he has linked his name with some interesting passages of our national history.[A] That he was known to Smollett in after life appears by a letter from David Hume to the latter, in which his "strange adventures" are alluded to; and there is considerable resemblance between these, as narrated by Stobo himself, and those assigned by the novelist to Lismahago. And, bearing in mind the ineffable self-complacency with which Stobo always dwells on himself and his belongings, the description of his person given in the "Memorial" coincides very well with that of the figure which the novelist makes to descend in the yard of the Durham inn. One circumstance further may be noted. We are told of "the noble and sonorous names" which Miss Tabitha Bramble so much admired: "that Obadiah was an adventitious appellation, derived from his great-grandfather, who had been one of the original Covenanters; but Lismahago was the family surname, taken from a place in Scotland, so called." Now we are not very well versed in Scottish topography; but we well recollect, that in Dean Swift's "Memoirs of Captain John Creichton," who was a noted Cavalier in the reigns of Charles II., James II., and William III., and had borne an active part in the persecution of "the puir hill-folk," there is mention made of the name of Stobo. The Captain dwells with no little satisfaction upon the manner in which, after he had been so thoroughly outwitted by Mass David Williamson,—the Covenanting minister, who played Achilles among the women at my Lady Cherrytree's,—he succeeded in circumventing and taking prisoner "a notorious rebel, one Adam Stobow, a farmer in Fife near Culross." And later in the same book occurs a very characteristic passage:—"Having drunk hard one night, I dreamed that I had found Captain David Steele, a notorious rebel, in one of the five farmers' houses on a mountain in the shire of Clydesdale and parish of Lismahago, within eight miles of Hamilton, a place I was well acquainted with." Lest the marvellous fulfilment of Creichton's dream should induce other seekers to have resort to a like self-preparation, we will merely add, that the village of Hamilton is hard by the castle of the Duke of that name, to whose family we have already seen Smollett was under some obligations, and that it is described in the same pages with Lismahago. It is not improbable, therefore, that, being at Hamilton, the novelist's attention may have been attracted to "Creichton's Memoirs," which treat of the adjacent districts, and that the mention of Stobo's name therein may have suggested to his mind its connection with Lismahago. Certainly there was no antecedent work to "Humphrey Clinker," in which, as we may believe, either of these names finds a place, save this of Creichton; and as, throughout the whole series of letters, Smollett does not profess to avoid the introduction of actual persons and events, often even with no pretence of disguise, we need not hesitate to think that he would make no difficulty of turning the eccentricities of a half-pay officer to some useful account.
[Footnote A: Some amusing particulars concerning Stobo may be found also in the Journal of Lieut. Simon Stevens: Boston 1760.—EDS. ATLANTIC.]