And so, 'mid storm or calm, my bark
With snowy wake still nears her mark;
Cheerly the trades of being blow,
And sweeping down the wind I go.
PERCIVAL.
Among my letters is one from Dr. E.D. North, desiring me to furnish any facts within my reach, relating to the scientific character and general opinions of the late James G. Percival. This information Dr. North proposed to incorporate into a memoir, to be prefixed to a new edition of Percival's Poems. The biographer, with his task unfinished, has followed the subject of his studies to the tomb.
Dr. North's request revived in me many recollections of Percival; and finally led me to draw out the following sketch of him, as he appeared to my eyes in those days when I saw him often, and sometimes shared his pursuits. Vague and shadowy is the delineation, and to myself seems little better than the reminiscence of a phantom or a dream. Percival's life had few externalities,—he related himself to society by few points of contact; and I have been compelled to paint him chiefly by glimpses of his literary and interior existence.
My acquaintance with him grew out of some conversations on geological topics, and commenced in 1828, when he was working on his translation of Malte-Brun's Geography. The impression made on me by his singular person and manners was vivid and indelible. Slender in form, rather above than under the middle height, he had a narrow chest, and a peculiar stoop, which was not in the back, but high up in the shoulders. His head, without being large, was fine. His eyes were of a dark hazel, and possessed uncommon expression. His nose, mouth, and chin were symmetrically, if not elegantly formed, and came short of beauty only because of that meagreness which marked his whole person. His complexion, light without redness, inclined to sallow, and suggested a temperament somewhat bilious. His dark brown hair had become thin above the forehead, revealing to advantage that most striking feature of his countenance. Taken all together, his appearance was that of a weak man, of delicate constitution,—an appearance hardly justified by the fact; for he endured fatigue and privation with remarkable stanchness.
Percival's face, when he was silent, was full of calm, serious meditation; when speaking, it lighted up with thought, and became noticeably expressive. He commonly talked in a mild, unimpassioned undertone, but just above a whisper, letting his voice sink with rather a pleasing cadence at the completion of each sentence. Even when most animated, he used no gesture except a movement of the first and second fingers of his right hand backward and forward across the palm of the left, meantime following their monotonous unrest with his eyes, and rarely meeting the gaze of his interlocutor. He would stand for hours, when talking, his right elbow on a mantel-piece, if there was one near, his fingers going through their strange palmistry; and in this manner, never once stirring from his position, he would not unfrequently protract his discourse till long past midnight. An inexhaustible, undemonstrative, noiseless, passionless man, scarcely evident to you by physical qualities, and impressing you, for the most part, as a creature of pure intellect.
His wardrobe was remarkably inexpensive, consisting of little more than a single plain suit, brown or gray, which he wore winter and summer, until it became threadbare. He never used boots; and his shoes, though carefully dusted, were never blacked. A most unpretending bow fastened his cravat of colored cambric. For many years his only outer garment was a brown camlet cloak, of very scanty proportions, thinly lined, and a meagre protection against winter. His hat was worn for years before being laid aside, and put you in mind of the prevailing mode by the law of contrast only. He was never seen with gloves, and rarely with an umbrella. The value of his entire wardrobe scarcely exceeded fifty dollars; yet he was always neat, and appeared unconscious of any peculiarity in his costume.
An accurate portrait of him at any period of his life can scarcely be said to exist. His sensitive modesty seems to have made him unwilling to let his features be exposed to the flaring notoriety of canvas. Once, indeed, he allowed himself to be painted by Mr. George A. Flagg; but the picture having been exhibited in the Trumbull Gallery of Yale College, Percival's susceptibility took alarm, and he expressed annoyance,—though whether dissatisfied with the portrait or its public exposure I cannot say. The artist proposed certain alterations, and the poet listened to him with seeming assent. The picture was taken back to the studio; objectionable or questionable parts of it painted out; the likeness destroyed for the purpose of correction; and Percival was to give another sitting at his convenience. That was the last time he put himself within painting reach of Mr. Flagg's easel.[A]
[Footnote A: I remember to have seen an excellent portrait of him, by Alexander, in the studio of that artist, in the year 1825; but in whose possession it now is, I am unable to say.]
In those days of our early acquaintance, he occupied two small chambers, one of which fronted on the business part of Chapel Street (New Haven). His books, already numerous, were piled in double tiers and in heaps against the walls, covering the floors also, and barely leaving space for his sleeping-cot, chair, and writing-table. His library was a sanctum to which the curious visitor hardly ever gained admittance. He met even his friends at the door, and generally held his interviews with them in the adjoining passage. Disinclined to borrow books, he was especially averse to lending. Dr. Guhrauer's assertion respecting Leibnitz, that "his library was numerous and valuable, and its possessor had the peculiarity that he liked to worm in it alone, being very reluctant to let any one see it," applies equally well to Percival.