Squire Burleigh had been entrapped by his daughter and her lover into coming to the play,—he being in utter ignorance as to whom he was to see in the part of Juliet. When he recognized his niece in the ball-room scene, he was shocked, and even angry. He started up, impetuously, to leave the house; and it was only by the united entreaties of Bessie and Sir Harry that he was persuaded to stay. As the play went on, however, his sympathies became enlisted, in spite of his prejudices. Gradually his heart melted toward the fair offender, and irrepressible tears of admiration and pity welled up to his kindly blue eyes. He watched the progress of the drama with an almost breathless interest while she was before him, but grew listless and indifferent whenever she left the stage. The passion of Romeo, the philosophy of the Friar, the quaint garrulousness of the Nurse, the trenchant wit of Mercutio were alike without charm for him.
But though thus lost in the fortunes and sorrows of the heroine of the play, the dramatic illusion was far from complete for him. It was not Juliet,—it was Zelma, the wild, misguided, lost, but still beloved child of his poor brother; and in his bewildered brain her sad story was strangely complicated with that of the hapless girl of Verona. When she swallowed the sleeping-draught, he shrank and shuddered at the horrible pictures conjured up by her frenzied fancy; and in the last woful scene, he forgot himself, the play, the audience, everything but her, the forlorn gypsy child, the shy and lonely little girl whom long years ago he had taken on his knee, and smoothed down her tangled black hair, as he might have smoothed the plumage of an eaglet, struggling and palpitating under his hand, and glancing up sideways, with fierce and frightened eyes,—and now, when he saw her about to plunge the cruel blade into her breast, he leaped to his feet and electrified the house by calling out, in a tone of agonized entreaty,—"Don't, Zelle! for God's sake, don't! Leave this, and come home with us,—home to the Grange!"
It was a great proof of Mrs. Bury's presence of mind and command over her emotions, that she was not visibly discomposed by this strange and touching appeal, or by the laughter and applause it called forth, but finished her sad part, and was Juliet to the last.
When, obeying the stormy summons of the audience, the lovers arose from the dead, and glided ghost-like before the curtain, Zelma, really pale with the passion and woe of her part, glanced eagerly at the box in which she had beheld her friends;—it was empty. The worthy Squire, overcome with confusion at the exposure he had made of his weakness and simplicity, had hurried from the theatre, willingly accompanied by his daughter and Sir Harry.
On the following day, sweet Bessie Burleigh, with the consent, at the request even, of her father, sought out her famous cousin, bearing terms of reconciliation and proffers of renewed affection.
The actress was alone. She had just risen from her late breakfast, and was in a morning costume,—careless, but not untidy. She looked languid and jaded; the beautiful light of young love, which the night before had shone with a soft, lambent flame in every glance, seemed to have burned itself out in her hollow eyes, or to have been quenched in tears.
She flung herself on her cousin's breast with a laugh of pure joy and a child's quick impulse of lovingness; but almost immediately drew herself back, as with a sudden sense of having leaned across a chasm in the embrace. But Bessie, guessing her feeling, clung about her very tenderly, calling her pet names, smoothing her hair and kissing her wan cheek till she almost kissed back its faded roses. And infinite good she did poor Zelma.
Bessie—dear, simple heart!—was no diplomatist; she did not creep stealthily toward her object, but dashed at it at once.
"I am come, dearest Zelle, to win you home," she said. "You cannot think how lonely it is at the Grange, now that dear mamma is gone; and by-and-by it will be yet more lonely,—at least, for poor papa. He loves you still, though he was angry with you at first,—and he longs to have you come back, and to make it all up with you. Oh, I am sure, you must be weary of this life,—or rather, this mockery of life, this prolonged fever dream, this playing with passion and pain! It is killing you! Why, you look worn and anxious and sad as death by daylight, though you do bloom out strangely bright and beautiful on the stage. So, dear, come into the country, and rest and renew your life."
Zelma opened her superb eyes in amazement, and her cheek kindled with a little flush of displeasure; yet she answered playfully,—"What! would you resolve 'the new star of the drama' into nebulousness and nothingness again? Remember my art, sweet Coz; I am a priestess sworn to its altar."