And the Wondersmith laughed horribly, while the snaky moustache on his upper lip writhed as if it had truly a serpent's power and could sting.

"Have you got your first batch, Herr Hippe?" asked Madame Filomel. "Are they all ready?"

"Oh, ay! they are ready," answered the Wondersmith with gusto, opening, as he spoke, the box covered with the blue steel lace-work; "they are here."

The box contained a quantity of exquisitely carved wooden manikins of both sexes, painted with great dexterity so as to present a miniature resemblance to Nature. They were, in fact, nothing more than admirable specimens of those toys which children delight in placing in various positions on the table,—in regiments, or sitting at meals, or grouped under the stiff green trees which always accompany them in the boxes in which they are sold at the toy-shops.

The peculiarity, however, about the manikins of Herr Hippe was not alone the artistic truth with which the limbs and the features were gifted; but on the countenance of each little puppet the carver's art had wrought an expression of wickedness that was appalling. Every tiny face had its special stamp of ferocity. The lips were thin and brimful of malice; the small black bead-like eyes glittered with the fire of a universal hate. There was not one of the manikins, male or female, that did not hold in his or her hand some miniature weapon. The little men, scowling like demons, clasped in their wooden fingers swords delicate as a housewife's needle. The women, whose countenances expressed treachery and cruelty, clutched infinitesimal daggers, with which they seemed about to take some terrible vengeance.

"Good!" said Madame Filomel, taking one of the manikins out of the box and examining it attentively; "you work well, Duke Balthazar! These little ones are of the right stamp; they look as if they had mischief in them. Ah! here come our brothers."

At this moment the same scratching that preceded the entrance of Madame Filomel was heard at the door, and Herr Hippe replied with a hoarse, guttural cry. The next moment two men entered. The first was a small man with very brilliant eyes. He was wrapt in a long shabby cloak, and wore a strange nondescript species of cap on his head, such a cap as one sees only in the low billiard-rooms in Paris. His companion was tall, long-limbed, and slender; and his dress, although of the ordinary cut, either from the disposition of colors, or from the careless, graceful attitudes of the wearer, assumed a certain air of picturesqueness. Both the men possessed the same marked Oriental type of countenance which distinguished the Wondersmith and Madame Filomel. True gypsies they seemed, who would not have been out of place telling fortunes, or stealing chickens in the green lanes of England, or wandering with their wild music and their sleight-of-hand tricks through Bohemian villages.

"Welcome, brothers!" said the Wondersmith; "you are in time. Sister
Filomel has brought the souls, and we are about to test them. Monsieur
Kerplonne, take off your cloak. Brother Oaksmith, take a chair. I
promise you some amusement this evening; so make yourselves comfortable.
Here is something to aid you."

And while the Frenchman Kerplonne, and his tall companion, Oaksmith, were obeying Hippe's invitation, he reached over to a little closet let into the wall, and took thence a squat bottle and some glasses, which he placed on the table.

"Drink, brothers!" he said; "it is not Christian blood, but good stout wine of Oporto. It goes right to the heart, and warms one like the sunshine of the South."