Mrs. Peckham laid her large, flaccid arm in the sharp angle made by the black sleeve which held the bony limb her husband offered, and the two took the stair and struck out for the parlor. The ice was broken, and the dressing-room began to empty itself into the spacious, lighted apartments below.
Mr. Silas Peckham scaled into the room with Mrs. Peckham alongside, like a shad convoying a jelly-fish.
"Good evenin', Mrs. Sprowle! I hope I see you well this evenin'. How's your health, Colonel Sprowle?"
"Very well, much obleeged to you. Hope you and your good lady are well. Much pleased to see you. Hope you'll enjoy yourselves. We've laid out to have everything in good shape,—spared no trouble nor ex"——
——"pense,"—said Silas Peckham.
Mrs. Colonel Sprowle, who, you remember, was a Jordan, had nipped the Colonel's statement in the middle of the word Mr. Peckham finished, with a look that jerked him like one of those sharp twitches women keep giving a horse when they get a chance to drive one.
Mr. and Mrs. Crane, Miss Ada Azuba, and Miss Mahala Crane made their entrance. There had been a discussion about the necessity and propriety of inviting this family, the head of which kept a small shop for hats and boots and shoes. The Colonel's casting vote had carried it in the affirmative.—How terribly the poor old green de-laine did cut up in the blaze of so many lamps and candles!
——Deluded little wretch, male or female, in town or country, going to your first great party, how little you know the nature of the ceremony in which you are to bear the part of victim! What! are not these garlands and gauzy mists and many-colored streamers which adorn you, is not this music which welcomes you, this radiance that glows about you, meant solely for your enjoyment, young miss of seventeen or eighteen summers, now for the first time swimming into the frothy, chatoyant, sparkling, undulating sea of laces and silks and satins, and white-armed, flower-crowned maidens struggling in their waves, beneath the lustres that make the false summer of the drawing-room?
Stop at the threshold! This is a hall of judgment you are entering; the court is in session; and if you move five steps forward, you will be at its bar.
There was a tribunal once in France, as you may remember, called the Chambre Ardente, the Burning Chamber. It was hung all round with lamps, and hence its name. The burning chamber for the trial of young maidens is the blazing ballroom. What have they full-dressed you, or rather half-dressed you for, do you think? To make you look pretty, of course!—Why have they hung a chandelier above you, flickering all over with flames, so that it searches you like the noonday sun, and your deepest dimple cannot hold a shadow? To give brilliancy to the gay scene, no doubt!—No, my dear! Society is inspecting you, and it finds undisguised surfaces and strong lights a convenience in the process. The dance answers the purpose of the revolving pedestal upon which the "White Captive" turns, to show us the soft, kneaded marble, which looks as if it had never been hard, in all its manifold aspects of living loveliness. No mercy for you, my love! Justice, strict justice, you shall certainly have,—neither more nor less. For, look you, there are dozens, scores, hundreds, with whom you must be weighed in the balance; and you have got to learn that the "struggle for life" Mr. Charles Darwin talks about reaches to vertebrates clad in crinoline, as well as to mollusks in shells, or articulates in jointed scales, or anything that fights for breathing-room and food and love in any coat of fur or feather! Happy they who can flash defiance from bright eyes and snowy shoulders back into the pendants of the insolent lustres!