Scarcely does the sun drop behind St. Peter's on the first day of May, before bonfires begin to blaze from all the country towns on the mountain-sides, showing like great beacons. This is a custom founded in great antiquity, and common to the North and South. The first of May is the Festival of the Holy Apostles in Italy; but in Germany, and still farther north, in Sweden and Norway, it is Walpurgisnacht,—when goblins, witches, hags, and devils hold high holiday, mounting on their brooms for the Brocken. And it was on this night that Mephistopheles carried Faust on his wondrous ride, and showed him the spectre of Margaret with the red line round her throat. Miss Bremer, in her "Life in Dalecarlia," gives the following account of the origin of this custom:—"It is so old," she says, "that there is no perfect certainty either of its origin or signification. It is, however, believed that it derives its origin from a heathen sacrificatory festival; and there is ground for the acceptation that children were sacrificed alive at this very feast,—and this, in fact, in order to expel or reconcile the evil spirits, of whom the people believed, that, partly flying, partly riding, they commenced their passages over fields and woods at the beginning of spring, and which are to this day called enchanters, witches, nymphs, and so forth. It is also believed that about this time the spirits of the earth came forth from out of the bosom of the earth and the heart of the mountains in order to seek intercourse with the children of men. Fires were frequently kindled upon the sepulchral hills, and at these, sacrifices were offered, chiefly to the good powers, namely, to those who provide for a fruitful year. At present I should scarcely think there is an individual who believes in such superstitious stuff. But they still, as in days of yore, kindle fires upon the mountains on this night, and still look upon it as a bad omen, if any common or ugly-formed creature, whether beast or man, makes its appearance at the fire."

In the Neapolitan towns great fires are built on this festival, around which the people dance, jumping through the flames, and flinging themselves about in every wild and fantastic attitude. It is probably a relic of some old sacrificatory festival to Maia, who has given her name to this month,—the custom still remaining after its significance is gone.

The month of May is the culmination of the spring and the season of seasons at Rome. No wonder that foreigners who have come when winter sets in and take wing before April shows her sky sometimes growl at the weather, and ask if this is the beautiful Italian clime. They have simply selected the rainy season for their visit; and one cannot expect to have sun the whole year through, without intermission. Where will they find more sun in the same season? where will they find milder and softer air? Days even in the middle of winter, and sometimes weeks, descend as it were from heaven to fill the soul with delight; and a lovely day in Rome is lovelier than under any other sky on earth. But just when foreigners go away in crowds, the weather is settling into the perfection of spring, and then it is that Rome is most charming. The rains are over, the sun is a daily blessing, all Nature is bursting into leaf and flower, and one may spend days on the Campagna without fear of colds and fever. Stay in Rome during May, if you wish to feel its beauty.

The best rule for a traveller who desires to enjoy the charms of every clime would be to go to the North in the winter and to the South in the spring and summer. Cold is the speciality of the North, and all its sports and gayeties take thence their tone. The houses are built to shut out the demon of Frost, and protect one from his assaults of ice and snow. Let him howl about your windows and scrawl his wonderful landscapes on your panes and pile his fantastic wreaths outside, while you draw round the blazing hearth and enjoy the artificial heat and warm in the social converse that he provokes. Your punch is all the better for his threats; by contrast you enjoy the more. Or brave him outside in a flying sledge, careering with jangling bells over white wastes of snow, while the stars, as you go, fly through the naked trees that are glittering with ice-jewels, and your blood tingles with excitement, and your breath is blown like a white incense to the skies. That is the real North. How tame he will look to you, when you go back in August and find a few hard apples, a few tough plums, and some sour little things which are apologies for grapes! He looks sneaky enough then, with his make-believe summer, and all his furs off. No, then is the time for the South. All is simmering outside, and the locust saws and shrills till he seems to heat the air. You stay in the house at noon, and know what a virtue there is in thick walls which keep out the fierce heats, in gaping windows and doors that will not shut because you need the ventilation. You will not now complain of the stone and brick floors that you cursed all winter long, and on which you now sprinkle water to keep the air cool in your rooms. The blunders and stupidities of winter are all over. The breezy loggia is no longer a joke. You are glad enough to sit there and drink your wine and look over the landscape. Manuccia brings in a great basket of grapes that are grapes, which the wasp envies you as you eat, and comes to share. And here are luscious figs bursting with seedy sweetness, and apricots rusted in the sun, and velvety peaches that break into juice in your mouth, and great black-seeded cocomeri. Nature empties her cornucopia of fruits and flowers and vegetables all over your table. Luxuriously you enjoy them and fan yourself and take your siesta, with full appreciation of your dolce far niente. When the sun begins to slope westward, if you are in the country, you wander through the green lanes festooned with vines and pluck the grapes as you go; or, if you are in the city, you saunter the evening long through the streets, where all the world are strolling, and take your granito of ice or sherbet, and talk over the things of the day and the time, and pass as you go home groups of singers and serenaders with guitars, flutes, and violins,—serenade, perhaps, sometimes, yourself; and all the time the great planets and stars palpitate in the near heavens, and the soft air full of fragrance blows against your cheek. And you can really say, This is Italy! For it is not what you do, so much as what you feel, that makes Italy.

But pray remember, when you go there, that in the South every arrangement is made for the nine hot months, and not for the three cold and rainy ones you choose to spend there, and perhaps your views may be somewhat modified in respect of this "miserable people," who, you say, "have no idea of comfort,"—meaning, of course, English comfort. Perhaps, I say; for it is in the nature of travellers to come to sudden conclusions upon slight premises, to maintain with obstinacy preconceived notions, and to quarrel with all national traits except their own. And being English, unless you have a friend in India who has made you aware that cane-bottom chairs are India-English, you will be pretty sure to believe that there is no comfort without carpets and coal; or being an American, you will be apt to undervalue a gallery of pictures with only a three-ply carpet on the floor, and to "calculate," that, if they could see your house in Washington Street, they would feel rather ashamed. However, there is a great deal of human nature in mankind, wherever you go,—except in Paris, perhaps, where Nature is rather inhuman and artificial. And when I instance the Englishman and American as making false judgments, let me not be misunderstood as supposing them the only nations in that category. No, no! did not my Parisian acquaintance the other day assure me very gravely, after lamenting the absurdity of the Italians' not speaking French instead of their own language,—"But, Sir, what is this Italian? nothing but bad French!"—and did not another of that same polished nation, in describing his travels to Naples, say, in answer to the question, whether he had seen the grand old temples of Paestum,—"Ah, yes, I have seen Paestum; 'tis a detestable country!—like the Campagna of Rome"? I am perfectly aware that there are differences of opinion.

Let me, then, beg you to remain in Rome during the mouth of May, if you can possibly make your arrangements to do so.

May is the month of the Madonna, and on every festa-day you will see at the corners of the streets a little improvised shrine, or it may be only a festooned print of the Madonna hung against the walls of some house or against the back of a chair, and tended by two or three children, who hold out to you a plate, as you pass, and beg for charity, sometimes, I confess, in the most pertinacious way,—the money thus raised to be expended in oil for the lamps before the Madonna shrines in the streets. The monasteries of nuns are also busy with processions and celebrations in honor of "the Mother of God," which are carried on pleasantly within their precincts and seen only of female friends. Sometimes you will meet a procession of ladies outside the gates following a cross on foot, while their carriages come after in a long file. These are societies which are making the pilgrimage of the Seven Basilicas outside the Walls. They set out early in the morning, stopping in each basilica for a half-hour to say their prayers, and return to Rome at Ave Maria.

Life, too, is altogether changed now. All the windows are wide open, and there is at least one head and shoulders leaning out at every house. And the poorer families are all out on their door-steps, working and chatting together, while their children run about them in the streets, sprawling, playing, and fighting. Many a beautiful theme for the artist is now to be found in these careless and characteristic groups; and curly-headed Saint Johns may be seen in every street, half naked, with great black eyes and rounded arms and legs. It is this which makes Rome so admirable a residence for an artist. All things are easy and careless in the out-of-doors life of the common people,—all poses unsought, all groupings accidental, all action unaffected and unconscious. One meets Nature at every turn,—not braced up in prim forms, not conscious in manners, not made up into the fashionable or the proper, but impulsive, free, and simple. With the whole street looking on, they are as unconscious and natural as if they were where no eye could see them,—ay, and more natural, too, than it is possible for some people to be, even in the privacy of their solitary rooms. They sing at the top of their lungs as they sit on their door-steps at their work, and often shout from house to house across the street a long conversation, and sometimes even read letters from upper windows to their friends below in the street. The men and women who cry their fruits, vegetables, and wares up and down the city, laden with baskets or panniers, and often accompanied by a donkey, stop to chat with group after group, or get into animated debates about prices, or exercise their wits and lungs at once in repartee in a very amusing way. Everybody is in dishabille in the morning, but towards twilight the girls put on their better dresses, and comb their glossy raven hair, heaping it up in great solid braids, and, hanging two long golden ear-rings in their ears and collane round their full necks, come forth conquering and to conquer, and saunter bare-headed up and down the streets, or lounge about the doorways or piazzas in groups, ready to give back to any jeerer as good as he sends. You see them marching along sometimes in a broad platoon of five or six, all their brows as straight as if they had been ruled, and their great dark eyes flashing out under them, ready in a moment for a laugh or a frown. What stalwart creatures they are! What shoulders, bosoms, and backs they have! what a chance for the lungs under those stout busti! and what finished and elegant heads! They are certainly cast in a large mould, with nothing belittled or meagre about them, either in feature or figure.

Early in the morning you will see streaming through the streets or gathered together in picturesque groups, some standing, some couching on the pavement, herds of long-haired goats, brown and white and black, which have been driven, or rather which have followed their shepherd, into the city to be milked. The majestical, long-bearded, patriarchal rams shake their bells and parade solemnly round,—while the silken females clatter their little hoofs as they run from the hand of the milker when he has filled his can. The shepherd is kept pretty busy, too, milking at everybody's door; and before the fashionable world is up at nine, the milk is gone and the goats are off.

You may know that it is May by the orange and lemon stands, which are erected in almost every piazza. These are little booths covered with canvas, and fantastically adorned with lemons and oranges intermixed, which, piled into pyramids and disposed about everywhere, have a very gay effect. They are generally placed near a fountain, the water of which is conducted through a canna into the centre of the booth, and there, finding its own level again, makes a little spilling fountain from which the bibite are diluted. Here for a baiocco one buys lemonade or orangeade and all sorts of curious little drinks or bibite, with a feeble taste of anisette or some other herb to take off the mawkishness of the water,—or for a half-baiocco one may have the lemonade without sugar, and in this way it is usually drunk. On all festa-days, little portable tables are carried round the streets, hung to the neck of the limonaro, and set down at convenient spots, or whenever a customer presents himself, and the cries of "Acqua fresca,—limonaro, limonaro,—chi vuol bere?" are heard on all sides; and I can assure you, that, after standing on tiptoe for an hour in the heat and straining your neck and head to get sight of some Church procession, you are glad enough to go to the extravagance of even a lemonade with sugar; and smacking your lips, you bless the institution of the limonaro as one which must have been early instituted by the Good Samaritan. Listen to his own description of himself in one of the popular canzonetti sung about the streets by wandering musicians to the accompaniment of a violin and guitar:—