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THE SPHINX'S CHILDREN.
"Que la volonté soit le destin!"
Long had she sat, crouched upon her breast,—crouched, but not for slumber or for spring. No slumber gloomed darkly in those broad, sad eyes; no dream indefinably softened the lips, whose patient outline breathed only wakefulness and expectation,—a long-deferred, yet constant expectation,—a hope that would have been despair, save that it was just within hope's limits,—a monotonous, reiterate, indestructible chord in the creature's mystic existence, that, once struck by some mighty, shrouded Hand of Power, still reverberated, and trailed its still renewing echoes through every fibre of its secret habitation. Nor yet for spring;—a couchant leopard has posed itself with horrid intent; murder glitters in its fixed golden eye, quivers in the tense loins, creeps in the tawny glitter of the skin, clutches the keen claws, that recoil, and grasp, and recoil again from the velvet ball of that heavy foot; murder grins in the withdrawn lip, the white, red-set teeth, the slavering crunch of the jaw: but nothing of all these fired the quiet and the silence of the crouching Sphinx; nerve and muscle in tranquil strength lay relaxed, though not unconscious. Year after year the yellow Desert robed itself in burning mists, splendid and deadly; year after year the hot simoom licked up its sands, and, whirling them madly over the dead plain, dashed them against the silent Sphinx, and grain by grain heaped her slow-growing grave; the Nile spread its waters across the green valley, and lapped its brink with a watery thirst for land, and then receded to its channel, and poured its ancient flood still downward to the sea; worshipped, or desecrated; threaded by black Nubian boatmen, who mocked its sacred name with such savage mirth as satyrs might have spirted from their hairy lips; navigated by keen-eyed Arabs, lithe and dark and treacherous as the river beneath them; Coptic shepherds, lingering on the brink, drank the sweet waters, and led their flocks to drink at the shallows, when the shepherd's star cleft that deepest sky with its crest, and warned the simple people of their hour;—yet forever stood the Sphinx, passionately patient, looking for sunrise, over desert, vale, and river,—beyond man,—to her hour.—And the hour came.
Once to all things comes their hour. The black column of basalt quivers to its heart with one keen lightning thrill that vindicates its kin to the electric flash without; the granite cliff loses one atom from its bald front, and every other atom quails before the dumb shiver of gravitation and shifts its place; the breathing, breathless marble, which a sculptor has rescued from its primeval sleep, and, repeating after God, though with stammering and insufficient lips, the great drama of Paradise, makes a man out of dust,—once, once, in the dcadness of its beauty, that marble thrills with magnetic life, drinks its maker's soul, repeats the Paradisaic amen, and owns that it is good. Yea, greater miracle of transcendental truth,—once,—perhaps twice,—the sodden, valueless heart of that old man, whose gold has sucked out all that made him a man, beats with a pulse of generous honor; even in the dust of stocks and the ashes of speculation, amid the howling curses of the poor and the bitter weeping of his own flesh, once he hears the Voice of God, and all eternity cleaves the earth at his feet with a glare of truth. Once in her loathsome life, that woman, brazen with sin and shame, flaunting on the pavement, the scorn and jest of decency and indecency, the fearful index of corrupt society,—even she has her hour of softness, when the tiny grass that creeps out from the stones comes greenly into a spring sunshine, and as with a divine whisper recalls to her the time before she fell, the unburdened heart, the pure childish pleasures, the kind look of her dead mother's eye, the clasp of that sister's arm who passed her but yesterday pallid with disgust and ashamed to own their sacred birth-tie: then the tide rolls back: the hour is come! She, too, called a woman, who leads society, and triumphs over caste and custom with metallic ring and force,—she who forgets the decencies of age in her shameless attire, and supplies its defects with subterfuges, falser in heart even than in aspect,—she, about whom cluster men old and young, applauding with brays of laughter and coarser jeers the rancor of her wit, as it drops its laughing venom or its sneering sophisms of worldly wisdom,—even she, when the lights are fled, when the music has ceased from its own desecration, when the frenzy of wine and laughter mock her in their dead dregs, when the men who flattered and the women who envied are all gone,—she recalls one calm eye in the crowd, that stung her with its pure contemptuous pity, a look not to be shut out with draperies as the stars are; and even through her soul, harder than the soul of that unowned sister walking the midnight street beneath the window, since it has ceased to know the stab of sin or the choking agony of shame,—even through that world-trodden heart flashes one conscious pang, one glimpse of a possible heaven and an inevitable hell, one naked and open vision of herself.
Long had the Sphinx waited. Year after year the flocking pigeons flitted and wheeled through the sweet skies of spring, built their nests and reared their young; tiny lizards, the new birth of the season, coiled and glittered on the hot sands like wandering jewels; every creature, dying out of conscious life, left its perpetuated self behind it, and repeated its own youth in its young, according to its kind: but the Sphinx lived alone. Nor all-unconscious of her solitude: for he who formed that massive shape, chiselled those calm, expectant lips, and wide eyes pensive as setting moons, he had not failed to do what all true artists do in virtue of their truth,—he had shared his own life with his own creation, and it was his lonely yearning that stirred her pulseless heart. Little did he think, toiling at that stupendous figure, ages gone by, that he transfused into the stone at which he labored, like a patient ant at some stupendous burden, no little share of that creative yearning that inspired him to his task; as little as you think, dear poet, whether poet, painter, or sculptor,—for all are one, and one is all,—that in those dreams which you write, as unconscious of your power as the transcribing stylus of its office, your own heart pulsates for a listening world, and the very linking of words that so respire their own music makes those words self-sentient of their breaking, thrilling melody, and wrings or exalts them, idea-garments as they are, with the restless heaving of the thought that wears them.
Or you, whose sun-steeped brush brings to life on canvas the golden trances of August noons, the high, still splendor of its mountain-tops, which the sun caresses with fiery languor, the unrippled slumber of its warm streams, the broad glory of its woods and meadows fused with light and heat into the resplendent haze that earth exhales in her day of prime, till he who sees the picture hears the cricket's chirping in its moveless grasses, and scents the rich aromatic breath of its summer-passion and its rapturous noon,—do you dream, when at last the perfect work repeats your thought, and you rest in the tropie atmosphere you have created, that in very truth the picture itself is full of inward heat and breathless languor? For you have poured out the colors that light makes out of heat, and in them the still inevitable light shall ever stir the recreating heat that clothes itself in color, and bring your thought, no more a dead abstraction, but a living power, into the very substance whereby you have expressed it. And even so far as you were creative, so shall your work be informed by you, and not mere dead pigment and dried oil and dull canvas be your autograph, but the vivid and inspiring blazon of an inspired idea shall glow life-like on some friendly wall, and in its turn inspire some other soul, whose light within needs but the breath from without to burst upward in clear flame.
Or you, who unveil from its marble tomb that figure of a chained and stainless woman, whose atmosphere is as a nun's veil, whose sad divinity is a crown,—do you dare imagine that the holy despair you have imaged, the pause of a saint's resignation and a martyr's courage, is but the outline and the faultless contour of a stone? Come back, Pygmalion, from your mythic sleep! return, Art's divinest mystery, germ of all its power, from the deep dust of ages! and teach these modern men that his story whose passion fired a statue's breast was but an immortal fable, a similitude of the truth you feel, but do not see,—that even as our Creator shared His life with His creatures, so do you pour, in far less measure, but obedient to that precedent which is law, your own life and the magnetic instincts of that life, into what you create!
Keep your hearts pure and your hands clean, therefore; for these things that you sell for dead shall one day livingly confront you, and tell their own story of your life and your nature with terrible honesty to men and angels.
But whoever, in those mystic ages that have ceased to be historic and have become mythic, whoever made the Sphinx,—whether it were some Titaness sequestered from all her kind by genie-spells, forced to live amid these desert solitudes, fed from the abundant hands of Nature, and taught by dreams inspired and twilight visions,—