The Elm, under these circumstances, often acquires a very beautiful shape. Unlike other trees that send up a single undivided shaft, the Elm, when growing in the forest as well as in the open plain, becomes subdivided into several slightly divergent branches, running up almost perpendicularly until they reach the level of the wood, when they suddenly spread themselves out, and the tree exhibits the parasol shape more nearly even than the Palm. When one of these forest Elms is left by the woodman, and is seen standing alone in the clearing, it presents to our sight one of the most graceful and beautiful of all arborescent forms.
The rows of Willows, so frequent by the way-side where the road passes over a wet meadow, afford the most common examples of the pollard forms. Some of these willows, having escaped the periodical trimming of the woodcutter, have become noble standards, emulating the Oak in the sturdy grandeur of their giant arms extending over the road. Most of them, however, from the repeated cropping which they have suffered, exhibit a round head of long, slender branches, growing out of the extremity of the beheaded trunk.
My remarks thus far relate to trees considered as individual objects; but I must not tire the patience of the reader by extending them farther, though there are many other relations in which they may be treated. In whatever light we regard them, they will be found to deserve attention as the fairest ornaments of Nature, and as objects that should be held sacred from their importance to our welfare and happiness. The more we study them, the more desirous are we of their preservation, and the more convinced of the necessity of using some active means to effect this purpose. He takes but a narrow view of their importance who considers only their value in the economy of animal and vegetable life. The painter has always made them a particular branch of his study; and the poet understands their advantage in increasing the effect of his descriptions, and believes them to be the blessed gifts of Providence to render the earth a beautiful abode and sanctify it to our affections. The heavenly bodies affect the soul with a deeper sense of creative power; but trees, like flowers, serve to draw us more closely to the bosom of Nature, by exemplifying the beauties of her handiwork, and the wonders of that Wisdom that operates unseen, and becomes, in our search for it, a source of perpetual delight.
VICTOR AND JACQUELINE.
[Concluded.]
VII.
The three days passed away. And every hour's progress was marked as it passed over the citizens of Meaux. Leclerc, and the doctrines for which he suffered, filled the people's thought; he was their theme of speech. Wonder softened into pity; unbelief was goaded by his stripes to cruelty; faith became transfigured, while he, followed by the hooting crowd, endured the penalty of faith. Some men looked on with awe that would become adoring; some with surprise that would take refuge in study and conviction. There were tears as well as exultation, solemn joy as well as execration, in his train. The mother of Leclerc followed him with her undaunted testimony, "Blessed be Jesus Christ and His Witnesses!"
By day, in the field, Jacqueline Gabrie thought over the reports she heard through the harvesters, of the city's feeling, of its purpose, of its judgment; by night she prayed and hoped, with the mother of Leclerc; and wondrous was the growth her faith had in those days.
On the evening of the third day, Jacqueline and Elsie walked into Meaux together. This was not invariably their habit. Elsie had avoided too frequent conversation with her friend of late. She knew their paths were separate, and was never so persuaded of the fact as this night, when, of her own will, she sought to walk with Jacqueline. The sad face of her friend troubled her; it moved her conscience that she did not deeply share in her anxiety. When they came from Domrémy, she had relied on Jacqueline: there was safety in her counsel,—there was wisdom in it: but now, either?
"It made me scream outright, when I saw the play," said she; "but it is worse to see your face nowadays,—it is more terrible, Jacqueline."