'Tis odd that our people should have—not water on the brain,—but a little gas there. A shrewd foreigner said of the Americans, that "whatever they say has a little the air of a speech." Yet one of the traits down in the books, as distinguishing the Anglo-Saxon, is a trick of self-disparagement. To be sure, in old, dense countries, among a million of good coats, a fine coat comes to be no distinction, and you find humorists. In an English party, a man with no marked manners or features, with a face like red dough, unexpectedly discloses wit, learning, a wide range of topics, and personal familiarity with good men in all parts of the world, until you think you have fallen upon some illustrious personage. Can it be that the American forest has refreshed some weeds of old Pictish barbarism just ready to die out,—the love of the scarlet feather, of beads, and tinsel? The Italians are fond of red clothes, peacock-plumes, and embroidery; and I remember, one rainy morning in the city of Palermo, the street was in a blaze with scarlet umbrellas. The English have a plain taste. The equipages of the grandees are plain. A gorgeous livery indicates new and awkward city-wealth. Mr. Pitt, like Mr. Pym, thought the title of Mister good against any king in Europe. They have piqued themselves on governing the whole world in the poor, plain, dark committee-room which the House of Commons sat in before the fire.

Whilst we want cities as the centres where the best things are found, cities degrade us by magnifying trifles. The countryman finds the town a chop-house, a barber's shop. He has lost the lines of grandeur of the horizon, hills and plains, and, with them, sobriety and elevation. He has come among a supple, glib-tongued tribe, who live for show, servile to public opinion. Life is dragged down to a fracas of pitiful cares and disasters. You say the gods ought to respect a life whose objects are their own; but in cities they have betrayed you to a cloud of insignificant annoyances:—

"Mirmidons, race féconde,
Mirmidons,
Enfins nous commandons;
Jupiter livre le monde
Aux mirmidons, aux mirmidons."[B]

[Footnote B: Béranger.]

'Tis heavy odds
Against the gods,
When they will match with myrmidons.
We spawning, spawning myrmidons,
Our turn to-day; we take command:
Jove gives the globe into the hand
Of myrmidons, of myrmidons.

What is odious but noise, and people who scream and bewail?—people whose vane points always east, who live to dine, who send for the doctor, who raddle themselves, who toast their feet on the register, who intrigue to secure a padded chair and a corner out of the draught? Suffer them once to begin the enumeration of their infirmities, and the sun will go down on the unfinished tale. Let these triflers put us out of conceit with petty comforts. To a man at work, the frost is but a color; the rain, the wind, he forgot them when he came in. Let us learn to live coarsely, dress plainly, and lie hard. The least habit of dominion over the palate has certain good effects not easily estimated. Neither will we be driven into a quiddling abstemiousness. 'Tis a superstition to insist on a special diet. All is made at last of the same chemical atoms.

A man in pursuit of greatness feels no little wants. How can you mind diet, bed, dress, or salutes or compliments, or the figure you make in company, or wealth, or even the bringing things to pass, when you think how paltry are the machinery and the workers? Wordsworth was praised to me, in Westmoreland, for having afforded to his country neighbors an example of a modest household, where comfort and culture were secured without display. And a tender boy who wears his rusty cap and outgrown coat, that he may secure the coveted place in college and the right in the library, is educated to some purpose. There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet,—that saves on superfluities, and spends on essentials,—that goes rusty, and educates the boy,—that sells the horse, but builds the school,—works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.

We can ill spare the commanding social benefits of cities; they must be used,—yet cautiously, and haughtily,—and will yield their best values to him who best can do without them. Keep the town for occasions, but the habits should be formed to retirement. Solitude, the safeguard of mediocrity, is to genius the stern friend, the cold, obscure shelter where moult the wings which will bear it farther than suns and stars. He who should inspire and lead his race must be defended from travelling with the souls of other men,—from living, breathing, reading, and writing in the daily, time-worn yoke of their opinions. "In the morning, solitude," said Pythagoras,—that Nature may speak to the imagination, as she does never in company, and that her favorite may make acquaintance with those divine strengths which disclose themselves to serious and abstracted thought. 'Tis very certain that Plato, Plotinus, Archimedes, Hermes, Newton, Milton, Wordsworth did not live in a crowd, but descended into it from time to time as benefactors: and the wise instructor will press this point of securing to the young soul, in the disposition of time and the arrangements of living, periods and habits of solitude. The high advantage of university-life is often the mere mechanical one, I may call it, of a separate chamber and fire,—which parents will allow the boy without hesitation at Cambridge, but do not think needful at home. We say solitude, to mark the character of the tone of thought; but if it can be shared between two, or more than two, it is happier, and not less noble. "We four," wrote Neander to his sacred friends, "will enjoy at Halle the inward blessedness of a civitas Dei, whose foundations are forever friendship. The more I know you, the more I dissatisfy and must dissatisfy all my wonted companions. Their very presence stupefies me. The common understanding withdraws itself from the one centre of all existence."

Solitude takes off the pressure of present importunities, that more catholic and humane relations may appear. The saint and poet seek privacy to ends the most public and universal: and it is the secret of culture, to interest the man more in his public than in his private quality. Here is a new poem, which elicits a good many comments in the journals and in conversation. From these it is easy, at last, to eliminate the verdict which readers passed upon it; and that is, in the main, unfavorable. The poet, as a craftsman, is interested only in the praise accorded to him, and not in the censure, though it be just; and the poor little poet hearkens only to that, and rejects the censure, as proving incapacity in the critic. But the poet cultivated becomes a stockholder in both companies,—say Mr. Curfew,—in the Curfew stock, and in the humanity stock; and, in the last, exults as much in the demonstration of the unsoundness of Curfew as his interest in the former gives him pleasure in the currency of Curfew. For the depreciation of his Curfew stock only shows the immense values of the humanity stock. As soon as he sides with his critic against himself, with joy, he is a cultivated man.

We must have an intellectual quality in all property and in all action, or they are nought. I must have children, I must have events, I must have a social state and history, or my thinking and speaking want body or basis. But to give these accessories any value, I must know them as contingent and rather showy possessions, which pass for more to the people than to me. We see this abstraction in scholars, as a matter of course: but what a charm it adds when observed in practical men! Bonaparte, like Caesar, was intellectual, and could look at every object for itself, without affection. Though an egotist à l'outrance, he could criticize a play, a building, a character, on universal grounds, and give a just opinion. A man known to us only as a celebrity in politics or in trade gains largely in our esteem, if we discover that he has some intellectual taste or skill: as when we learn of Lord Fairfax, the Long Parliament's general, his passion for antiquarian studies; or of the French regicide Carnot, his sublime genius in mathematics; or of a living banker, his success in poetry; or of a partisan journalist, his devotion to ornithology. So, if, in travelling in the dreary wildernesses of Arkansas or Texas, we should observe on the next seat a man reading Horace, or Martial, or Calderon, we should wish to hug him. In callings that require roughest energy, soldiers, sea-captains, and civil engineers sometimes betray a fine insight, if only through a certain gentleness when off duty: a good-natured admission that there are illusions, and who shall say that he is not their sport? We only vary the phrase, not the doctrine, when we say that culture opens the sense of beauty. A man is a beggar who only lives to the useful, and, however he may serve as a pin or rivet in the social machine, cannot be said to have arrived at self-possession. I suffer, every day, from the want of perception of beauty in people. They do not know the charm with which all moments and objects can be embellished,—the charm of manners, of self-command, of benevolence. Repose and cheerfulness are the badge of the gentleman,—repose in energy. The Greek battle-pieces are calm; the heroes, in whatever violent actions engaged, retain a serene aspect: as we say of Niagara, that it falls without speed. A cheerful, intelligent face is the end of culture, and success enough; for it indicates the purpose of Nature and wisdom attained.