I had heard of another variety of wildcat, seen at rare intervals in the same districts. The habitant is rather foggy on the subject of zoology in general, and my attempts to obtain a satisfactory description of this animal were futile. Some of the definitions of this rare chat-sauvage, indeed, might have answered for specifications of a griffin, or of a vampire-bat. At last, one day, when walking about in the market-place at Quebec, I saw a crowd assembled round a gray-clad countryman, who presided over a small box on which the words Chat-Sauvage were painted. Now was my time to set the question at rest. I invested sixpence in the show. When a good number of sixpences had been paid in, the proprietor opened his box, out from which crawled a fat, familiar raccoon, apparently as much at home in the market-place as he could have been in the middle of his native swamp. And this was the mysterious "wild-cat" about which I had asked so many questions and heard so many stories!
It is noticeable that thunder-storms, travelling from the westward toward Quebec, usually diverge across the valley of the St. Charles in the direction of Lorette, and coast along the ridge of ground on which that place is situated to Charlesbourg, a small village lying about four miles to the east of it, upon the ridge. There the storms appear to culminate, pouring out the full vials of their wrath upon the devoted habitans of white-cotted Charlesbourg. The wayfarer who wends through this rustical district will hardly fail to observe the prevailing taste for lightning-rods. The smallest cottage has at least two of these fire-irons, one upon each gable; houses of more pretensions are provided with an indefinite number; and the big white church has its purple roof so bristled with them, that the pause which a flash of lightning must necessarily make before deciding by which of them to come down must enable any tolerably active person to get out of the way in good time. And yet, with all these defenders of the faithful, I remember how the steeple was taken clean off the big white church, in splinters, one wild night after I had watched a long array of cloud-chariots rolling heavily away eastward along the ridge: also, how a farmer's handsome daughter, the belle of the village, sat upright and dead upon a sofa when people came again to their eyesight after a blinding flash. So much for lightning-rods!—so much for the mystic iron!
When the day of the Fête Dieu comes round, Quebec and its neighboring villages are all alive for the celebration of the fête, which takes place on the following Sunday. Then the great suburb of St. Roch is a sight to see. Every street of it is converted into a green alley, embowered with young pine-trees, and flaunting with banners temporarily constructed out of all available pieces of dry-goods, lent by the devoted shop-keepers of the olden Church. Most extraordinary lithographs of holy personages are hung out upon the door-posts and walls of every house. Bowers shading curious little shrines meet the eye everywhere. The white tables of the little shrines are loaded with gilt and tinselled offerings in immense variety. Curious bosses, like lace-pillows got up for church, swing pendent from the verdant pine-branches. The vast parish-church, of sombre gray masonry, flashing carnival-fires from the tin-plated pepper-boxes and slopes of its acre of roof, is receiving or disgorging a variegated multitude of good Catholics. Within, it is a mass of foliage, a wilderness of shrines, a cloud-land of incense. Long processions of maidens all in white, and others of maidens all in pale watchet-blue, are threading the principal streets. They are not all very religious maidens, I am afraid; because, as sure as fate, one very young one of those robed in pure white "made eyes" at me as she passed. Now all this display in Quebec and its suburbs is set forth on a great scale and with bewildering turmoil; but if you want to see it in miniature presentment, you must pass down through St. Roch, and take the road to Lorette. Arrived among the sauvages,—for so the Canadian habitant invariably calls his Indian brother, who is often as like him as one pea is like another,—you will there see the little old Huron church decked out in humble imitation of its younger, but bigger brothers in the city. The lanes between the log-houses are embowered in a modest way, and the drapery is eked out by many a yellow flannel petticoat and pair of scarlet leggings that dally riotously with each other in the breeze. The shrines are certainly less magnificent than those fairy bowers of the elf-land St. Roch, but there is a good deal of beaded peltry and bark-work about them, giving them, in a small way, the character of aboriginal bazaars. The Hurons are bons Catholiques, and everything connected with the fête is conducted with a solemnity becoming the character of the Christian red man. So decorous, indeed, are the little sauvagesses forming the miniature processions, that I do not remember ever detecting the eyes of any of them wandering and wantoning around, like those of the naughty little processional in white about whose conduct I just now complained.
The instinct of the French-Canadian for Indian trading has led one of that race to establish a general store close by the Huron village, though on the habitant side of the stream. The gay printed cottons indispensable to the belle sauvagesse are here to be found, as well as the blue blankets and the white, of so much account in the wardrobe of the women as well as of the men. Here, too, are to be had the assorted beads and silks and worsteds used in the embroidery of moccasons, epaulettes, and such articles; nor is the quality of the Cognac kept on hand by Joe for his customers to be characterized as despicable. Indeed, it would be hazardous to aver that anything is not to be had, for the proper compensation, in Joe's establishment,—that is, anything that could possibly be required by the most exacting sauvage or sauvagesse, from a strap of sleigh-bells to a red-framed looking-glass. Out of that store, too, comes a deal of the vivid drapery displayed upon the Fête Dieu, and much of the art-union resource combined in the attractive cheap lithograph element so edifying to the connoisseur.
I think it was one of those fêtes—if not, another bright summer holiday—that I once saw darkly disturbed in this quiet little hamlet. Standing upon the table-rock that juts out at the foot of the fall so as to half-bridge over the lower-most eddy, I saw a small object topple over the summit of the cascade. It was nothing but a common pail or stable-bucket, as I perceived, when it glided past, almost within arm's length of me, and disappeared down the winding gorge. When I went up again to the road, I saw a crowd of holiday people standing near the little inn. They were solemn and speechless, and, on approaching, I saw that they were gazing upon the body of a man, dead and sadly crushed and mutilated. He was a calèche-driver from Quebec, well known to the small community; and although it does not seem any great height from the roadway near the inn to the tumbled rocks by the river's edge just above the fall, yet it was a drop to mash and kill the poor fellow dead enough, when his foot slipped, as he descended the unsafe path to get water for his horse. A dweller in great cities—say, for instance, one who lives within decent distance of such a charming locality as that called the Five Points in New York—could hardly realize the amount of awe that an event so trifling as a sudden and violent death will spread over a primitive village community. This happened in the French division of the place, which, of course, was decorated to the utmost ability of the people in honor of the fête: and so palpable was the gloom cast over all by the circumstance, that the bright flannels flaunting from the cordons stretched across the way seemed to darken into palls, and the gay red streamers must have appeared to the subdued carnival spirits as warning crape-knots on the door-handle of death.
I believe it is a maxim with the Italian connoisseur of art, that no landscape is perfect without one red spot to give value to its varieties of green. On this principle, let me break the monotony of this little rural sketch with the one touch of genuine American character that belonged to it at the time of which I speak. Let William Button be the one red spot that predominated vastly over the green influences by which he was surrounded. The little inn at Lorette was then kept by a worthy host bearing the above-mentioned name, which was dingily lettered out upon a swinging sign, dingily representing a trotting horse,—emblem as dear to the slow Canadian as to the fast American mind. William Button—known as Billy Button to hosts of familiar friends—was, I think, a Kentuckian by birth; a fact which might honestly account for his having come by the loss of an eye through some operation by which marks of violence had been left upon the surrounding tracts of his rugged countenance. He was a short, thick-set man, with bow-legs like those of a bull-terrier, and walked with a heavy lurch in his gait. William's head was of immense size in proportion to his stature. Indeed, that important joint of his person must have been a division by about two of what artists term heroic proportions, or eight heads to a height,—a standard by which Button was barred from being a hero, for his head could hardly have been much less than a fourth of his entire length. The expression of his face was remarkably typical of American humor and shrewdness, an effect much aided by the chronic wink afforded by his closed eye. How Button found his way to this remote spot would have been a puzzle to any person unfamiliar with American character. How he managed to live among and deal with and very considerably master a community speaking no language with which he was acquainted was more unaccountable still. The inn could not have been a very profitable speculation, in itself; but there was one room in it fitted out with a display of Indian manufactures,—some of the articles reposing in glass cases to protect them from hands and dust, others arranged with negligent regularity upon the walls. Out of these the landlord made a good penny, as he charged an extensive percentage upon the original cost,—that is, to strangers; but if you were in Button's confidence, then was there no better fellow to intrust with a negotiation for a pair of snow-shoes, or moose-horns, or anything else in that line of business. In the winter season he was a great instigator of moose- and caribou-expeditions to the districts where these animals abound, assembling for this purpose the best Indian hunters to be found in the neighborhood, and accompanying the party himself. Out of the spoils of these expeditions he sometimes made a handsome profit: a good pair of moose-horns, for instance, used to fetch from six to ten dollars; and there is always a demand for the venison in the Quebec market. The skins were manufactured into moccason-leather by Indian adepts whom Button had in his pay, and who worked for a very low rate of remuneration,—quite disproportioned, indeed, to the fancy prices always paid by strangers for the articles turned out by their hands.
The name "Billy Button" carries with it an association oddly corroborated by a story narrated of himself by the man of whom I am speaking. Of all the reminiscences connected with the illegitimate drama that have dwelt with me from my early childhood until now, not one is more vividly impressed upon my memory than that standard old comedy on horseback performed by circus-riders long since gone to rest, and entitled "Billy Button's Journey to Brentford." The hero of this pleasant horse-play was a tailor,—men following that useful trade being considered capable of affording more amusement in connection with horses than any others, excepting, perhaps, jolly mariners on a spree. The plot of the drama used to strike my young mind as being a "crib" from "John Gilpin"; but I forgave that, in consideration of the skilful manner in which the story was wrought out. With what withering contempt used I, brought up among horses and their riders, to jeer at the wretched attempts of the tailor to remain permanently upon any central point of the horse's spinal ridge! How cheerful my feelings, when that man of shreds and patches fell prostrate in the sawdust, where he lay grovelling until the next revolution of his noble steed, when the animal caught him up by the baggiest portion of the trousers and carried him round the arena as a terrier might a rat! But, oh, what mingled joy and admiration, when out from the worried mass of coats leaped the nimble rider, now no longer a miserable tailor, but a roseate young man in tights and spangles, featly posturing over all the available area of his steed, and "witching the world with noble horsemanship"!
All these memories crowded upon me with a tremendous shock the very first time I saw the name of William Button upon the dingy swinging sign. Afterwards, when I became intimate with that curious person, I discovered that he was a capital "whip,"—first-rate, indeed, as a driver of the fast trotting horse, as well as a good judge of that superior article. With respect to his experiences as a rider he was more reserved; and it was not until after I had known him a long time that he confided to me the particulars of a ride once taken by him, which bore, in its principal features, a singular resemblance to the one performed by his great name-sake of the sawdust-ring.
There is a pack of fox-hounds kept at Montreal, maintained chiefly by officers of the garrison, as a shadowy reminiscence, perhaps, of the real thing, which is essentially of insular Britain and of nowhere else. Button happened to go to Montreal, on one occasion, for the purpose of picking up a race-horse, I think, for the Quebec market. Somebody who used to ride with the hounds had a horse which he wanted to get rid of, on account of headstrong tendencies in general and inability to appreciate the advantages of a bit. I remember the animal well. He was a fiery chestnut, with white about the legs, and very good across a country so long as he was wanted to go; but no common power could stop him when once he began to do that. On this animal—"The Buffer," he was called—Button was persuaded to mount, "just to try him a little," his owner said; and by way of doing that with perfect freedom from restraint, they rode out to where the hounds were to throw off, a couple of miles from the city. Button used to say that the term "throw off," which was new to him in that application, haunted him all the way out, like a bad dream. It was a bag-fox day, I believe: that is, the hunt was provided with a trapped animal, brought upon the ground in a sack and let out when the proper time came,—a process known in sporting parlance as "shaking a fox." The usual amount of "law" having been conceded, the hounds were laid on, and went away, as Button said, like a fire-flake over a prairie. No sooner did "The Buffer" hear the cry of the pack, than he started forward with a suddenness and force by which his wretched rider was jerked back at least a foot behind the saddle, into which place of rest he never once again fell during his many vicissitudes of position in that ride. I have said that Button was bow-legged; and to that providential fact did he attribute the power by which he clung on to various parts of the steed during his wild career of perhaps a mile, but which seemed to the troubled senses of the rider not much less than fifty. It was providential for him, too, that the country was but sparsely intersected by fences, and those not of a very formidable character: nevertheless, at each of these the too confiding Button experienced a change of position, being, as he used to express it, "interjuiced forrard o' the saddle or back'ard o' the saddle, accordin' to the kind o' thing the hoss flew over, and one time booleyvusted right under the hoss, whar he hung on by the girth ontil another buck-jump sent him right side on ag'in; but never, on no account, did he touch leather ag'in in all that ride." And thus Billy Button might have ridden farther and fared worse, had he not seen a terrible fate staring him imminently in the face. The hounds had just entered a little grove of young pine-trees, which stood very close together, and bristled with sharp, jagged branches nearly to the root, after the manner of these children of the wood. At this place of torture "The Buffer" was rushing with all his might, Button being then situated upon his neck, in a position most convenient for being "skinned alive" by the trees, as he said, when a plunge made by the animal over a plashy pool transferred the rider to his tail, from which he "collapsed right down in a kind o' swoon, and when he come to, found himself settin' up to his elbows in muddy water, very solitary-like, and with a terrible stillness all around."—What became of "The Buffer" I forget, and also how Button got home; but he certainly did not ride. And he always wound up the narrative of his first and last fox-hunt by invoking terrible ends to himself, if ever he "threw leg over dog-hoss ag'in, to see a throw-off."
Button left Lorette about two years after I first became acquainted with him, and I next heard of him down at the rock-walled Saguenay, where he had gone into a speculation for supplying the Boston market with salmon. But horse-flesh seemed to be more palatable to him than fish; for, later still, I met him at Toronto, in Upper Canada, mounted upon a powerful dark brown stallion, and leading another, its exact counterpart.