The early blossoms represent the aboriginal epoch of our history: the blood-root and the May-flower are older than the white man, older perchance than the red man; they alone are the true Native Americans. Of the later wild plants, many of the most common are foreign importations. In our sycophancy we attach grandeur to the name exotic: we call aristocratic garden-flowers by that epithet; yet they are no more exotic than the humbler companions they brought with them, which have become naturalized. The dandelion, the buttercup, duckweed, celandine, mullein, burdock, yarrow, whiteweed, nightshade, and most of the thistles,—these are importations. Miles Standish never crushed these with his heavy heel as he strode forth to give battle to the savages; they never kissed the daintier foot of Priscilla, the Puritan maiden. It is noticeable that these are all of rather coarser texture than our indigenous flowers; the children instinctively recognize this, and are apt to omit them, when gathering the more delicate native blossoms of the woods.
There is something touching in the gradual retirement before civilization of these delicate aborigines. They do not wait for the actual brute contact of red bricks and curbstones, but they feel the danger miles away. The Indians called the low plantain "the white man's footstep"; and these shy creatures gradually disappear, the moment the red man gets beyond their hearing. Bigelow's delightful "Florula Bostoniensis" is becoming a series of epitaphs. Too well we know it,—we who in happy Cambridge childhood often gathered, almost within a stone's throw of Professor Agassiz's new Museum, the arethusa and the gentian, the cardinal-flower and the gaudy rhexia,—we who remember the last secret hiding-place of the rhodora in West Cambridge, of the yellow violet and the Viola debilis in Watertown, of the Convallaria trifolia near Fresh Pond, of the Hottonia beyond Wellington's Hill, of the Cornus florida in West Roxbury, of the Clintonia and the dwarf ginseng in Brookline,—we who have found in its one chosen nook the sacred Andromeda polyfolia of Linnaeus. Now vanished almost or wholly from city-suburbs, these fragile creatures still linger in more rural parts of Massachusetts; but they are doomed everywhere, unconsciously, yet irresistibly; while others still more shy, as the Linnoea, the yellow Cypripedium, the early pink Azalea, and the delicate white Corydalis or "Dutchman's breeches," are being chased into the very recesses of the Green and the White Mountains. The relics of the Indian tribes are supported by the legislature at Martha's Vineyard, while these precursors of the Indian are dying unfriended away.
And with these receding plants go also the special insects which haunt them. Who that knew that pure enthusiast, Dr. Harris, but remembers the accustomed lamentations of the entomologist over the departure of these winged companions of his lifetime? Not the benevolent Mr. John Beeson more tenderly mourns the decay of the Indians than he the exodus of these more delicate native tribes. In a letter which I happened to receive from him a short time previous to his death, he thus renewed the lament:—"I mourn for the loss of many of the beautiful plants and insects that were once found in this vicinity. Clethra, Rhodora, Sanguinaria, Viola debilis, Viola acuta, Dracoena borealis, Rhexia, Cypripedium, Corallorhiza verna, Orchis spectabilis, with others of less note, have been rooted out by the so-called hand of improvement. Cicindela rugifrons, Helluo proeusta, Sphoeroderus stenostomus, Blethisa quadricollis, (Americana mî,) Carabus, Horia, (which for several years occurred in profusion on the sands beyond Mount Auburn,) with others, have entirely disappeared from their former haunts, driven away, or exterminated perhaps, by the changes effected therein. There may still remain in your vicinity some sequestered spots, congenial to these and other rarities, which may reward the botanist and the entomologist who will search them carefully. Perhaps you may find there the pretty coccinella-shaped, silver-margined Omophron, or the still rarer Panagoeus fasciatus, of which I once took two specimens on Wellington's Hill, but have not seen it since." Is not this indeed handling one's specimens "gently as if you loved them," as Isaak Walton bids the angler do with his worm?
There is this merit, at least, among the coarser crew of imported flowers, that they bring their own proper names with them, and we know precisely whom we have to deal with. In speaking of our own native flowers, we must either be careless and inaccurate, or else resort sometimes to the Latin, in spite of the indignation of friends. There is something yet to be said on this point. In England, where the old household and monkish names adhere, they are sufficient for popular and poetic purposes, and the familiar use of scientific names seems an affectation. But here, where many native flowers have no popular names at all, and others are called confessedly by wrong ones,—where it really costs less trouble to use Latin names than English, the affectation seems the other way. Think of the long list of wild-flowers where the Latin name is spontaneously used by all who speak of the flower: as, Arethusa, Aster, Cistus, ("after the fall of the cistus-flower,") Clematis, Clethra, Geranium, Iris, Lobdia, Bhodora, Spirtea, Tiarella, Trientalis, and so on. Even those formed from proper names (the worst possible system of nomenclature) become tolerable at last, and we forget the man in the more attractive flower. Are those who pick the Houstonia to be supposed thereby to indorse the Texan President? Or are the deluded damsels who chew Cassia-buds to be regarded as swallowing the late Secretary of State? The names have long since been made over to the flowers, and every questionable aroma has vanished. When the godfather happens to be a botanist, there is a peculiar fitness in the association; the Linaea, at least, would not smell so sweet by any other name.
In other cases the English name is a mere modification of the Latin one, and our ideal associations have really a scientific basis: as with Violet, Lily, Laurel, Gentian, Vervain. Indeed, our enthusiasm for vernacular names is like that for Indian names, one-sided: we enumerate only the graceful ones, and ignore the rest. It would be a pity to Latinize Touch-me-not, or Yarrow, or Gold-Thread, or Self-Heal, or Columbine, or Blue-Eyed-Grass,—though, to be sure, this last has an annoying way of shutting up its azure orbs the moment you gather it, and you reach home with a bare, stiff blade, which deserves no better name than Sisyrinchium anceps. But in what respect is Cucumber-Root preferable to Medeola, or Solomon's-Seal to Convallaria, or Rock-Tripe to Umbilicaria, or Lousewort to Pedicularis? In other cases the merit is divided: Anemone may dispute the prize of melody with Windflower, Campanula with Harebell, Neottia with Ladies'-Tresses, Uvularia with Bellwort and Strawbell, Potentilla with Cinquefoil, and Sanguinaria with Bloodroot. Hepatica may be bad, but Liverleaf is worse. The pretty name of May-flower is not so popular, after all, as that of Trailing-Arbutus, where the graceful and appropriate adjective redeems the substantive, which happens to be Latin and incorrect at the same time. It does seem a waste of time to say Chrysanthemum leucanthemum instead of Whiteweed; though, if the long scientific name were an incantation to banish the intruder, our farmers would gladly consent to adopt it.
But the great advantage of a reasonable use of the botanical name is, that it does not deceive us. Our primrose is not the English primrose, any more than it was our robin who tucked up the babes in the wood; our cowslip is not the English cowslip, it is the English marsh-marigold,—Tennyson's "wild marsh-marigold shines like fire in swamps and hollows gray." The pretty name of Azalea means something definite; but its rural name of Honeysuckle confounds under that name flowers without even an external resemblance,—Azalea, Diervilla, Lonioera, Aquilegia,—just as every bird which sings loud in deep woods is popularly denominated a thrush. The really rustic names of both plants and animals are very few with us,—the different species are many; and as we come to know them better and love them more, we absolutely require some way to distinguish them from their half-sisters and second-cousins. It is hopeless to try to create new popular epithets, or even to revive those which are thoroughly obsolete. Miss Cooper may strive in vain, with benevolent intent, to christen her favorite spring-blossoms "May-Wings" and "Gay-Wings," and "Fringe-Cup" and "Squirrel-Cup," and "Cool-Wort" and "Bead-Ruby"; there is no conceivable reason why these should not be the familiar appellations, except the irresistible fact that they are not. It is impossible to create a popular name: one might as well attempt to invent a legend or compose a ballad. Nascitur, non fit.
As the spring comes on, and the densening outlines of the elm give daily a new design for a Grecian urn,—its hue, first brown with blossoms, then emerald with leaves,—we appreciate the vanishing beauty of the bare boughs. In our favored temperate zone, the trees denude themselves each year, like the goddesses before Paris, that we may see which unadorned loveliness is the fairest. Only the unconquerable delicacy of the beech still keeps its soft vestments about it: far into spring, when worn to thin rags and tatters, they cling there still; and when they fall, the new appear as by magic. It must be owned, however, that the beech has good reasons for this prudishness, and possesses little beauty of figure; while the elms, maples, chestnuts, walnuts, and even oaks, have not exhausted all their store of charms for us, until we have seen them disrobed. Only yonder magnificent pine-tree,—that pitch-pine, nobler when seen in perfection than white-pine, or Norwegian, or Norfolk Islander,—that pitch-pine, herself a grove, una nemus, holds her unchanging beauty throughout the year, like her half-brother, the ocean, whose voice she shares; and only marks the flowing of her annual tide of life by the new verdure that yearly submerges all trace of last year's ebb.
How many lessons of faith and beauty we should lose, if there were no winter in our year! Sometimes, in following up a watercourse among our hills, in the early spring, one comes to a weird and desolate place, where one huge wild grapevine has wreathed its ragged arms around a whole thicket and brought it to the ground,—swarming to the tops of hemlocks, clenching a dozen young maples at once and tugging them downward, stretching its wizard black length across the underbrush, into the earth and out again, wrenching up great stones in its blind, aimless struggle. What a piece of chaos is this! Yet come here again, two months hence, and you shall find all this desolation clothed with beauty and with fragrance, one vast bower of soft green leaves and graceful tendrils, while summer-birds chirp and flutter amid these sunny arches all the livelong day. "Out of the strong cometh forth sweetness."
To the end of April, and often later, one still finds remains of snowbanks in sheltered woods, especially those consisting of evergreen trees; and this snow, like that upon high mountains, has become hardened by the repeated thawing and freezing of the surface, till it is more impenetrable than ice. But the snow that actually falls during April is usually only what Vermonters call "sugar-snow,"—falling in the night and just whitening the surface for an hour or two, and taking its name, not so much from its looks as from the fact that it denotes the proper weather for "sugaring," namely, cold nights and warm days. Our saccharine associations, however, remain so obstinately tropical, that it seems almost impossible for the imagination to locate sugar in New England trees; though it is known that not the maple only, but the birch and the walnut even, afford it in appreciable quantities.
Along our maritime rivers the people associate April, not with "sugaring," but with "shadding." The pretty Amelanchier Canadensis of Gray—the Aronia of Whittler's song—is called Shad-bush or Shad-blow in Essex County, from its connection with this season; and there is a bird known as the Shad-spirit, which I take to be identical with the flicker or golden-winged woodpecker, whose note is still held to indicate the first day when the fish ascend the river. Upon such slender wings flits our New England romance!