The ducal cortege sweeps by; but we have mounted the dizzy, dark staircase that leads to the roof, where, amid the bustling life of the city, there is a promenade of still and wondrous solitude. One seems to have ascended in those few moments far beyond the tumult and dust of earthly things, to the silence, the clearness, the tranquillity of ethereal regions. The noise of the rushing tides of life below rises only in a soft and distant murmur; while around, in the wide, clear distance, is spread a prospect which has not on earth its like or its equal. The beautiful plains of Lombardy lie beneath like a map, and the northern horizon-line is glittering with the entire sweep of the Alps, like a solemn senate of archangels with diamond mail and glittering crowns. Mont Blanc, Monte Rosa with his countenance of light, the Jungfrau and all the weird brothers of the Oberland, rise one after another to the delighted gaze, and the range of the Tyrol melts far off into the blue of the sky. On another side, the Apennines, with their picturesque outlines and cloud-spotted sides, complete the inclosure. All around, wherever the eye turns, is the unbroken phalanx of mountains; and this temple, with its thousand saintly statues standing in attitudes of ecstasy and prayer, seems like a worthy altar and shrine for the beautiful plain which the mountains inclose: it seems to give all Northern Italy to God.
The effect of the statues in this high, pure air, in this solemn, glorious scenery, is peculiar. They seem a meet companionship for these exalted regions. They seem to stand exultant on their spires, poised lightly as ethereal creatures, the fit inhabitants of the pure blue sky. One feels that they have done with earth; one can fancy them a band of white-robed kings and priests forever ministering in that great temple of which the Alps and the Apennines are the walls and the Cathedral the heart and centre. Never were Art and Nature so majestically married by Religion in so worthy a temple.
One form could be discerned standing in rapt attention, gazing from a platform on the roof upon the far-distant scene. He was enveloped in the white coarse woollen gown of the Dominican monks, and seemed wholly absorbed in meditating on the scene before him, which appeared to move him deeply; for, raising his hands, he repeated aloud from the Latin Vulgate the words of an Apostle:—
"Accessistis ad Sion montem et civitatem Dei viventis, Ierusalem caelestem, et multorum millinm angelorum frequentiam, ecclesiam primitivorum, qui inscripti sunt in caelis."[A]
[Footnote A: "Ye are come unto Mount Sion, and unto the city of the living God, the heavenly Jerusalem, and to an innumerable company of angels, to the general assembly and church of the first-born, which are written in heaven.">[
At this moment the evening worship commenced within the Cathedral, and the whole building seemed to vibrate with the rising swell of the great organ, while the grave, long-drawn tones of the Ambrosian Liturgy rose surging in waves and dying away in distant murmurs, like the rolling of the tide on some ocean-shore. The monk turned and drew near to the central part of the roof to listen, and as he turned he disclosed the well-known features of Father Antonio.
Haggard, weary, and travel-worn, his first impulse, on entering the city, was to fly to this holy solitude, as the wandering sparrow of sacred song sought her nest amid the altars of God's temple. Artist no less than monk, he found in this wondrous shrine of beauty a repose both for his artistic and his religious nature; and while waiting for Agostino Sarelli to find his uncle's residence, he had determined to pass the interval in this holy solitude. Many hours had he paced alone up and down the long promenades of white marble which run everywhere between forests of dazzling pinnacles and flying-buttresses of airy lightness. Now he rested in fixed attention against the wall above the choir, which he could feel pulsating with throbs of sacred sound, as if a great warm heart were beating within the fair marble miracle, warming it into mysterious life and sympathy.
"I would now that boy were here to worship with me," he said. "No wonder the child's faith fainteth: it takes such monuments as these of the Church's former days to strengthen one's hopes. Ah, woe unto those by whom such offence cometh!"
At this moment the form of Agostino was seen ascending the marble staircase.
The eye of the monk brightened as he came towards him. He put out one hand eagerly to take his, and raised the other with a gesture of silence.