BLIND TOM.
Only a germ in a withered flower,
That the rain will bring out—sometime.
Sometime in the year 1850, a tobacco-planter in Southern Georgia (Perry H. Oliver by name) bought a likely negro woman with some other field-hands. She was stout, tough-muscled, willing, promised to be a remunerative servant; her baby, however, a boy a few months old, was only thrown in as a makeweight to the bargain, or rather because Mr. Oliver would not consent to separate mother and child. Charity only could have induced him to take the picaninny, in fact, for he was but a lump of black flesh, born blind, and with the vacant grin of idiocy, they thought, already stamped on his face. The two slaves were purchased, I believe, from a trader: it has been impossible, therefore, for me to ascertain where Tom was born, or when. Georgia field-hands are not accurate as Jews in preserving their genealogy; they do not anticipate a Messiah. A white man, you know, has that vague hope unconsciously latent in him, that he is, or shall give birth to, the great man of his race, a helper, a provider for the world's hunger: so he grows jealous with his blood; the dead grandfather may have presaged the possible son; besides, it is a debt he owes to this coming Saul to tell him whence he came. There are some classes, free and slave, out of whom society has crushed this hope: they have no clan, no family-names among them, therefore. This idiot-boy, chosen by God to be anointed with the holy chrism, is only "Tom,"—"Blind Tom," they call him in all the Southern States, with a kind cadence always, being proud and fond of him; and yet—nothing but Tom? That is pitiful. Just a mushroom-growth,—unkinned, unexpected, not hoped for, for generations, owning no name to purify and honor and give away when he is dead. His mother, at work to-day in the Oliver plantations, can never comprehend why her boy is famous; this gift of God to him means nothing to her. Nothing to him, either, which is saddest of all; he is unconscious, wears his crown as an idiot might. Whose fault is that? Deeper than slavery the evil lies.
Mr. Oliver did his duty well to the boy, being an observant and thoroughly kind master. The plantation was large, heartsome, faced the sun, swarmed with little black urchins, with plenty to eat, and nothing to do.
All that Tom required, as he fattened out of baby- into boyhood, was room in which to be warm, on the grass-patch, or by the kitchen-fires, to be stupid, flabby, sleepy,—kicked and petted alternately by the other hands. He had a habit of crawling up on the porches and verandas of the mansion and squatting there in the sun, waiting for a kind word or touch from those who went in and out. He seldom failed to receive it. Southerners know nothing of the physical shiver of aversion with which even the Abolitionists of the North touch the negro: so Tom, through his very helplessness, came to be a sort of pet in the family, a playmate, occasionally, of Mr. Oliver's own infant children. The boy, creeping about day after day in the hot light, was as repugnant an object as the lizards in the neighboring swamp, and promised to be of as little use to his master. He was of the lowest negro type, from which only field-hands can be made,—coal-black, with protruding heels, the ape-jaw, blubber-lips constantly open, the sightless eyes closed, and the head thrown far back on the shoulders, lying on the back, in fact, a habit which he still retains, and which adds to the imbecile character of the face. Until he was seven years of age, Tom was regarded on the plantation as an idiot, not unjustly; for at the present time his judgment and reason rank but as those of a child four years old. He showed a dog-like affection for some members of the household,—a son of Mr. Oliver's especially,—and a keen, nervous sensitiveness to the slightest blame or praise from them,—possessed, too, a low animal irritability of temper, giving way to inarticulate yelps of passion when provoked. That is all, so far; we find no other outgrowth of intellect or soul from the boy: just the same record as that of thousands of imbecile negro-children. Generations of heathendom and slavery have dredged the inherited brains and temperaments of such children tolerably clean of all traces of power or purity,—palsied the brain, brutalized the nature. Tom apparently fared no better than his fellows.
It was not until 1857 that those phenomenal powers latent in the boy were suddenly developed, which stamped him the anomaly he is to-day.
One night, sometime in the summer of that year, Mr. Oliver's family were wakened by the sound of music in the drawing-room: not only the simple airs, but the most difficult exercises usually played by his daughters, were repeated again and again, the touch of the musician being timid, but singularly true and delicate. Going down, they found Tom, who had been left asleep in the hall, seated at the piano in an ecstasy of delight, breaking out at the end of each successful fugue into shouts of laughter, kicking his heels and clapping his hands. This was the first time he had touched the piano.
Naturally, Tom became a nine-days' wonder on the plantation. He was brought in as an after-dinner's amusement; visitors asked for him as the show of the place. There was hardly a conception, however, in the minds of those who heard him, of how deep the cause for wonder lay. The planters' wives and daughters of the neighborhood were not people who would be apt to comprehend music as a science, or to use it as a language; they only saw in the little negro, therefore, a remarkable facility for repeating the airs they drummed on their pianos,—in a different manner from theirs, it is true,—which bewildered them. They noticed, too, that, however the child's fingers fell on the keys, cadences followed, broken, wandering, yet of startling beauty and pathos. The house-servants, looking in through the open doors at the little black figure perched up before the instrument, while unknown, wild harmony drifted through the evening air, had a better conception of him. He was possessed; some ghost spoke through him: which is a fair enough definition of genius for a Georgian slave to offer.
Mr. Oliver, as we said, was indulgent. Tom was allowed to have constant access to the piano; in truth, he could not live without it; when deprived of music now, actual physical debility followed: the gnawing Something had found its food at last. No attempt was made, however, to give him any scientific musical teaching; nor—I wish it distinctly borne in mind—has he ever at any time received such instruction.
The planter began to wonder what kind of a creature this was which he had bought, flesh and soul. In what part of the unsightly baby-carcass had been stowed away these old airs, forgotten by every one else, and some of them never heard by the child but once, but which he now reproduced, every note intact, and with whatever quirk or quiddity of style belonged to the person who originally had sung or played them? Stranger still the harmonies which he had never heard, had learned from no man. The sluggish breath of the old house, being enchanted, grew into quaint and delicate whims of music, never the same, changing every day. Never glad: uncertain, sad minors always, vexing the content of the hearer,—one inarticulate, unanswered question of pain in all, making them one. Even the vulgarest listener was troubled, hardly knowing why,—how sorry Tom's music was!