Months before that happened, however, Miss Bacon had taken up her residence at Stratford-on-Avon, drawn thither by the magnetism of those rich secrets which she supposed to have been hidden by Raleigh, or Bacon, or I know not whom, in Shakspeare's grave, and protected there by a curse, as pirates used to bury their gold in the guardianship of a fiend. She took a humble lodging and began to haunt the church like a ghost. But she did not condescend to any stratagem or underhand attempt to violate the grave, which, had she been capable of admitting such an idea, might possibly have been accomplished by the aid of a resurrection-man. As her first step, she made acquaintance with the clerk, and began to sound him as to the feasibility of her enterprise and his own willingness to engage in it. The clerk apparently listened with not unfavorable ears; but, as his situation (which the fees of pilgrims, more numerous than at any Catholic shrine, render lucrative) would have been forfeited by any malfeasance in office, he stipulated for liberty to consult the vicar. Miss Bacon requested to tell her own story to the reverend gentleman, and seems to have been received by him with the utmost kindness, and even to have succeeded in making a certain impression on his mind as to the desirability of the search. As their interview had been under the seal of secrecy, he asked permission to consult a friend, who, as Miss Bacon either found out or surmised, was a practitioner of the law. What the legal friend advised she did not learn; but the negotiation continued, and certainly was never broken off by an absolute refusal on the vicar's part. He, perhaps, was kindly temporizing with our poor countrywoman, whom an Englishman of ordinary mould would have sent to a lunatic-asylum at once. I cannot help fancying, however, that her familiarity with the events of Shakspeare's life, and of his death and burial, (of which she would speak as if she had been present at the edge of the grave,) and all the history, literature, and personalities of the Elizabethan age, together with the prevailing power of her own belief, and the eloquence with which she knew how to enforce it, had really gone some little way towards making a convert of the good clergyman. If so, I honor him above all the hierarchy of England.
The affair certainly looked very hopeful. However erroneously, Miss Bacon had understood from the vicar that no obstacles would be interposed to the investigation, and that he himself would sanction it with his presence. It was to take place after nightfall; and all preliminary arrangements being made, the vicar and clerk professed to wait only her word in order to set about lifting the awful stone from the sepulchre. So, at least, Miss Bacon believed; and as her bewilderment was entirely in her own thoughts, and never disturbed her perception or accurate remembrance of external things, I see no reason to doubt it, except it be the tinge of absurdity in the fact. But, in this apparently prosperous state of things, her own convictions began to falter. A doubt stole into her mind whether she might not have mistaken the depository and mode of concealment of those historic treasures; and after once admitting the doubt, she was afraid to hazard the shock of uplifting the stone and finding nothing. She examined the surface of the gravestone, and endeavored, without stirring it, to estimate whether it were of such thickness as to be capable of containing the archives of the Elizabethan club. She went over anew the proofs, the clues, the enigmas, the pregnant sentences, which she had discovered in Bacon's letters and elsewhere, and now was frightened to perceive that they did not point so definitely to Shakspeare's tomb as she had heretofore supposed. There was an unmistakably distinct reference to a tomb, but it might be Bacon's, or Raleigh's, or Spenser's; and instead of the "Old Player," as she profanely called him, it might be either of those three illustrious dead, poet, warrior, or statesman, whose ashes, in Westminster Abbey, or the Tower burial-ground, or wherever they sleep, it was her mission to disturb.
But she continued to hover around the church, and seems to have had full freedom of entrance in the daytime, and special license, on one occasion at least, at a late hour of the night. She went thither with a dark-lantern, which could but twinkle like a glow-worm through the volume of obscurity that filled the great dusky edifice. Groping her way up the aisle and towards the chancel, she sat down on the elevated part of the pavement above Shakspeare's grave. If the divine poet really wrote the inscription there, and cared as much about the quiet of his bones as its deprecatory earnestness would imply, it was time for those crumbling relics to bestir themselves under her sacrilegious feet. But they were safe. She made no attempt to disturb them; though, I believe, she looked narrowly into the crevices between Shakspeare's and the two adjacent stones, and in some way satisfied herself that her single strength would suffice to lift the former, in case of need. She threw the feeble ray of her lantern up towards the bust, but could not make it visible beneath the darkness of the vaulted roof. Had she been subject to superstitious terrors, it is impossible to conceive of a situation that could better entitle her to feel them, for, if Shakspeare's ghost would rise at any provocation, it must have shown itself then; but it is my sincere belief, that, if his figure had appeared within the scope of her dark-lantern, in his slashed doublet and gown, and with his eyes bent on her beneath the high, bald forehead, just as we see him in the bust, she would have met him fearlessly, and controverted his claims to the authorship of the plays, to his very face. She had taught herself to contemn "Lord Leicester's groom" (it was one of her disdainful epithets for the world's incomparable poet) so thoroughly, that even his disembodied spirit would hardly have found civil treatment at Miss Bacon's hands.
Her vigil, though it appears to have had no definite object, continued far into the night. Several times she heard a low movement in the aisles: a stealthy, dubious foot-fall prowling about in the darkness, now here, now there, among the pillars and ancient tombs, as if some restless inhabitant of the latter had crept forth to peep at the intruder. By-and-by the clerk made his appearance, and confessed that he had been watching her ever since she entered the church.
About this time it was that a strange sort of weariness seems to have fallen upon her: her toil was all but done, her great purpose, as she believed, on the very point of accomplishment, when she began to regret that so stupendous a mission had been imposed on the fragility of a woman. Her faith in the new philosophy was as mighty as ever, and so was her confidence in her own adequate development of it, now about to be given to the world; yet she wished, or fancied so, that it might never have been her duty to achieve this unparalleled task, and to stagger feebly forward under her immense burden of responsibility and renown. So far as her personal concern in the matter went, she would gladly have forfeited the reward of her patient study and labor for so many years, her exile from her country and estrangement from her family and friends, her sacrifice of health and all other interests to this one pursuit, if she could only find herself free to dwell in Stratford and be forgotten. She liked the old slumberous town, and awarded the only praise that ever I knew her to bestow on Shakspeare, the individual man, by acknowledging that his taste in a residence was good, and that he knew how to choose a suitable retirement for a person of shy, but genial temperament. And at this point, I cease to possess the means of tracing her vicissitudes of feeling any farther. In consequence of some advice which I fancied it my duty to tender, as being the only confidant whom she now had in the world, I fell under Miss Bacon's most severe and passionate displeasure, and was cast off by her in the twinkling of an eye. It was a misfortune to which her friends were always particularly liable; but I think that none of them ever loved, or even respected, her most ingenuous and noble, but likewise most sensitive and tumultuous character, the less for it.
At that time her book was passing through the press. Without prejudice to her literary ability, it must be allowed that Miss Bacon was wholly unfit to prepare her own work for publication, because, among many other reasons, she was too thoroughly in earnest to know what to leave out. Every leaf and line was sacred, for all had been written under so deep a conviction of truth as to assume, in her eyes, the aspect of inspiration. A practised book-maker, with entire control of her materials, would have shaped out a duodecimo volume full of eloquent and ingenious dissertation,—criticisms which quite take the color and pungency out of other people's critical remarks on Shakspeare,—philosophic truths which she imagined herself to have found at the roots of his conceptions, and which certainly come from no inconsiderable depth somewhere. There was a great amount of rubbish, which any competent editor would have shovelled out of the way. But Miss Bacon thrust the whole bulk of inspiration and nonsense into the press in a lump, and there tumbled out a ponderous octavo volume, which fell with a dead thump at the feet of the public, and has never been picked up. A few persons turned over one or two of the leaves, as it lay there, and essayed to kick the volume deeper into the mud; for they were the hack critics of the minor periodical press in London, than whom, I suppose, though excellent fellows in their way, there are no gentlemen in the world less sensible of any sanctity in a book, or less likely to recognize an author's heart in it, or more utterly careless about bruising, if they do recognize it. It is their trade. They could not do otherwise. I never thought of blaming them. From the scholars and critics of her own country, indeed, Miss Bacon might have looked for a worthier appreciation, because many of the best of them have higher cultivation and finer and deeper literary sensibilities than all but the very profoundest and brightest of Englishmen. But they are not a courageous body of men; they dare not think a truth that has an odor of absurdity, lest they should feel themselves bound to speak it out. If any American ever wrote a word in her behalf, Miss Bacon never knew it, nor did I. Our journalists at once republished some of the most brutal vituperations of the English press, thus pelting their poor countrywoman with stolen mud, without even waiting to know whether the ignominy was deserved. And they never have known it, to this day, nor ever will.
The next intelligence that I had of Miss Bacon was by a letter from the mayor of Stratford-on-Avon. He was a medical man, and wrote both in his official and professional character, telling me that an American lady, who had recently published what the mayor called a "Shakspeare book," was afflicted with insanity. In a lucid interval she had referred to me, as a person who had some knowledge of her family and affairs. What she may have suffered before her intellect gave way, we had better not try to imagine. No author had ever hoped so confidently as she; none ever failed more utterly. A superstitious fancy might suggest that the anathema on Shakspeare's tombstone had fallen heavily on her head in requital of even the unaccomplished purpose of disturbing the dust beneath, and that the "Old Player" had kept so quietly in his grave, on the night of her vigil, because he foresaw how soon and terribly he would be avenged. But if that benign spirit takes any care or cognizance of such things now, he has surely requited the injustice that she sought to do him—the high justice that she really did—by a tenderness of love and pity of which only he could be capable. What matters it, though she called him by some other name? He had wrought a greater miracle on her than on all the world besides. This bewildered enthusiast had recognized a depth in the man whom she decried, which scholars, critics, and learned societies, devoted to the elucidation of his unrivalled scenes, had never imagined to exist there. She had paid him the loftiest honor that all these ages of renown have been able to accumulate upon his memory. And when, not many months after the outward failure of her life-long object, she passed into the better world, I know not why we should hesitate to believe that the immortal poet may have met her on the threshold and led her in, reassuring her with friendly and comfortable words, and thanking her (yet with a smile of gentle humor in his eyes at the thought of certain mistaken speculations) for having interpreted him to mankind so well.
I believe that it has been the fate of this remarkable book never to have had more than a single reader. I myself am acquainted with it only in insulated chapters and scattered pages and paragraphs. But, since my return to America, a young man of genius and enthusiasm has assured me that he has positively read the book from beginning to end, and is completely a convert to its doctrines. It belongs to him, therefore, and not to me,—whom, in almost the last letter that I received from her, she declared unworthy to meddle with her work,—it belongs surely to this one individual, who has done her so much justice as to know what she wrote, to place Miss Bacon in her due position before the public and posterity.
This has been too sad a story. To lighten the recollection of it, I will think of my stroll homeward past Charlecote Park, where I beheld the most stately elms, singly, in clumps, and in groves, scattered all about in the sunniest, shadiest, sleepiest fashion; so that I could not but believe in a lengthened, loitering, drowsy enjoyment which these trees must have in their existence. Diffused over slow-paced centuries, it need not be keen nor bubble into thrills and ecstasies, like the momentary delights of short-lived human beings. They were civilized trees, known to man and befriended by him for ages past. There is an indescribable difference—as I believe I have heretofore endeavored to express—between the tamed, but by no means effete (on the contrary, the richer and more luxuriant) Nature of England, and the rude, shaggy, barbarous Nature which offers us its racier companionship in America. No less a change has been wrought among the wildest creatures that inhabit what the English call their forests. By-and-by, among those refined and venerable trees, I saw a large herd of deer, mostly reclining, but some standing in picturesque groups, while the stags threw their large antlers aloft, as if they had been taught to make themselves tributary to the scenic effect. Some were running fleetly about, vanishing from light into shadow and glancing forth again, with here and there a little fawn careering at its mother's heels. These deer are almost in the same relation to the wild, natural state of their kind that the trees of an English park hold to the rugged growth of an American forest. They have held a certain intercourse with man for immemorial years; and, most probably, the stag that Shakspeare killed was one of the progenitors of this very herd, and may himself have been a partly civilized and humanized deer, though in a less degree than these remote posterity. They are a little wilder than sheep, but they do not snuff the air at the approach of human beings, nor evince much alarm at their pretty close proximity; although, if you continue to advance, they toss their heads and take to their heels in a kind of mimic terror, or something akin to feminine skittishness, with a dim remembrance or tradition, as it were, of their having come of a wild stock. They have so long been fed and protected by man, that they must have lost many of their native instincts, and, I suppose, could not live comfortably through even an English winter without human help. One is sensible of a gentle scorn at them for such dependency, but feels none the less kindly disposed towards the half-domesticated race; and it may have been his observation of these tamer characteristics in the Charlecote herd that suggested to Shakspeare the tender and pitiful description of a wounded stag, in "As You Like It."
At a distance of some hundreds of yards from Charlecote Hall, and almost hidden by the trees between it and the road-side, is an old brick archway and porter's lodge. In connection with this entrance there appears to have been a wall and an ancient moat, the latter of which is still visible, a shallow, grassy scoop along the base of an embankment of the lawn. About fifty yards within the gate-way stands the house, forming three sides of a square, with three gables in a row on the front and on each of the two wings; and there are several towers and turrets at the angles, together with projecting windows, antique balconies, and other quaint ornaments suitable to the half-Gothic taste in which the edifice was built. Over the gate-way is the Lucy coat-of-arms, emblazoned in its proper colors. The mansion dates from the early days of Elizabeth, and probably looked very much the same as now when Shakspeare was brought before Sir Thomas Lucy for outrages among his deer. The impression is not that of gray antiquity, but of stable and time-honored gentility, still as vital as ever.