"'Sunday Mar. 22
"'Arr. Dutch brig Presto, Van Wyngarten, Rotterdam, Jan. 1. Helvoet, 10th Had terrific gales from SW the greater part of the passage. 40 casks gin JD & M Williams 8 sheep Chenery & Co 200 bags coffee 2 casks herrings 1 case cheese W. Winsel 1 organ JB Upham 20 pipes 6 casks gin JD Richards 6 casks nutmegs J Schumaker 20 do gin 500 bags chickory root Order,' etc., etc.
"And this was the heralding of this greatest marvel of a high and noble art, after the labor of seven years bestowed upon it, having been tried and pronounced complete by the most fastidious and competent of critics, the wonder and admiration of music-loving Germany, the pride of Würtemberg, bringing a new phase of civilization to our shores in the darkest hour of our country's trouble."
It remains to give a brief history of the construction of the grand and imposing architectural frame which we have already attempted to describe. Many organ-fronts were examined with reference to their effects, during Dr. Upham's visits of which we have traced the course, and photographs and sketches obtained for the same purpose. On returning, the task of procuring a fitting plan was immediately undertaken. We need not detail the long series of trials which were necessary before the requirements of the President and Directors of the Music-Hall Association were fully satisfied. As the result of these, it was decided that the work should be committed to the brothers Herter, of New York, European artists, educated at the Royal Academy of Art in Stuttgart. The general outline of the façade followed a design made by Mr. Hammatt Billings, to whom also are due the drawings from which the Saint Cecilia and the two groups of cherubs upon the round towers were modelled. These figures were executed at Stuttgart; the other carvings were all done in New York, under Mr. Herter's direction, by Italian and German artists, one of whom had trained his powers particularly to the shaping of colossal figures. In the course of the work, one of the brothers Herter visited Ludwigsburg for the special purpose of comparing his plans with the structure to which they were to be adapted, and was received with enthusiasm, the design for the front being greatly admired.
The contract was made with Mr. Herter in April, 1860, and the work, having been accepted, was sent to Boston during the last winter, and safely stored in the lecture-room beneath the Music Hall. In March the Great Work arrived from Germany, and was stored in the hall above.
"The seven-years' task is done,—the danger from flood and fire so far escaped,—the gantlet of the pirates safely run,—the perils of the sea and the rail surmounted by the good Providence of God."
The devout gratitude of the President of the Association, under whose auspices this great undertaking has been successfully carried through, will be shared by all lovers of Art and all the friends of American civilization and culture. We cannot naturalize the Old-World cathedrals, for they were the architectural embodiment of a form of worship belonging to other ages and differently educated races. But the organ was only lent to human priesthoods for their masses and requiems; it belongs to Art, a religion of which God himself appoints the high-priests. At first it appears almost a violence to transplant it from those awful sanctuaries, out of whose arches its forms seemed to grow, and whose echoes seemed to hold converse with it, into our gay and gilded halls, to utter its majestic voice before the promiscuous multitude. Our hasty impression is a wrong one. We have undertaken, for the first time in the world's history, to educate a nation. To teach a people to know the Creator in His glorious manifestations through the wondrous living organs is a task for which no implement of human fabrication is too sacred; for all true culture is a form of worship, and to every rightly ordered mind a setting forth of the Divine glory.
This consummate work of science and skill reaches us in the midst of the discordant sounds of war, the prelude of that blessed harmony which will come whenever the jarring organ of the State has learned once more to obey its keys.
God grant that the Miserere of a people in its anguish may soon be followed by the Te Deum of a redeemed Nation!