Neither has this reading been chiefly a work of memorizing, nor has it been expended chiefly upon works of history commonly so called. A product of man's spiritual consciousness being under consideration, it is works of thought and imagination, rather than works of narration, which claim our author's critical attention; and his reading has been reflective and deliberative, involving a judgment upon speculative more than upon historical data. And it may fairly be said, though it be much to say, that he has shrunk from nothing which a perfect performance of his task required. Whether we consider the formation or the expression of his judgments, it may still be affirmed that he has met his great theme fairly, and given to its exposition the utmost exercise of his powers and the unstinted devotion of his labor.
We can accordingly pass upon his work this rare commendation, that it is thoroughly honest. This may, indeed, seem to many no very high approval. But it is one of the very highest. For we mean by it not merely that he has refrained from conscious misrepresentation of fact,—that he has not lied, as Kingsley did about Hypatia in the novel wherein he borrowed, only to befoul, the name of that spotless woman, knowing all the while that his representation was contrary to the recorded facts of history. To say so much only of this book would be not to attribute to it a positive merit, but only to acquit it of damning demerit. But what we affirm is that Mr. Alger has fairly looked his facts in the face, and come to some understanding with himself about them. When he speaks, therefore, it is about facts, about realities, not merely about words; and what he offers is the result of genuine processes of production which have gone on in his own mind. If he speak of life, it is not life in the dictionary, but in the universe. If he profess to offer thoughts, he really gives the results of his thinking. He does not cant; he does not merely recite verbal formulas; he does not play the part of attorney, first determining what to advocate, and then seeking plausible reasons: everywhere one perceives that he has really brought his mind to bear upon facts, and so has come to real mental fruit. And it is this verity, this reality and genuineness, to which we give the name of intellectual honesty. It is a rare quality; and always the rarer in proportion to the depth of the matters treated of, on the one hand, and to their expression in customs and institutions, on the other. Institutions are masks. The thinker must have both earnestness and penetration, if he is to get behind them. And just in proportion as any element of man's spiritual consciousness has come to institutional expression, it is the easier to talk about it and the harder to think upon it,—to talk about it without talking of it. But our author has made the distinction, and to the extent of his power looks facts in the face.
Having come to an understanding with himself, he honestly tries, again, to come to an understanding with the reader. He honestly imparts his mind. We find the book in this respect worthy of especial admiration.
Mr. Alger always writes well when he is not overmuch trying to write well. If he forbear to covet striking effect, his style has perspicuity, directness, and vigor,—the essentials of all excellent writing,—and to these adds verbal affluence and occasional felicity. But if he be tempted of the Devil to become eloquent, and the father of all rhetorical evil strives hard to bring the soul of his style to perdition, then he begins to write badly. Let him, since he is capable of heroic things, imitate Luther, and fling his ink-pot. Even though it light upon the page, let him not be inconsolable, but remember that no blots are so bad as those made by ambitious inflation. We have not that horror of "fine writing" which leads The Saturday Review and Company to such obstreperous exclamation, and can endure the worst that Americans are guilty of in this matter quite as well as that affectation of off-hand ease and nonchalance which enhances the native clumsiness of many among the later English writers, and, to our mind, mars extremely the poetry of Browning. But if a writer has some propensity to rhetorical Babel-building, it were well for him to make an effort in the opposite direction, and try to build his sentences underground, like the houses of the Esquimaux.
Mr. Alger's book has minor faults and major excellences. But let him be content. He has faithfully performed a great labor, and we give him cordial approval. To a great theme he has brought great industry, a just appreciation, a fine spirit, and much of intellectual courage and activity.
Add that he is a man whose soul is in sympathy with the best thought, hope, and heart of the time. Brave, just, and humane, he is always on the right side, and always as direct and unflinching in the utterance of his faith as he is intrepid and right-natured in its adoption. Opinions are expressed in his work which do not accord with those of ecclesiastical majorities; nevertheless we think that those will thank him who least agree with him. It were, indeed, a shame that the people which sets the highest price upon political liberty should be the last to welcome the higher freedoms of thought; but it is a shame, we trust, which will not befall our country. We ourselves have, it is true, as little affection as most men for that sort of "free thinking" which consists in pouring out upon the public the mere wash and cerebral excretion of unclean spirits; but when any man has brought to a consideration of the greatest facts a pure and reverent spirit, he is entitled to present the results of his meditations with manly directness and vigor, as Mr. Alger has done in the work before us.
The "Complete Bibliography of the Subject" is an admirable piece of work. We present our respects to Mr. Ezra Abbot, Jr., and wish that many an earnest literary laborer had such a "friend."
Dream Children. By the Author of "Seven Little People and their Friends." Cambridge: Seaver & Francis.
The children seem to have found their Dickens at last. But, of course, it was to be expected that the child's Dickens would be different, in some important respects, from the Dickens of grown-up men and women. And so he is. Children do with the world in their thoughts pretty much as they will; and the genuine artist, working for children, must recognize this, or he will utterly fail. The author of "Dream Children," who made his introduction to the reading public as the author of "Seven Little People and their Friends," has the rare faculty of realizing for himself the exact position and attitude of the child. This position he takes so earnestly that he has nowhere the air of assumption or arbitrary fiction. The child lives so much in pictures! But the pictures must not betray one single feature of unreality, or the whole effect is spoiled; a moral may be pointed or a tale adorned, but the child has lost his natural food. We need such works as that under present notice to keep children from starving,—works that are not mechanically adapted to children, but which come to them as their own fresh, pure thoughts come, bringing them pictures like those which their own untrammelled fancy paints for them.
We have no space to enter into any details here. The children must do that for themselves; but not the children alone. For, as now and then we come upon a piece of Art, a painting or a statue, which from its subject would seem to belong peculiarly to the child's world, but which, because it is genuine Art, as to its manner and execution, rises out of this confinement to a single class, becoming universal, so it is with books of a similar character. This is true of the present work more emphatically than of the former work by the same author. The more external features of the work—its exquisite getting-up, in paper, binding, and especially in illustration—are only fitting to the inherent gracefulness of the writer's thought.