At the base of Yo-wi-ye we seem standing in a cul-de-sac of Nature's grandest labyrinth. Look where we will, impregnable battlements hem us in. We gaze at the sky from the bottom of a savage granite barathrum, whence there is no escape but return through the chinks and over the crags of an Old-World convulsion. We are at the end of the stupendous series of Yo-Semite effects; eight hundred feet above us, could we climb there, we should find the silent causes of power. There lie the broad, still pools that hold the reserved affluence of the snow-peaks; thence might we see, glittering like diamond lances in the sun, the eternal snow-peaks themselves. But these would still be as far above us as we stood below Yo-wi-ye on the lowest valley-bottom whence we came. Even from Inspiration Point, where our trail first struck the battlement, we could see far beyond the Valley to the rising sun, towering mightily above Tis-sa-ack herself, the everlasting snow-forehead of Castle Rock, his crown's serrated edge cutting the sky at the topmost height of the Sierra. We had spoken of reaching him,—of holding converse with the King of all the Giants. This whole weary way have we toiled since then,—and we know better now. Have we endured all these pains only to learn still deeper Life's saddest lesson,—"Climb forever, and there is still an Inaccessible"?

Wetting our faces with the melted treasure of Nature's topmost treasure-house, Yo-wi-ye answers us ere we turn back from the Yo-Semite's last precipice toward the haunts of men:—

"Ye who cannot go to the Highest, lo, the Highest comes down to you!"


HOUSE AND HOME PAPERS.

BY CHRISTOPHER CROWFIELD.

VI.

"My dear Chris," said my wife, "isn't it time to be writing the next 'House and Home Paper'?"

I was lying back in my study-chair, with my heels luxuriously propped on an ottoman, reading for the two-hundredth time Hawthorne's "Mosses from an Old Manse," or his "Twice-Told Tales," I forget which,—I only know that these books constitute my cloud-land, where I love to sail away in dreamy quietude, forgetting the war, the price of coal and flour, the rates of exchange, and the rise and fall of gold. What do all these things matter, as seen from those enchanted gardens in Padua where the weird Rappaccini tends his enchanted plants, and his gorgeous daughter fills us with the light and magic of her presence, and saddens us with the shadowy allegoric mystery of her preternatural destiny? But my wife represents the positive forces of time, place, and number in our family, and, having also a chronological head, she knows the day of the month, and therefore gently reminded me that by inevitable dates the time drew near for preparing my—which is it now, May or June number?

"Well, my dear, you are right," I said, as by an exertion I came head-uppermost, and laid down the fascinating volume. "Let me see, what was I to write about?"