the banks were literally blue with violets; the elms were putting out their tender leaves, just in that passing aspect which Raphael loved to pencil in the backgrounds of his holy pictures, not as yet printing deep shadows, but only mottling the sunshine at their feet. The birds were in full song; the pines were musical with the soft winds they sweetened. All was in faultless accord, and every heart was filled with the beauty that flooded the landscape.
The church where the funeral services were performed was luminous with the whitest blossoms of the luxuriant spring. A great throng of those who loved him, of those who honored his genius, of those who held him in kindly esteem as a neighbor and friend, filled the edifice. Most of those who were present wished to look once more at the features which they remembered with the lights and shadows of life's sunshine upon them. The cold moonbeam of death lay white on the noble forehead and still, placid features; but they never looked fuller of power than in this last aspect with which they met the eyes that were turned upon them.
In a patch of sunlight, flecked by the shade of tall, murmuring pines, at the summit of a gently swelling mound where the wild-flowers had climbed to find the light and the stirring of fresh breezes, the tired poet was laid beneath the green turf. Poet let us call him, though his chants were not modulated in the rhythm of verse. The element of poetry is air: we know the poet by his atmospheric effects, by the blue of his distances, by the softening of every hard outline he touches, by the silvery mist in which he veils deformity and clothes what is common so that it changes to awe-inspiring mystery, by the clouds of gold and purple which are the drapery of his dreams. And surely we have had but one prose-writer who could be compared with him in aërial perspective, if we may use the painter's term. If Irving is the Claude of our unrhymed poetry, Hawthorne is its Poussin.
This is not the occasion for the analysis and valuation of Hawthorne's genius. If the reader wishes to see a thoughtful and generous estimate of his powers, and a just recognition of the singular beauty of his style, he may turn to the number of this magazine published in May, 1860. The last effort of Hawthorne's creative mind is before him in the chapter here printed. The hand of the dead master shows itself in every line. The shapes and scenes he pictures slide at once into our consciousness, as if they belonged there as much as our own homes and relatives. That limpid flow of expression, never laboring, never shallow, never hurried nor uneven nor turbid, but moving on with tranquil force, clear to the depths of its profoundest thought, shows itself with all its consummate perfections. Our literature could ill spare the rich ripe autumn of such a life as Hawthorne's, but he has left enough to keep his name in remembrance as long as the language in which he shaped his deep imaginations is spoken by human lips.
A SCENE FROM THE DOLLIVER ROMANCE.
Doctor Dolliver, a worthy personage of extreme antiquity, was aroused rather prematurely, one summer morning, by the shouts of the child Pansie, in an adjoining chamber, summoning Old Martha (who performed the duties of nurse, housekeeper, and kitchen-maid, in the Doctor's establishment) to take up her little ladyship and dress her. The old gentleman woke with more than his customary alacrity, and, after taking a moment to gather his wits about him, pulled aside the faded moreen curtains of his ancient bed, and thrust his head into a beam of sunshine that caused him to wink and withdraw it again. This transitory glimpse of good Dr. Dolliver showed a flannel nightcap, fringed round with stray locks of silvery white hair, and surmounting a meagre and duskily yellow visage, which was crossed and criss-crossed with a record of his long life in wrinkles, faithfully written, no doubt, but with such cramped chirography of Father Time that the purport was illegible. It seemed hardly worth while for the patriarch to get out of bed any more, and bring his forlorn shadow into the summer day that was made for younger folks. The Doctor, however, was by no means of that opinion, being considerably encouraged towards the toil of living twenty-four hours longer by the comparative ease with which he found himself going through the usually painful process of bestirring his rusty joints, (stiffened by the very rest and sleep that should have made them pliable,) and putting them in a condition to bear his weight upon the floor. Nor was he absolutely disheartened by the idea of those tonsorial, ablutionary, and personally decorative labors which are apt to become so intolerably irksome to an old gentleman, after performing them daily and daily for fifty, sixty, or seventy years, and finding them still as immitigably recurrent as at first. Dr. Dolliver could nowise account for this happy condition of his spirits and physical energies, until he remembered taking an experimental sip of a certain cordial which was long ago prepared by his grandson and carefully scaled up in a bottle, and had been reposited in a dark closet among a parcel of effete medicines ever since that gifted young man's death.
"It may have wrought effect upon me," thought the Doctor, shaking his head as he lifted it again from the pillow. "It may be so; for poor Cornelius oftentimes instilled a strange efficacy into his perilous drugs. But I will rather believe it to be the operation of God's mercy, which may have temporarily invigorated my feeble age for little Pansie's sake."
A twinge of his familiar rheumatism, as he put his foot out of bed, taught him that he must not reckon too confidently upon even a day's respite from the intrusive family of aches and infirmities which, with their proverbial fidelity to attachments once formed, had long been the closest acquaintances that the poor old gentleman had in the world. Nevertheless, he fancied the twinge a little less poignant than those of yesterday; and, moreover, after stinging him pretty smartly, it passed gradually off with a thrill, which, in its latter stages, grew to be almost agreeable. Pain is but pleasure too strongly emphasized. With cautious movements, and only a groan or two, the good Doctor transferred himself from the bed to the floor, where he stood awhile, gazing from one piece of quaint furniture to another, (such as stiff-backed Mayflower chairs, an oaken chest-of-drawers carved cunningly with shapes of animals and wreaths of foliage, a table with multitudinous legs, a family-record in faded embroidery, a shelf of black-bound books, a dirty heap of gallipots and phials in a dim corner,)—gazing at these things and steadying himself by the bedpost, while his inert brain, still partially benumbed with sleep, came slowly into accordance with the realities about him. The object which most helped to bring Dr. Dolliver completely to his waking perceptions was one that common observers might suppose to have been snatched bodily out of his dreams. The same sunbeam that had dazzled the Doctor between the bed-curtains gleamed on the weather-beaten gilding which had once adorned this mysterious symbol, and showed it to be an enormous serpent, twining round a wooden post, and reaching quite from the floor of the chamber to its ceiling.
It was evidently a thing that could boast of considerable antiquity, the dry-rot having eaten out its eyes and gnawed away the tip of its tail; and it must have stood long exposed to the atmosphere, for a kind of gray moss had partially overspread its tarnished gilt surface, and a swallow, or other familiar little bird, in some by-gone summer, seemed to have built its nest in the yawning and exaggerated mouth. It looked like a kind of Manichean idol, which might have been elevated on a pedestal for a century or so, enjoying the worship of its votaries in the open air, until the impious sect perished from among men,—all save old Dr. Dolliver, who had set up the monster in his bedchamber for the convenience of private devotion. But we are unpardonable in suggesting such a fantasy to the prejudice of our venerable friend, knowing him to have been as pious and upright a Christian, and with as little of the serpent in his character, as ever came of Puritan lineage. Not to make a further mystery about a very simple matter, this bedimmed and rotten reptile was once the medical emblem or apothecary's sign of the famous Dr. Swinnerton, who practised physic in the earlier days of New England, when a head of Æsculapius or Hippocrates would have vexed the souls of the righteous as savoring of heathendom. The ancient dispenser of drugs had therefore set up an image of the Brazen Serpent, and followed his business for many years, with great credit, under this Scriptural device; and Dr. Dolliver, being the apprentice, pupil, and humble friend of the learned Swinnerton's old age, had inherited the symbolic snake, and much other valuable property, by his bequest.