There are some things, however, in this work which we could have wished somewhat different from what they are. Mr. Parton's fluent and forcible style sometimes degenerates into flippancy. We could cite many instances of felicitous expression, some, also, of bad taste, and some of hasty assertion. "Clubable" is hardly a good enough word to bear frequent repetition. "This question was a complete baffler" is too much like slang to be admitted into the good company which Mr. Parton's sentences usually keep. We were not aware that "Physician, heal thyself" was a stock classical allusion. We do not believe—for Dante and Milton would rise up in judgment against us, even if the vast majority of other great men did not—that "it is only second-rate men who have great aims." We do not believe that the style of the "Spectator" is an "easily imitated style"; for, of the hundreds who have tried, how many, besides Franklin, have really succeeded in imitating it? We do not believe that Latin and Greek are an "obstructing nuisance," or that the student of Homer and Thucydides and Demosthenes and Plato and Aristotle and Cæsar and Cicero and Tacitus is merely studying "the prattle of infant man," or "adding the ignorance of the ancients to the ignorance he was born with." We believe, on the contrary, that it was by such studies that Gibbon and Niebuhr and Arnold and Grote acquired their marvellous power of discovering historical truth and detecting historical error, and that from no modern language could they have received such discipline.
But we not only agree with the sentiment, but admire the simple energy of the expression, when he says that "Franklin was the man of all others then alive who possessed in the greatest perfection the four grand requisites for the successful observation of Nature or the pursuit of literature,—a sound and great understanding, patience, dexterity, and an independent income." Equally judicious and equally well-expressed is the following passage upon the Penns:—"Thomas Penn was a man of business, careful, saving, and methodical. Richard Penn was a spendthrift. Both were men of slender abilities, and not of very estimable character. They had done some liberal acts for the Province, such as sending over presents to the Library of books and apparatus, and cannon for the defence of Philadelphia. If the Pennsylvanians had been more submissive, they would doubtless have continued their benefactions. But, unhappily, they cherished those erroneous, those Tory notions of the rights of sovereignty which Lord Bute infused into the contracted mind of George III., and which cost that dull and obstinate monarch, first, his colonies, and then his senses. It is also rooted in the British mind, that a landholder is entitled to the particular respect of his species. These Penns, in addition to the pride of possessing acres by the million, felt themselves to be the lords of the land they owned, and of the people who dwelt upon it." And in speaking of English ideas of American resistance:—"Englishmen have made sublime sacrifices to principle, but they appear slow to believe that any other people can." And, "George III. sat upon a constitutional throne, but he had an unconstitutional mind." It would be difficult to find a more comprehensive sentence than the following:—"The counsel employed by Mr. Mauduit was Alexander Wedderburn, a sharp, unprincipled Scotch barrister, destined to scale all the heights of preferment which shameless subserviency could reach."
It would be easy to multiply examples, but we have given, we believe, more than enough to show that we look upon Mr. Parton's "Franklin" as a work of very great value.
The Maine Woods. By Henry D. Thoreau, Author of "A Week on the Concord and Merrimack Rivers," "Walden," "Excursions," etc., etc. Boston: Ticknor & Fields.
The steadily growing fame of Thoreau has this characteristic, that it is, like his culture, a purely American product, and is no pale reflection of the cheap glories of an English reprint. Whether he would have gained or lost by a more cosmopolitan training or criticism is not the question now; but certain it is that neither of these things went to the making of his fame. Classical and Oriental reading he had; but beyond these he cared for nothing which the men and meadows of Concord could not give, and for this voluntary abnegation, half whimsical, half sublime, the world repaid him with life-long obscurity, and will yet repay him with permanent renown.
His choice of subjects, too, involves the same double recompense; for no books are less dazzling or more immortal than those whose theme is external Nature. Nothing else wears so well. History becomes so rapidly overlaid with details, and its aspects change so fast, that the most elaborate work soon grows obsolete; while a thoroughly sincere and careful book on Nature cannot be superseded, and lives forever. Its basis is real and permanent. There will always be birds and flowers, nights and mornings. The infinite fascinations of mountains and of forests will outlast this war, and the next, and the race that makes the war. The same solidity of material which has guarantied permanence to the fame of Izaak Walton and White of Selborne will as surely secure that of Thoreau, who excels each of these writers upon his own ground, while superadding a wider culture, a loftier thought, and a fine, though fantastic, literary skill. All men may not love Nature, but all men ultimately love her lovers. And of those lovers, past or present, Thoreau is the most profound in his devotion, and the most richly repaid.
Against these great merits are to be set, no doubt, some formidable literary defects: an occasional mistiness of expression, like the summit of Katahdin, as he himself describes it,—one vast fog, with here and there a rock protruding; also, an occasional sandy barrenness, like his beloved Cape Cod. In truth, he never quite completed the transition from the observer to the artist. With the power of constructing sentences as perfectly graceful as a hemlock-bough, he yet displays the most wayward aptitude for literary caterpillars'-nests and all manner of disfigurements. The same want of artistic habit appears also in his wilful disregard of all rules of proportion. He depicts an Indian, for instance, with such minute observation and admirable verbal skill that one feels as if neither Catlin nor Schoolcraft ever saw the actual creature; but though the table-talk of the aboriginal may seem for a time more suggestive than that of Coleridge or Macaulay, yet there is a point beyond which his, like theirs, becomes a bore.
In addition to these drawbacks, one finds in Thoreau an unnecessary defiance of tone, and a very resolute non-appreciation of many things which a larger mental digestion can assimilate without discomfort. In his dealings with Nature he is sweet, genial, patient, wise. In his dealings with men he exasperates himself over the least divergence from the desired type. Before any over-tendency to the amenities and luxuries of civilization, in particular, he becomes unreasonable and relentless. Hence there appears something hard and ungenial in his views of life, utterly out of keeping with the delicate tenderness which he shows in the woods. The housekeeping of bees and birds he finds noble and beautiful, but for the home and cradle of the humblest human pair he can scarcely be said to have even toleration; a farmer's barn he considers a cumbrous and pitiable appendage, and he lectures the Irish women in their shanties for their undue share of the elegancies of life. With infinite faith in the tendencies of mineral and vegetable nature, in human nature he shows no practical trust, and must even be severe upon the babies in the Maine log-huts for playing with wooden dolls instead of pine-cones. It is, indeed, noticeable that he seems to love every other living animal more unreservedly than the horse,—as if this poor sophisticated creature, though still a quadruped and a brother, had been so vitiated by undue intimacy with man as to have become little better than if he wore broadcloth and voted.
Yet there was not in Thoreau one trait of the misanthrope; his solitary life at Walden was not chosen because he loved man less, but because he loved Nature more; and any young poet or naturalist might envy the opportunities it gave him. But his intellectual habits showed always a tendency to exaggeration, and he spent much mental force in fighting shadows, Church and State, war and politics,—a man of solid vigor must find room in his philosophy to tolerate these matters for a time, even if he cannot cordially embrace them. But Thoreau, a celibate, and at times a hermit, brought the Protestant extreme to match the Roman Catholic, and though he did not personally ignore one duty of domestic life, he yet held a system which would have excluded wife and child, house and property. His example is noble and useful to all high-minded young people, but only when interpreted by a philosophy less exclusive than his own. In urging his one social panacea, "Simplify, I say, simplify," he failed to see that all steps in moral or material organization are really efforts after the same process he recommends. The sewing-machine is a more complex affair than the needle, but it simplifies every woman's life, and helps her to that same comparative freedom from care which Thoreau would seek only by reverting to the Indian blanket.
But many-sided men do not move in battalions, and even a one-sided philosopher may be a boon to think of, if he be as noble as Thoreau. His very defects are higher than many men's virtues, and his most fantastic moralizings will bear reading without doing harm, especially during a Presidential campaign. Of his books, "Walden" will probably be permanently reckoned as the best, as being the most full and deliberate exhibition of the author's mind, and as extracting the most from the least material. It is also the most uniform in texture, and the most complete in plan, while the "Week" has no unity but that of the chronological epoch it covers,—a week which is probably the most comprehensive on record, ranging from the Bhagvat-Geetha to the "good time coming,"—and the "Excursions" no unity but that of the covers which comprise them, being, indeed, a compilation of his earliest and latest essays. Which of his four volumes contains his finest writing it would really be hard to say; but in structure the present book comes nearest to "Walden"; it is within its limits a perfect monograph of the Maine woods. All that has been previously written fails to portray so vividly the mysterious life of the lonely forest,—the grandeur of Katahdin or Ktaadn, that hermit-mountain,—and the wild and adventurous navigation of those Northern water-courses whose perils make the boating of the Adirondack region seem safe and tame. The book is also more unexceptionably healthy in its tone than any of its predecessors, and it is pleasant to find the author, on emerging from his explorations, admitting that the confines of civilization afford, after all, the best residence, and that the wilderness is of most value as "a resource and a background."