Menendez was summoned home, where fresh honors awaited him from the crown, though, according to the somewhat doubtful assertion of the heretical Grotius, his deeds had left a stain upon his name among the people. He was given command of the armada of three hundred sail and twenty thousand men, which, in 1574, was gathered at Santander against England and Flanders. But now, at the climax of his fortunes, his career was abruptly closed. He died suddenly, at the age of fifty-five. What caused his death? Grotius affirms that he killed himself; but, in his eagerness to point the moral of his story, he seems to have overstepped the bounds of historic truth. The Spanish bigot was rarely a suicide, for the rights of Christian burial and repose in consecrated ground were denied to the remains of the self-murderer. There is positive evidence, too, in a codicil to the will of Menendez, dated at Santander on the fifteenth of September, 1574, that he was on that day seriously ill, though, as the instrument declares, "sound of mind." There is reason, then, to believe that this pious cut-throat died a natural death, crowned with honors, and compassed by the consolations of his religion.
It was he who crushed French Protestantism in America. To plant religious freedom on this Western soil was not the mission of France. It was for her to rear in Northern forests the banner of Absolutism and of Rome; while, among the rocks of Massachusetts, England and Calvin fronted her in dogged and deadly opposition.
Civilization in North America found its pioneer, its forlorn hope, less in England than in France. For, long before the ice-crusted pines of Plymouth had listened to the rugged psalmody of the Puritan, the solitudes of Western New York and the shadowy wilderness of Lake Huron were trodden by the iron heel of the soldier and the sandalled foot of the Franciscan friar. They who bore the fleur-de-lis were always in the van, patient, daring, indomitable. And foremost on this bright roll of forest-chivalry stands the half-forgotten name of Samuel de Champlain.
LINA.
The evenings were always dull and long to those of us who were too far from home to make it worth while to leave the school for the eight weeks of holiday. It was dreary indeed sitting in the great school-room, with its long rows of empty desks, with nothing before one to break the monotony of the four walls but the great map of France and the big dusty cross with its dingy wreath of immortelles. It is true, we did not bewail the absence of our companions. In fact, it was with a tranquil sense of security that I began my work every morning in vacation, knowing that I should find all my books in my desk, and my pens and pencils undisturbed; for among the pensionnaires there existed a strong tendency to communistic principles. Still, when all the noisy crew had departed, the house seemed lonely, the dining-room with its three bare tables looked desolate, and an unnatural stillness reigned in the shady pathways of the garden. You might wander from room to room, and up and down the stairs, and to and fro in the long passages, and meet no one. Fräulein Christine was with her "Liebes Mütterchen" in Strasburg, and Mademoiselle had left her weary post in the middle of the school-room for her quiet village-home in Normandy. Madame herself remained almost entirely invisible, shut up in the sanctity of her own rooms; and so the whole house had a sense of stillness that seemed only heightened by the glory of the autumn sunshine, and the hum of bees and rustle of leaves that filled the air outside.
The house was old; it had been a grand mansion once, before the days of the Revolution, and had probably been the residence of some of the stiff old worthies whose portraits hung in dreary dignity in the disused dusty galleries of the château, which now, turned into a citadelle, stood upon a high point of the cliffs commanding the town. The term rambling might well be applied to this house, for in its eccentric construction it seemed to have wandered at will half-way up the hill-side on which it was built. It had wings and abutments, and flights of stone steps leading from one part to another. There was "la grande maison de Madame," "la maison du jardin," and "la maison de Monsieur." This last, half hidden in trees, was terra incognita to the girls; but often in an evening, after we had seen him wending his way across the garden with his lantern from la grande maison, where he had been spending the evening with Madame, did we hear Monsieur playing on his organ glorious "bits" of Cherubini and Bach.
We were conscious that this odd little man carried on a system of espionage through the half-closed slats of his shutters, the effects of which we were continually made to feel; this, and the mystery that enveloped his small abode, where he worked all day among his bottles and retorts, made Monsieur appear somewhat of an ogre in our eyes. There was always a sense of freedom in the upper garden, which was out of the range of his windows, and where he never came. That pleasant upper garden, what a paradise it was, with its long sunny walks within the shelter of high walls! The trim stateliness of the ancient splendor had run to luxuriant disorder, and thick tangles of rare roses swung abroad their boughs above great beds of lilies-of-the-valley and periwinkle which had overrun their borders and crept into the walks.
During the vacation, we who stayed had the privilege of going into the upper garden. Obtaining the key from Justine, we would wander first along the shady pathways of the lower garden, past the flower-beds where the girls during recess-times worked and gossiped and quarrelled,—their quick French tongues reminding one of a colony of sparrows,—then, turning the stubborn lock of the heavy door that opened on the flight of mossy steps, we came into that region of stillness and delight, the upper garden.