The house in Aungier Street I visited so recently as 1864. It was then, and still is, as it was in 1779, the dwelling of a grocer,—altered only so far as that a bust of the poet is placed over the door, and the fact that he was born there is recorded at the side. May no modern "improvement" ever touch it!
"The great Emathian conqueror bid spare
The house of Pindarus, when temple and tower
Went to the ground."
This humble dwelling of the humble tradesman is the house of which the poet speaks in so many of his early letters and memoranda. Here, when a child in years, he arranged a debating society, consisting of himself and his father's two "clerks." Here he picked up a little Italian from a kindly old priest who had passed some time in Italy, and obtained a "smattering of French" from an intelligent émigré, named La Frosse. Here his tender mother watched over his boyhood, proud of his opening promise, and hopeful, yet apprehensive, of his future. Here he and his sister, "excellent Nell," acquired music, first upon an old harpsichord, obtained by his father in discharge of a debt, and afterwards on a piano, to buy which his loving mother had saved up all superfluous pence. Hence he issued to lake country walks with unhappy Robert Emmet. Hither he came—not less proudly, yet as fondly as ever—when college magnates had given him honor, and the King's Viceroy had received him as a guest.
In 1835 he records "a visit to No. 12, Aungier Street, where I was born." "Visited every part of the house; the small old yard and its appurtenances; the small, dark kitchen, where I used to have my bread and milk; the front and back drawing-rooms; the bedrooms and garrets,—murmuring, 'Only think, a grocer's still!'" "The many thoughts that came rushing upon me, while thus visiting the house where the first nineteen or twenty years of my life were passed, may be more easily conceived than told." He records, with greater unction than he did his visit to the Prince, his sitting with the grocer and his wife at their table, and drinking in a glass of their wine her and her husband's "good health." Thence he went, with all his "recollections of the old shop about him," to a grand dinner at the Viceregal Lodge!
I spring with a single line from the year 1822, when I knew him first, to the year 1845, when circumstances enabled us to enjoy the long-looked-for happiness of visiting Moore and his beloved wife in their home at Sloperton.
The poet was then in his sixty-fifth year, and had in a great measure retired from actual labor; indeed, it soon became evident to us that the faculty for enduring and continuous toil no longer existed. Happily, it was not absolutely needed; for, with very limited wants, there was a sufficiency,—a bare sufficiency, however, for there were no means to procure either the elegances or the luxuries which so frequently become the necessities of man, and a longing for which might have been excused in one who had been the friend of peers and the associate of princes.
The forests and fields that surround Bowood, the mansion of the Marquis of Lansdowne, neighbor the poet's humble dwelling. The spire of the village church, beside the portals of which the poet now sleeps, is seen above adjacent trees. Laborers' cottages are scattered all about. They are a heavy and unimaginative race, those peasants of Wiltshire; and, knowing their neighbor had written books, they could by no means get rid of the idea that he was the writer of Moore's Almanac, and perpetually, greeted him with a salutation, in hopes to receive in return some prognostic of the weather, which might guide them in arrangements for seedtime and harvest. Once, when he had lost his way,—wandering till midnight,—he roused up the inmates of a cottage, in search of a guide to Sloperton, and, to his astonishment, found he was close to his own gate. "Ah, Sir," said the peasant, "that comes of yer skyscraping!"
He was fond of telling of himself such simple anecdotes as this; indeed, I remember his saying that no applause he ever obtained gave him so much pleasure as a compliment from a half-wild countryman, who stood right in his path on a quay in Dublin, and exclaimed, slightly altering the words of Byron,—"Three cheers for Tommy Moore, the pote of all circles, and the darlint of his own!"
I recall him at this moment,—his small form and intellectual face, rich in expression, and that expression the sweetest, the most gentle, and the kindliest. He had still in age the same bright and clear eye, the same gracious smile, the same suave and winning manner I had noticed as the attributes of his comparative youth; a forehead not remarkably broad or high, but singularly impressive, firm, and full,—with the organ of gayety large, and those of benevolence and veneration greatly preponderating. Ternerani, when making his bust, praised the form of his ears. The nose, as observed in all his portraits, was somewhat upturned. Standing or sitting, his head was invariably upraised, owing, perhaps, mainly to his shortness of stature, with so much bodily activity as to give him the character of restlessness; and no doubt that usual accompaniment of genius was eminently his. His hair, at the time I speak of, was thin and very gray; and he wore his hat with the jaunty air that has been often remarked as a peculiarity of the Irish. In dress, although far from slovenly, he was by no means particular. Leigh Hunt, speaking of him in the prime of life, says,—"His forehead is bony and full of character, with 'bumps' of wit large and radiant enough to transport a phrenologist. His eyes are as dark and fine as you would wish to see under a set of vine-leaves; his mouth generous and good-humored, with dimples." He adds,—"He was lively, polite, bustling, full of amenities and acquiescences, into which he contrived to throw a sort of roughening cordiality, like the crust of old Port. It seemed a happiness to him to say 'Yes.'" Jeffrey, in one of his letters, says of him,—"He is the sweetest-blooded, warmest-hearted, happiest, hopefullest creature that ever set Fortune at defiance"; he speaks also of "the buoyancy of his spirits and the inward light of his mind"; and adds,—"There is nothing gloomy or bitter in his ordinary talk, but, rather, a wild, rough, boyish pleasantry, much more like Nature than his poetry."
"The light that surrounds him is all from within."