Neither do we reflect enough upon the limitations of human power. We think sometimes of Government as a great living organism of boundless resources. But, after all, in any department of state, what plans, what overlooks, what vitalizes, is one single human mind. And it is not easy to get minds anywhere clear enough and capacious enough for the large duties. It is easy to obtain men who can command a company well. It is not difficult to find those who can control efficiently a regiment. There are many to whom the care of five thousand men is no burden; a few who are adequate to an army corps. But the generals who can handle with skill a hundred thousand men, and make these giant masses do their bidding, are the rare jewels in war's diadem. Even so is it in every department of life. It is perhaps impossible to find a mind which can sweep over the whole field of our medical operations, and prepare for every emergency and avoid every mistake; not because all men are unfaithful or incapable, but because there must be a limit to the most capacious intellect. Looking simply at the structure of the human mind, we might have foreseen, what facts have amply demonstrated, that in a war of such magnitude as that which we are now waging there always must be room for an organization like the Sanitary Commission to do its largest and noblest work.
But, above and beyond all such reflections, there are great national and patriotic considerations which more than justify, yea, demand, the existence of our war charities. Allowing that the outward comfort of the soldier (and who would grant it?) might be accomplished just as well in some other way,—allowing that in a merely sanitary aspect the Government could have done all that voluntary organizations have undertaken, and have done it as well as they or better than they,—even then we do not allow for a moment that what has been spent has been wasted. What is the Sanitary Commission, and what are kindred associations, but so many bonds of love and kindness to bind the soldier to his home, and to keep him always a loyal citizen in every hope and in every heart-throb? This is the influence which we can least of all afford to lose. He must have been blind who did not see at the outset of the war, that, beyond the immediate danger of the hour, there were other perils. We were trying the most tremendous experiment that was ever tried by any people. Out of the most peaceful of races we were creating a nation of soldiers. In a few months, where there seemed to be scarcely the elements of martial strength, we were organizing an army which was to be at once gigantic and efficient. Who could calculate the effect of such a swift change? The questions many a patriotic heart might have asked were these: When this wicked Rebellion is ended,—when these myriads of our brethren whose lives have been bound up in that wondrous collective life, the life of a great army, shall return to their quiet homes by the hills and streams of New England or on the rolling prairies of the West, will they be able to merge their life again in the simple life of the community out of which they came? Will they find content at the plough, by the loom, in the workshop, in the tranquil labors of civil life? Can they, in short, put off the harness of the soldier, and resume the robe of the citizen? Many a one could have wished to say to every soldier, as he went forth to the war, "Remember, that, if God spares your life, in a few months or a few years you will come back, not officers, not privates, but sons and husbands and brothers, for whom some home is waiting and some human heart throbbing. Never forget that your true home is not in that fort beside those frowning cannon, not on that tented field amid the glory and power of military array, but that it nestles beneath yonder hill, or stands out in sunshine on some fertile plain. Remember that you are a citizen yet, with every instinct, with every sympathy, with every interest, and with every duty of a citizen."
Can we overestimate the influence of these associations, of these Soldiers'-Aid Societies, rising up in every city and village, in producing just such a state of mind, in keeping the soldier one of us, one of the people? Five hundred thousand hearts following with deep interest his fortunes,—twice five hundred thousand hands laboring for his comfort,—millions of dollars freely lavished to relieve his sufferings,—millions more of tokens of kindness and good-will going forth, every one of them a message from the home to the camp: what is all this but weaving a strong network of alliance between civil and military life, between the citizen at home and the citizen soldier? If our army is a remarkable body, more pure, more clement, more patriotic than other armies,—if our soldier is everywhere and always a true-hearted citizen,—it is because the army and soldier have not been cast off from public sympathy, but cherished and bound to every free institution and every peaceful association by golden cords of love. The good our Commissions have done in this respect cannot be exaggerated; it is incalculable.
Nor should we forget the influence they have had on ourselves,—the reflex influence which they have been pouring back into the hearts of our people at home, to quicken their patriotism, We often say that the sons and brothers are what the mothers and sisters make them. Can you estimate the electric force which runs like an irresistible moral contagion from heart to heart in a community all of whose mothers and daughters are sparing that they may spend, and learning the value of liberty and country by laboring for them? It does not seem possible, that, amid the divers interests and selfish schemes of men, we ever could have sustained this war, and carried it to a successful issue, had it not been for the moral cement which these wide-spread philanthropic enterprises have supplied. Every man who has given liberally to support the Commission has become a missionary of patriotism; every woman who has cut and made the garments and rolled the bandages and knit the socks has become a missionary. And so the country has been full of missionaries, true-hearted and loyal, pleading, "Be patient, put up with inconveniences, suffer exactions, bear anything, rather than sacrifice the nationality our fathers bequeathed to us!" And if our country is saved, it will be in no small degree because so many have been prompted by their benevolent activity to take a deep personal interest in the struggle and in the men who are carrying on the struggle.
These national and patriotic influences are the crowning blessings which come in the train of the charities of the war; and they constitute one of their highest claims to our affection and respect. The unpatriotic utterances which in these latter days so often pain our ears, the weariness of burdens which tempt so many to be ready to accept anything and to sacrifice anything to be rid of them, admonish us that we need another uprising of the people and another re-birth of patriotism; and they show us that we should cherish more and more everything which fosters noble and national sentiments. And when this war is over, and the land is redeemed, and we come to ask what things have strengthened us to meet and overcome our common peril, may we not prophesy that high among the instrumentalities which have husbanded our strength, and fed our patriotism, and knit more closely the distant parts of our land and its divided interests, will be placed the United States Sanitary Commission?
ART.
HARRIET HOSMER'S ZENOBIA.
It took a long while for artists to understand that the Greek face was the ideal face merely to Greek sculptors. During the baser ages of the sculpturesque art, (how far towards our own day the epicycle inclusive of those ages extended it would be invidious for us to say,) sculpture consisted of the nearest imitation of Greek models which was possible of attainment by talents, with an occasional intercalated genius, hampered by prevailing modes. That the Greek face was beautiful, none could doubt. That in the sovereign points of intellect it was the absolute beau-ideal is open to great doubt. Apart from all such questions, the fact of subservience exists. Even Benjamin Robert Haydon, the man who thought himself called to be the æsthetic saviour of the age, knew no other, no better way of making himself master of solid form than by lying down in the cold with a candle before the Elgin marbles. Let not this be mistaken as a slur upon one of the most devoted men in history,—a man who surely lived, and who, aside from the pangs of poverty, probably died, for the regeneration of Art. We only mean to select an instance preëminent over all that can be mentioned, to show that until a very late date even the most learned men in the Art-world had not cut loose from the fascination of old models, considered not as suggestive, but as dominant. There is nothing in the sculptors of Haydon's period to prove that their view differed essentially from that of the most self-devoted theorist among painters.
We hold that it has been left for America to complete the æsthetic, as well as the social and political emancipation of the world. The fact that pre-Raphaelism began in England (we refer to the new saints standing on their toe-nails, not the old ones) proves nothing respecting the origination of Art's highest liberty. In the first place, the man who was selected by the Elisha to be the Elijah of the school would under no circumstances have chosen a fiery chariot to go up in, but would have taken the Lord Mayor's coach, (if he could have got it without paying,) and, like a true Englishman, been preceded by heralds, and after-run by lackeys. The idea of Turner en martyre is to a calm spectator simply amusing. If "a neglected disciple of Truth" had met him out a-sketching, and asked him for help, or a peep, he would have shut up his book with a slap, and said, like the celebrated laird, "Puir bodie! fin' a penny for yer ain sel'." In the second place, this Elijah never dropped his mantle on the soi-disant Elisha. Search over the whole range of walls where (with their color somewhat the worse for time) Turner's pictures are preserved, and if any critic but Ruskin's self can find the qualities which unite Turner with modern pre-Raphaelism, we will buy the view of Köln and make it a present to him. In the third place, apart from all ancestry or indorsement, we regard modern pre-Raphaelism, as a school full of vital mistakes. It refuses to acknowledge this preëminent, eternal fact of Art, that the entire truth of Nature cannot be copied: in other words and larger, that the artist must select between the major and the minor facts of the outer world; that, before he executes, he must pronounce whether he will embody the essential effect, that which steals on the soul and possesses it without painful analysis, or the separate details which belong to the geometrician and destroy the effect,—still further, whether he will make us feel what Nature says, or examine below her voice into the vibration of the chordæ vocales.