Looking toward Sunset. By L. Maria Child. Boston: Ticknor & Fields.

For forty years it has been the good fortune of Mrs. Child to achieve a series of separate literary successes, whose accumulated value justly gives her a high claim to gratitude. Every one of her chief works has been a separate venture in some new field, always daring, always successful, always valuable. Her "Juvenile Miscellany" was the delight of all American childhood, when childish books were few. Her "Hobomok" was one of the very first attempts to make this country the scene of historical fiction. In the freshness of literary success, she did not hesitate to sacrifice all her newly won popularity, for years, by the publication of her remarkable "Appeal for the Class of Americans called Africans," a book unsurpassed in ability and comprehensiveness by any of the innumerable later works on the same subject,—works which would not even now supersede it, except that its facts and statistics have become obsolete. Time and the progress of the community at length did her justice once more, and her charming "Letters from New York" brought all her popularity back. Turning away, however, from fame won by such light labors, she devoted years of her life to the compilation of her great work on the "Progress of Religious Ideas," a book unequalled in the English language as a magazine of the religious aspirations of the race. And now, still longing to look in some new direction, she finds that direction in "Sunset,"—the only region towards which her name and her nature have alike excused her from turning her gaze before.

This volume is a collection of essays and poems, old and new, original and selected, but all bearing on the theme of old age. Her authors range from Cicero to Dickens, from Mrs. Barbauld to Theodore Parker. The book includes that unequalled essay by Jean Paul, "Recollections of the Best Hours of Life for the Hour of Death"; and then makes easily the transition to that delicious scene of humor and pathos from "Cranford," where dear Miss Matty meets again the lover of her youth. Some trifling errors might be noticed here and there, such as occur even in books looking this side of "Sunset": as when Burns's line, "But now your brow is beld, John," is needlessly translated into "But now your head's turned bald, John,"—where the version is balder than the head. It is singular, too, how long it takes to convince the community that Milton did not write the verses, "I am old and blind," and that Mrs. Howell of Philadelphia did. Mrs. Child discreetly cites for them no author at all, and thus escapes better than the editor of the new series of "Hymns for the Ages," who boldly appends to the poem, "Milton, 1608-1674." Yet Mrs. Child's early ventures in the way of writing speeches for James Otis and sermons for Whitefield should have made her a sharper detective of the ingenuity of others. Those successful imitations, published originally in her novel of "The Rebels," have hardly yet ceased to pass current in the school elocution-books.

Nothing occurs to us as being omitted from this collection, which justly belongs there, unless she could have rescued from the manuscript that charming essay, read by President Quincy at a certain Cambridge dinner, wherein that beloved veteran—Roscius sua arte—taught his academic children to grow old.

The Autobiography of a New England Farm-House. A Book. By N. H. Chamberlain. New York: Carleton.

We have read this little book with some tenderness, and have been interested in its calm, homelike pictures. The author appears to have been drawn by a sincere affinity towards the poet to whom he does himself the honor to dedicate his story in words of simple and sincere appreciation.

There is a pellucid stillness, like that of a summer lake, over the pages wherein the story lies reflected. And this perhaps we may consider to be the charm and value of the book. But the author does not remember that only those things are read which must be said; therefore the simple incidents of his narrative are forced into a growth of many instead of few chapters, and the long-drawn cord becomes weak, and will not easily lead us to the end. He also betrays his lack of art by printing verses which stick like deep sea-shells far below the high-water mark of poetry. Nevertheless, there is a fine New England color and flavor in the book which attract us, and a gentle, high-minded peace reigns throughout the volume.

Is the author young? we are tempted to ask. Then let him turn priest straightway, and enter the temple of Art, and let him weave his pictures sacredly of the pure gold fibres of inspiration and thought.

Lowell Lectures. The Problem of Human Destiny; or, The End of Providence in the World and Man. By Orville Dewey, D.D. New York: James Miller.

The publication of a second edition of this thoughtful, genial, and eloquent volume enables us to correct the omission of not noticing it on its first appearance a few months ago. Originally prepared as a course of lectures for the Lowell Institute, and repeated with marked success in various cities of the Union, the mode of treatment is of course popular rather than scientific. The subject is necessarily complicated with the problem of evil; but the design is not so much to attempt a new solution of the problem as to present, in a vivid and impressive form, certain invigorating and consoling truths which relieve the weight of its burden. The most comprehensive definition of evil, to all minds which are forced, by the contradiction involved in the affirmation of two Infinites, to deny its essential existence, is that which declares it to be imperfect good. But as this definition implies that evil characterizes all grades of created being, and includes the saint singing in heaven as well as the savage prowling in the woods, it carries with it little help or satisfaction to the practical will and conscience. Dr. Dewey takes up the problem at one or two removes from its purely abstract essence, and fastens on its concrete manifestations, and the compensations for its existence in the system of the world. The leading ideas he aims to inculcate are these: that the system of the moral world is a system of spontaneous development, having for its object human culture; that man, being free, must do, within the sphere of his permitted activity, what he will, and therefore is free to do what is wrong; that, in order that his growth may be free and rational, the system of treatment under which he lives must be one of general laws, and not of capricious expedients; and that there are two restraints on his wild or pernicious activity,—one inward, from his moral nature, the other outward, from material Nature. After illustrating these at considerable, though by no means tedious length, Dr. Dewey proceeds to exhibit the adaptation of the material world to human culture,—the physical and moral constitution of man, and the complexity of his being,—the mental and moral activity elicited by his connection with Nature and life,—the problems of pain, hereditary evil, and death, which affect his individual existence,—the problems of bad or defective institutions and usages, religious, political, and warlike, which affect his social existence,—and the testimony of history to human progress, and to the principles of human spontaneity and divine control which underlie it.