At all which, so seriously uttered as to take the Doctor fairly aback, good Mrs. Elderkin shook her finger warningly at the head of the Squire, and said, "Now, for shame, Giles!"
Good Mrs. Elderkin was, indeed, the pattern woman of the parish in all charitable deeds,—not only outside, (where so many charitable natures find their limits,) but indoors. With gentle speech and gentle manner, she gave, maybe, her occasional closet-counsel to the Squire; but most times her efforts to win him to a more serious habit of thought are covered under the shape of some charming plea for a kindness to herself or the "dear girls," which she knows that he will not have the hardihood to resist. And even this method she does not push too far,—making it a cardinal point in her womanly strategy that his home shall be always grateful to the Squire,—that he shall never be driven from it by any thought or suspicion of her exactions. Thus, if Grace—who is her oldest daughter, and almost woman grown—has some evening appointment at Bible class, or other such gathering, and, the boys being out, appeals timidly to the father, good Mrs. Elderkin says,—
"I am afraid your papa is too tired, Grace; do let him enjoy himself."
At which the Squire, shaking off his lethargy, says,—
"Get your things, child!"
And as he goes out with Grace, he is rewarded by one of those tender smiles upon the lip of the mother which captivated him twenty years before, and which still make his fireside the most cherished spot in the town.
No wonder that the little half-orphaned creature, Adèle, with her explosive warmth of heart, is kindly received among the Elderkins. Phil was some three years her senior, a ruddy-faced, open-hearted fellow, who had been well-nurtured, like his two elder brothers, but in whom a certain waywardness just now appearing was attributed very much, by the closely observing mother, to the influence of that interesting, but mischievous boy, Reuben. Phil was the superior in age, indeed, and in muscle, (as we may find proof,) but in nerve-power the more delicate-featured boy of the parson outranked him.
Rose Elderkin was a year younger than the French stranger, and a marvellously fair type of New England girl-beauty: light brown hair in unwieldy masses; skin wonderfully clear and transparent, and that flushed at a rebuke, or a run down the village street, till her cheeks blazed with scarlet; a lip delicately thin, but blood-red, and exquisitely cut; a great hazel eye, that in her moments of glee, or any occasional excitement, fairly danced and sparkled with a kind of insane merriment, and at other times took on a demure and pensive look, which to future wooers might possibly prove the more dangerous of the two. The features named make up a captivating girlish beauty, but one which, under a New England atmosphere, is rarely carried forward into womanhood. The lips grow pinched and bloodless; the skin blanched against all proof of blushes; the eyes sunken, and the blithe sparkle that was so full of infectious joy is lost forever in that exhausting blaze of girlhood. But we make no prophecy in regard to the future of our little friend Rose. Adèle thinks her very charming; Reuben is disposed to rank her—whatever Phil may think or say—far above Suke Boody. And in his reading of the delightful "Children of the Abbey," which he has stolen, (by favor of Phil, who owns the book,) he has thought of Rose when Amanda first appeared; and when the divine Amanda is in tears, he has thought of Rose; and when Amanda smiles, with Mortimer kneeling at her feet, he has still thought of Rose.
These four, Adèle, Phil, Rose, and Reuben are fellow-attendants at the school of the excellent Miss Betsey Onthank. The schoolhouse itself is a modest one, and stands upon a cross-road leading from the main street of the village, and is upon the side of the little brook which courses through the valley lying to the westward. A half-dozen or more of sugar-maples stand near it, and throw over it a grateful shade in August. In March these trees are exposed to a series of tappings on the part of the more mechanically inclined of the pupils,—Phil Elderkin being chiefest,—and gimlets, quills, and dinner-pails are brought into requisition with prodigious results. In the heats of summer, and when the brook is low, adventurous ones, of whom Reuben is chiefest, undertake to dam its current; and it being traditional in the school that one day a strange fisherman once took out two trout, half as long as Miss Onthank's ruler, from under the bridge by which the high road crosses the brook, Reuben plies every artifice, whether of bent pins, or hooks purchased from the Tew partners, (unknown to Aunt Eliza, who is prejudiced against fish-hooks as dangerous,) to catch a third; and finding other resources vain, he punches two or three holes through the bottom of his little dinner-pail, to make a scoop-net of it, and manfully wades under the bridge to explore all the hollows of that unknown region. While in this precarious position, he is reported by some timid child to the mistress, who straightway sallies out, ferule in hand and cap-strings flying, and orders him to land; which Reuben, taking warning by the threatening tone of the old lady, refuses, unless she promises not to flog him; and the kind-hearted mistress, fearing too long exposure of the lad to the chilly water, gives the promise. But with the tell-tale pail dangling at his belt, he does not escape so easily the inquisitive Aunt Eliza.
The excellent Miss Onthank—for by this title the parson always compliments her—is a type of a schoolmistress which is found no longer: grave, stately, with two great moppets of hair on either side her brow, (as in the old engravings of Louis Philippe's good queen Amelia,) very resolute, very learned in the boundaries of all Christian and heathen countries, patient to a fault, with a marvellous capacity for pointing out with her bodkin every letter to some wee thing at its first stage of spelling, and yet keeping an eye upon all the school-room; reading a chapter from the Bible, and saying a prayer each morning upon her bended knees,—the little ones all kneeling in concert,—with an air that would have adorned the most stately prioress of a convent; using her red ferule betimes on little, mischievous, smarting hands, yet not over-severe, and kind beneath all her gravity. She regards Adèle with a peculiar tenderness, and hopes to make herself the humble and unworthy instrument of redeeming her from the wicked estate in which she has been reared. And Adèle, though not comprehending the excess of her zeal, and opening her eyes in great wonderment when the good woman talks about her "providential deliverance from the artful snares of the adversary," is as free in her talk with the grave mistress as if she were her mother confessor.