Here, in our own day, what sons of Fame have gone to linger near a society so congenial! Byron tells us that his life was purer at Geneva than that which he led elsewhere. Here, amidst the scenes consecrated by Milton nearly two centuries before, Shelley delighted to dream away his summer hours. He loved to go forth on the pellucid surface of "clear, placid Leman," there to drink in the soft beauties of the shores, or to gaze upon the distant sublimities of Mont Blanc. Here Sir Humphry Davy came, after his Southern tour, and "laid him down to die." Wordsworth found here the graces of his Westmoreland home wedded to a grandeur which realized the loftiest conception of his mind. At Geneva, to-day, is found that noble son of France and devoted friend of America, the Count Agénor de Gasparin.

Here, too, have members of the royal and noble houses of Europe come to be wooed by those waters whose "crystal face" Byron calls

"The mirror where the stars and mountains view
The stillness of their aspect."

The late Charles Albert, the hero King of Sardinia, was educated at Geneva. More than once did the future benefactor and monarch of Northern Italy stray along the road to Lausanne, or float in his little shallop on the side of Bellevue, whence he could look upon that prettiest of summer residences, Pregny, and at night could listen to the trills of the nightingales, which sing with a tenderness peculiar to the Valley of Geneva. At Pregny lived Josephine, whose Imperial spouse had driven away from Sardinia the members of the House of Savoy. But Time is a wonderful magician, and to-day near beautiful Pregny the nephew of Europe's great conqueror and conquered and the grand-daughter of Charles Albert have their own villa. The favorite residence of the late Grand Duchess Constantine of Russia was La Boissière, in the Canton of Geneva, and on the road to Chamouny, not far from the house of Sismondi. The late Duchess de Broglie, the daughter of Madame de Staël, lived during the winter in the street St. Antoine; near where M. Töpffer had his house, and in the summer at Coppet. Not far from her, at Genthod, resided that gentle daughter of America, the Baroness Rumpf, still remembered in New York as the daughter of John Jacob Astor. The Duchess de Broglie and the Baroness Rumpf are rare instances of the truest Christian womanhood in exalted stations.—But a whole magazine article would not suffice to give a list of the great, the noble, and the gifted who have sojourned for a time in the city of Geneva.

Yet, if Geneva has borrowed some of the great of other countries, she has amply repaid the debt. She sent her Casaubon to the court of James I. of England, to be the defender of the faith. Later, she lent to England her De Lolme, who added to his distinguished political acumen such affluent philological knowledge, that he wrote one of the best works ever written on the British Constitution in the English and the French languages. She lent to Russia Le Fort, the famous general and admiral, the counsellor of Peter the Great, the originator of the Russian navy, and the founder of that army out of which grew the forces that defeated Charles XII. at Pultowa. During the tempestuous days which signalized the downfall of a monarchy, and while France was rent asunder by the mad upheavings of an infuriated populace, Necker was called to the head of the finances. After five years of indefatigable probity, and when his services had enlisted the profound gratitude of the doomed king, he was compelled to quit Paris. Recalled again, and again dismissed, his final departure was the signal for a general outbreak, which resulted in the taking of the Bastille and the overthrow of the House of Capet. Albert Gallatin she gave to the United States. How curious it is to trace the life of this son of Geneva! Graduating with honors at his native university, he came to America in 1780, was commander of a small fort at Machias while Maine was still Massachusetts, was teacher in Harvard University, filled high places under the government of Pennsylvania; elected Senator to Congress from that State, (but vacating his seat because his residence had not been sufficiently long to qualify him,) Secretary of the Treasury under Jefferson, Envoy Extraordinary to sign the Treaty of Ghent, and for seven years Minister Plenipotentiary to France. He was offered the Secretaryship of State by Madison, a place in the Cabinet by Monroe, and was selected by the dominant party as a candidate for the second office in the gift of the American people. All of these last three proffered honors he refused, and passed the remainder of his long life in the genial pursuits of literature.

If Geneva has been the fireside of learning and of belles-lettres, it has not been less the home of the fine arts. Petitot, the celebrated painter on enamel, has handsomely paid his share to the chefs-d'[oe]uvres of the seventeenth century. While enjoying the capricious favors of Charles I. at Whitehall, where he had his lodgings, he worked on some of those perfect portraits which to-day have their place in the Louvre, and which for ages must remain the triumphs of minutely finished, expressive Art. Nor is the little Republic poor in contemporaneous artistic talent. Pradier was born and grew up in presence of Mont Blanc, whose sublime grandeur may well inspire the dreams of the sculptor and ennoble him. Calame, Diday, and Hubert in landscape painting, and Hornung in historical painting, (widely known by his "Death of John Calvin,") are all sons of Geneva. Thalberg, the musician, is a native of Geneva.

The habitual companionship of master minds must necessarily exert an immediate and irresistible influence upon the rapid growth of thoughts and ideas in the young. And it is not to be wondered at that those who from their earliest infancy have had the readiest access to such a companionship, and who have most fully imbibed that influence, retain through the after-years of life a strength and a boldness of originality essentially opposed to the hesitating timidity of less favored individuals. In a society like that of Geneva, where family traditions are jealously cherished as a part of the national history, and where every family has its importance and its well-defined place, the memory of distinguished men cannot perish, but is handed down from father to son, as a portion of the state patrimony. Every little boy, as he plays in the street, feels that he has reason to be proud that he is a Genevese. It was with such sentiments and under such auspices that Töpffer glided through the years of childhood. He drank deep at the fountain of inspiration unawares, and manhood found him ready to follow those who beckoned to him from the pages of history.

Rodolphe Töpffer was born at Geneva on the seventeenth day of February, 1799. As his name indicates, he was of German descent; but his family had resided so many years in French Switzerland that he could no longer be claimed by the land of Schiller and Goethe, though it was said that one of his most distinctive literary characteristics was like that of Mozart in music,—that he blended the deep, warm feeling of Germany with the light and elegant graces of Southern Europe.

Americans who have visited the public Gallery of Art, known in Geneva as the Musée Rath, will perhaps recall a small, but very spirited, winter-scene, painted in oil, and which bears the name of Töpffer. This picture is by the father of Rodolphe. M. Töpffer le père was the first of that long list of Swiss painters who became devoted students of Nature. The names of Calame, Diday, (Calame's master,) and Hubert are now known throughout the world; and that of Calame stands among the first in the rank of eminent living landscape painters. They are worthy successors of the father of Rodolphe Töpffer, who was peculiarly happy in rendering the mountain-scenes of Savoy, and in portraying those picturesque and attractive episodes of peasant-life entitled "The Village Wedding," "The Fair in Winter," etc., etc.

There are but few incidents to record of Töpffer fils. It is in his writings mostly that he is to be found. Elsewhere he is only passing by; but there he dwells and shines in full radiance. His life was so quietly modest, so tranquil and far removed from the tumultuous preoccupations which belong to a fashionable society, it was so simple and pure, that the biographer is at a loss to find any striking event that may give it an outward coloring. When only a child, as he so charmingly tells us in his inimitable pages of the "Presbytère," he devoured books, all sorts of books,—indeed, all the books he could get hold of in his uncle's well-stocked library. And many an hour of his sunny boyhood did he pass at the window in the house where he was born, gazing dreamily at the mullions, arches, and fretted work of the old Cathedral, or at the distant flight of the swallows, while in his mind he dwelt upon some brilliant saillie of Montaigne or Rabelais. His marked fondness for sketching showed itself in numerous and picturesque outlines, all of which bore the unmistakable stamp of talent, and foretold in the exuberance of the boy-fancy what the man would be. Happily for him, happily for us who are allowed to gather up the crumbs of art and authorship which fell from his ample store, Töpffer enjoyed the very best and most propitious advantages which in any country can bless childhood. He was born in the lap of a society daintily intellectual and fastidiously cultivated. His very first impressions were those of refinement. His very first steps were directed towards culture. There was no arid waste around him, and he had not to cut his way through the newly broken furrows of a young civilization. He was taken by the hand of Genius at the very outset of his career, and was never allowed to falter; for in the successive creations of his pencil and of his pen there is the same fulness of imagination, the same delicacy of observation, the same exquisite perfection of analysis. He seems to have understood so well the power of his mind, that he never ventured beyond his depth, but sustained himself through all his years of authorship with the same grace and elegance.