"Annie is a shy little thing. Don't you see, Tracy, that she doesn't like flattery?" I exclaimed, angrily approaching them.
"I see pretty plain that you don't want her to have it from any other fellow than yourself," he answered, roughly. "Miss Annie," he added, in imitation of my manner, "supposin' I see you home?"
But I pushed past him and went out of the store with her.
"He says I am to be his little wife by-and-by," said Annie, a most unusual expression of disgust and alarm ruffling the quiet serenity of her face; "but that can never be, unless I wish it, can it, Sandy?"
"I should think not, indeed," I answered, smiling at her earnestness. "When he speaks of it again, tell him I want you myself."
"That would be a good way to stop him," she replied, accepting graciously this solution of her present difficulty.
CHAPTER VI.
Miss Darry, knowing I could borrow books at Hillside, and that those which I already possessed were the old English classics, bought for me in the city only a Greek Grammar, through whose intricacies she proposed to be my guide, and a box of water-colors, and brought to me some lives of the old painters from Miss Merton's library.
She bewildered my mind by telling me of all there was in store for it in the way of work and study. Her interest in my progress seemed to have received a new impetus from her visit in town. She described the rooms where were casts of legs and arms, heads and groups of figures, to which I might one day have access, with the privilege of copying; and in return I showed her two crayon sketches I had made in her absence. Michel Angelo might have relished the knotty, muscular development of the arm I showed her first. If there is beauty and satisfaction in coarse brute strength, this member of my master's body was worthy of all praise. On another sheet I had drawn, by way of contrast, Annie's delicately small and fair, but round, arm and hand, which might have served in her infancy as models for those of one of Raphael's cherubs. She liked them both, and said that I should do as well, perhaps, in the school of Nature as anywhere, for the present.
She desired me to become a sculptor, for form appealed more strongly to her nature than color; and it seemed to be tacitly decided between us that Art was to be my vocation. She thought that my strong hands, accustomed to labor, could hew my own idea out of the marble for the present, and save the expense of workmen. And then she described to me the beautiful marbles she had seen abroad, where the artist's inspiration was so chastely uttered by the purity of his material, declaring that a subject which coloring would debase might be worthily treated by the chisel. And when I exclaimed, that Autumn, with her glowing palette, was as pure an artist as the old sculptor Winter, chiselling in unvaried white, she reminded me that Nature was infinite, handling all themes with equal power and purity; but that man, in copying, became, as she thought some of the Preraphaelites had done, a caricaturist, in attempting to follow her too closely. I was unconvinced by her arguments, but held my newly bought color-box as a means of proving to her the wisdom of my choice.