"And she followed him?"
"Ya. He is dead."
"And Rachel?"
"Ya wohl! There she is," as the figure came down the street, passing us.
It was only a bent old Dutchwoman, with a pale face and fixed, tearless eyes, that smiled kindly at sight of the child; but I have never seen in any tragedy, since, the something which moved me so suddenly and deeply in that quiet face and smile. I followed her with my eyes, and then turned to the women. Even the stupid knitter had dropped her work, and met my look with a vague pity and awe in her face.
"It was not gut she could not marry. It is many years, but she does at no time forget," she mumbled, taking up her stocking again. Something above her daily life had struck a quick response from even her, but it was gone now.
Christina eagerly continued; "And there is ——" (naming a woman, one of the directors.) "She would be troth-plight, if Father Rapp had not said it must not be. So they do be lovers these a many years, and every night he does play beneath her window until she falls asleep."
When I did not answer, the two women began to talk together in undertones, examining the cut of Tony's little clothes, speculating as to their price, and so forth. I rose and shook myself. Why! here in the new life, in Arcadia, was there the world,—old love and hunger to be mothers, and the veriest gossip? But these were women: I would seek the men with Knowles. Leaving the child, I crossed the darkening streets to the house which I had seen him enter. I found him in a well-furnished room, sitting at a table, in council with half a dozen men in the old-time garb of the Communists. If their clothes were relics of other times, however, their shrewd, keen faces were wide awake and alive to the present. Knowles's alone was lowering and black.
"These are the directors of the society," he said to me aloud, as I entered.
"Their reception of us is hardly what I expected," nodding me to a seat.