Meantime, Maverick and Adèle have gone upon their melancholy search; and, as they course over the island to the southern beach, the sands, the plains, the houses, the pines, drift by the eye of Adèle as in a dream. At last she sees a great reach of water,—piling up, as it rolls lazily in from seaward, into high walls of waves, that are no sooner lifted than they break and send sparkling floods of foam over the sands. Bits of wreck, dark clots of weed, are strewed here and there,—stragglers scanning every noticeable heap, every floating thing that comes in.
Is she dead? is she living? They have heard only on the way that many bodies are lying in the near houses,—many bruised and suffering ones; while some have come safe to land, and gone to their homes. They make their way from that dismal surf-beaten shore to the nearest house. There are loiterers about the door; and within,—within, Adèle finds her mother at last, clasps her to her heart, kisses the poor dumb lips that will never more open,—never say to her rapt ears, "My child! my darling!"
Maverick is touched as he has never been touched before; the age of early sentiment comes drifting back to his world-haunted mind; nay, tears come to those eyes that have not known them for years. The grief, the passionate, vain tenderness of Adèle, somehow seems to sanctify the memory of the dead one who lies before him, her great wealth of hair streaming dank and fetterless over the floor.
Not more tenderly, scarce more tearfully, could he have ministered to one who had been his life-long companion. Where shall the poor lady be buried? Adèle answers that, with eyes flashing through her tears,—nowhere but in Ashfield, nowhere except beside the sister, Marie.
It is a dismal journey for the father and the daughter; it is almost a silent journey. Does she love him less? No, a thousand times, no. Does he love her less? No, a thousand times, no. In such presence love is awed into silence. As the mournful cortége enters the town of Ashfield, it passes the home of that fatherless boy, Arthur, for whom Adèle had shown such sympathy. The youngster is there swinging upon the gate, his cap gayly set off with feathers, and he looking wonderingly upon the bier. He sees, too, the sad face of Adèle, and, by some strange rush of memory, recalls, as he looks on her, the letter which she had given him long ago, and which till then had been forgotten. He runs to his mother: it is in his pocket,—it is in that of some summer jacket. At last it is found; and the poor woman herself, that very morning, with numberless apologies, delivers it at the door of the parsonage.
Phil is the first to meet this exceptional funeral company, and is the first to tell Adèle how Reuben lies stricken almost to death at the parsonage. She thanks him: she thanks him again for the tender care which he shows in all relating to the approaching burial. When an enemy even comes forward to help us bury the child we loved or the parent we mourn, our hearts warm toward him as they never warmed before; but when a friend assumes these offices of tenderness, and takes away the harshest edge of grief by assuming the harshest duties of grief, our hearts shower upon him their tenderest sympathies. We never forget it.
Of course, the arrival of this strange freight in Ashfield gives rise to a world of gossip. We cannot follow it; we cannot rehearse it. The poor woman is buried, as Adèle had wished, beside her sister. No De Profundis except the murmur of the winds through the crimson and the scarlet leaves of later September.
The Tourtelots have been eager with their gossip. The dame has queried if there should not be some town demonstration against the burial of the Papist. But the little Deacon has been milder; and we give our last glimpse of him—altogether characteristic—in a suggestion which he makes in a friendly way to Squire Elderkin, who is the host of the French strangers.
"Square, have they ordered a moniment yit for Miss Maverick?"
"Not that I 'm aware of, Deacon."