She noted, too, that he loved to play the viol da gambo, but disliked the trouble of tuning it. So then she tuned it for him.
When he came home at night, early or late, he was sure to find a dry pair of shoes on the rug, his six-stringed viol tuned to a hair, a bright fire, and a brighter wife, smiling and radiant at his coming, and always neat; for, said she, "Shall I don my bravery for strangers, and not for my Thomas, that is the best of company?"
They used to go to church, and come back together, hand in hand like lovers; for the arm was rarely given in those days. And Griffith said to himself every Sunday, "What a comfort to have a Protestant wife!"
But one day he was off his guard, and called her "Kate, my dear."
"Who is Kate?" said she softly, but with a degree of trouble and intelligence that made him tremble.
"No matter," said he, all in a flutter. Then, solemnly, "Whoever she was, she is dead,—dead."
"Ah!" said Mercy, very tenderly and solemnly, and under her breath. "You loved her; yet she must die." She paused; then, in a tone so exquisite I can only call it an angel's whisper, "Poor Kate!"
Griffith groaned aloud. "For God's sake, never mention that name to me again. Let me forget she ever lived. She was not the true friend to me that you have been."
Mercy replied, softly, "Say not so, Thomas. You loved her well. Her death had all but cost me thine. Ah, well! we cannot all be the first. I am not very jealous, for my part; and I thank God for 't. Thou art a dear good husband to me, and that is enow."