And the next thing I took notice of, after a hurried glance at the carved ceiling and painted windows, and over the array of bewigged and powdered solicitors and masters,—a magnificent bed of cauliflowers, in appearance, with some of the finest heads I ever saw in my life—out of a cabbage-garden,—was a large, dark, heavy picture of Paul before Felix, by Hogarth, representing these great personages at the moment when Felix, that earliest of Lord Chancellors, having heard Paul through, says: "Go thy way for this time; when I have a convenient season, I will call for thee." Lord Eldon was larger than I supposed from the portrait above mentioned. And this is the more extraordinary, because the heads of Lawrence, like those of ancient statuary, are always smaller than life, to give them an aristocratic, high-bred air, and the bodies are larger. The expression of countenance, too, was benignity itself,—just such as Titian would have been delighted with,—calm, clear, passionless, without a prevailing characteristic of any strength. "Felix trembled," they say. Whatever Felix may have done, I do not believe that Lord Eldon would have trembled till he had put on his night-cap and weighed the whole question by himself at his chambers.
Kean.—Wishing to see how this grotesque but wonderful actor—a mountebank sometimes and sometimes a living truth—would play at home after driving us all mad in America, I went to see him in Sir Giles Overreach. He played with more spirit, more of settled purpose, than with us, being more in earnest, I think, and better supported. There is one absurdity in the play, which was made particularly offensive by Oxberry's exaggeration. The dinner is kept waiting, and the whole business of the play suspended, for the Justice to make speeches. But the last scene was capital,—prodigious,—full of that dark, dismal, despairing energy you would look for in a dethroned spirit, baffled, like Mephistopheles, at the very moment his arm is outstretched, and his long, lean fingers are clutching at the shoulder of his victim. Being about to cross blades with his adversary, in a paroxysm of rage he plucks at the hilt of his sword, and stops suddenly, as if struck with paralysis, pale, and gasping for breath, and says,—in that far-off, moaning voice we all remember in his famous farewell to the "big wars that make ambition virtue,"—"The widow sits upon my arm, and the wronged orphan's tear glues it to the scabbard,—it will not be drawn," etc., etc.,—or something of the sort. It was not so much a thrilling as a curdling you felt.
Young, in Sir Pertinax.—Very good, though full of stage trick, or what they call, when they get bothered, or would like to bother you, stage business;—as where he throws his pocket-handkerchief before him on leaving the stage, somewhat after the style of Macready in Hamlet, which Forrest called le pas à mouchoir, and took the liberty of hissing. Good Scotch, generally, with a few wretched blunders, though his "booin', and booin', and booin'," and his vehement snuff-taking, and the declaration that "he could never stand oopright in the presence of a great mon in a' his life," were evidently copied from, or suggested by, George Frederick Cooke, who borrowed both from Macklin, if we may trust surviving contemporaries.
Robert Owen.—Breakfasted with Robert Owen, after having attended a conference of the brotherhood, where they talked a world of nonsense, and argued for a whole hour, without coming to a conclusion, about whether we are governed by circumstances or circumstances are governed by us. You would swear Owen was a Yankee, born and bred. He has the shrewd, inquisitive look, the spare frame, the sharp features, of a Connecticut farmer, and constantly reminds me of Henry Clay when he moves about. He is evidently sincere; but such a visionary! and so thoroughly satisfied that the world is coming to an end just as he would have it, that he allows no misgivings to trouble him, and never loses his temper, nor "bates one jot of heart or hope," happen what may. The last time we met—only three days ago—his great project was coming up before Parliament, and he told me, in confidence, that he was sure of a favorable result,—that he had counted noses, and had the most comfortable assurances from all the great leaders of the day,—and in short, between ourselves, that grass would be growing on the London Exchange within two years. The petition came up on the day appointed, and was allowed to drop out of the tail end of the cart, almost without a remark. But so far was he from being disheartened, that he lost no time in preparing for a trip across the Atlantic, which he had long had in contemplation, but was hindered from taking by the hopes he had been persuaded to entertain from his friends in Parliament, and by the business at Lanark,—a manufacturing place which he had built up of himself in Scotland, with eminent success, and most undoubted practical wisdom.
Wishing to leave a record with me for future ages, he wrote as follows in my album, with a cheerfulness, an imperturbability, a serene self-confidence, past all my conceptions of a visionary or enthusiast.
"I leave this country with a deep impression that my visit to America will be productive of permanent benefit to the Indian tribes, to the negro race, and to the whole population of the Western Continent, North and South, and to Europe.
"Robert Owen.