My great desire was now to be satisfied. We met, and I passed one of the pleasantest evenings of my life with Mrs. Baillie, as they called her, Lady Bentham, her most intimate if not her oldest friend, and "sister Agnes."
I found Mrs. Baillie wholly unlike the misrepresentations I had seen of her. She was rather small,—though far from being diminutive, like her sister Agnes,—with a charming countenance, full of placid serenity, almost Quakerish, beautiful eyes, and gray hair, nearly white indeed, combed smoothly away from her forehead. We talked freely together, avoiding the shop, and the impression she left on my mind was that of a modest, unpretending gentlewoman, full of quiet strength and shrewd pleasantry, with a Scottish flavor, but altogether above being brilliant or showy, even in conversation with a stranger and an author. She questioned me closely about my country and about the people, and appeared to take much interest in our doings and prospects. Her sister Agnes never opened her mouth, to the best of my recollection and belief, though she listened with her eyes and ears to the conversation, and appeared to enjoy it exceedingly; and as for Lady Bentham, though a clever woman of large experience and great resources, such was her self-denial and her generous admiration of the "queenly stranger," as I had called her friend in sport,—remembering how it was applied to the magnificent Siddons, when she represented Jane de Montfort,—that she did nothing more and said nothing more than what was calculated to bring out her friend to advantage. There was nothing said, however, from which a person unacquainted with the writings of Joanna Baillie would have inferred her true character,—no flashing lights, no surprises, no thunder-bursts. The conversation was, at the best, but sociable and free, as if we were all of the same neighborhood or household; but knowing her by her great work on the Passions, I was profoundly impressed, nevertheless, and left her well satisfied with her revelations of character.
Catalani.—What a magnificent creature! How majestic and easy and graceful! And then what a voice! One would swear she had a nest of nightingales and a trumpet obligato in her throat. No wonder she sets the great glass chandeliers of the Argyle rooms ringing and rattling when she charges in a bravura.
That she is, in some passages, a little—not vulgar—but almost vulgar, with a dash of the contadina, is undeniable; and she certainly has not a delicate ear, and often sings false; yet, when that tempestuous warbling in her throat breaks forth, and the flush of her heart's blood hurries over her face and empurples her neck, why then "bow the high banners, roll the answering drums," and shut up, if you wouldn't be torn to pieces by a London mob.
Say what you will, you must acknowledge—you must—that you never heard such a voice before, if there ever was one like it on earth,—so full and so impassioned, so rich and sympathetic. More educated, more brilliant organs there may be, like those of Pasta or Velluti, poor fellow!—more satisfying to the ear,—but none, I believe, so satisfying to the heart; none that so surely lifts you off your feet, and blinds and deafens you to all defects, and sets you wandering far away through the empyrean of musical sounds, till you are lost in a labyrinth of triumphant harmonies. The sad, mournful intonations of Velluti may bring tears into your eyes, but you are never transported beyond yourself by his piteous wailing.
And yet, if you will believe me, this woman has just been called out of bed to a London audience, who, instead of paying a guinea or half a guinea to hear her in opera, are paying only 2s. 6d. a head to hear her let off "God shave the King!" like a roll of musical thunder. She appears "in dish-abille" as they call it here, and in tears. And why is she summoned? Because the sufferin' people, having understood that she shares the house, insist on having their half-crowns and sixpences returned. It has been quite impossible to hear a word, ever since they were informed that she had been taken suddenly ill, and was not allowed to appear by her medical attendants. But what of that? Dead or alive, a British audience must have her out. And so a great banner was lifted on which was inscribed "Catalani sent for!" and then, after a while, as the uproar continued, and the outcries grew more violent, and the white handkerchiefs more and more stormy and threatening, another inscription appeared, "Catalani coming!" And lo! she comes! and comes weeping. But the people refuse to be comforted. And why? Because of their disappointment? Because of their passion for music? No indeed; but because they are told that she is to go snacks with the manager; and, her parsimony being proverbial, they are determined to rebuke it in a liberal spirit. Pshaw!
These people pretend to love music, and to love it with such a devouring passion that nothing less than the very best will satisfy them, cost what it may. Yet the opera-house, with the patronage of the royal family, the nobility, and the gentry, and open only twice a week, is never full even at the representation of the finest works of genius; and when such an artist as Catalani is engaged at one of the theatres, and the people are admitted for theatre prices, the first thing they do, after crowding the house to suffocation, is to call for "God save the King," or, if Braham is out, for "Kelvin Grove." Enthusiasts indeed,—carried away, and justly, by "Black-eyed Susan," or "Cherry Ripe," which they do understand, feel, and enjoy,—they are all ready to swear, and expect you to believe, that their passion is for opera music,—Italian or German, the Barber of Seville, or Der Freischütz. And therefore I say again, Pshaw!
John Dunn Hunter.—This luckiest and boldest of humbugs, whose book, by the merest accident, has obtained for him the favor of the Duke of Sussex, and, through the Duke, access to the highest nobility, has just been presented at Court, and is not a little mortified that his Majesty, on receiving a copy of the book, Hunter's "Captivity among the Indians," did not inquire after his health or make him a speech. He does not so much mind paying five guineas for the loan of a court suit, consisting of a single-breasted claret coat with steel buttons, a powdered tie, small-clothes, white-silk stockings, and a dress sword,—with instructions on which side it is to be worn, and how it is to be managed in backing out so as not to get between his legs and trip him up,—nor the having to pay for being mentioned in the Court Journal by a fellow who is called the King's Reporter; but then he will have the worth of his money, and so takes it out in grumbling and sulking. Not long ago he sent a note through the penny-post, sealed with a wafer, directed to the Marchioness of Conyngham, the king's mistress, in reply to an invitation from her ladyship, which he accepted, to meet the king! At least, such was the interpretation he put upon it. And now, after all this, to be fobbed off with a bow by "Gentleman George," the "fat friend" of poor Brummell, was indeed a little too bad.