Painting.—I have just been to see Mulready's famous "Lion and Lamb." He is a Royal Academician; and, spite of the cleverness we see in every touch, we are reminded of Pison's reply to the Academician, who asked what he was,—"I? O, I am nobody; not even an Academician." The picture is about eighteen by twenty-two inches, and belongs to his Majesty, George the Fourth. It represents two boys, a little child, a woman, and a dog. One boy has broken the strap of his trousers, and, bracing himself up for a clinch, is evidently encroaching on the other with his foot. He stands with his legs on the straddle, both fists made up for mischief, and head turned away in profile, with hat and books flung down upon the turf; while the other—the lamb—keeps his satchel in his hand, with one arm raised to parry the blow he is expecting. He has a meek, boyish face, and we have it in full. The back of the child is towards you, the mother terribly frightened; parts very fine, but as a whole the picture is not worthy of its reputation, to say nothing of the extravagant price paid for it,—some hundreds of guineas, they say.
Greenwich Fair.—Having read so much in story-books and novels, from my earliest childhood,—at one time in the gilt-covered publication of E. Newbury, St. Paul's Church Yard, and after that in larger books,—of the rioting at Greenwich Fair (another Donnybrook in its way), I determined to see for myself, and went down for the purpose, April 19th, 1824. Universal decorum characterized the whole proceedings till the day was over, after which there was a large amount of dancing and frolicking and sight-seeing and beer-drinking, but no drunkenness and no quarrelling. The people were saucy, but good-natured, like the Italian rabble, with their plaster confectionery, at a carnival. Women and girls would run down the long green slope together, which it is said the cockneys believe to be the highest land in the world, after Richmond Hill; and many of them stumble and slip and roll to the bottom, screaming and laughing as they go. This I understand to be a favorite pastime with people who are big enough to know better; for a part of the fun, and that which all seem to enjoy most, is in tripping one another up. Plenty of giants and dwarfs to be seen for a penny, with white Circassians, silver-haired, and actors of all sorts and sizes. "Walk in, ladies and gentlemen! walk in! Here's the rope-dancing and juggling, with lots of gilt gingerbread,—and all for sixpence! Here is the great Numidian lion!"—leading forth a creature not larger than a moderate-sized English mastiff,—"with a throat like a turnpike gate, and teeth like mile-stones, and every hair on his mane as big as a broomstick!" It was worth sixpence to see the fellow's face when he said this; but most of the people round me seemed to believe what they heard rather than what they saw. Actors and actresses turn out and dance and strut before the curtain.
Went into the Hospital, of which we have all heard so much, and into the Chapel. Here is the best picture West ever painted, I think. It is the shipwreck of St. Paul, with the viper and the fire: rocks rather crowded and confused; on the right are two figures, frequently, I had almost said always, to be found in his pictures, and always together. Old man on the right, capital!—Roof of the Hospital highly ornamented, though chaste, with painted pilasters, fluted; ceiling done by Sir James Thornhill, and is really a grand affair, not only for coloring and drawing, but for composition and general treatment. Architecture of the building, once a palace, worthy of the highest commendation, though it needs a back part to correspond with the two wings. Cupolas made to correspond, but seem rather out of place,—not wanted.
Had quite an adventure before I got away. I saw a young girl running down hill by herself. She fell, and stained her white frock all over one hip of a grass-green. She seemed to be much hurt and near fainting. I found her young, pretty, and modest, as you may readily infer from what follows,—usually if you hear of a woman being run over in the street, you may be sure she is neither young nor pretty,—and so seeing her greatly distressed about the figure she cut, and companionless, I took pity on her, and going with her found, after some search, an old woman in a garret with a husband, child, and grandchild, all huddled and starving in one room together. The husband was a waterman. He had "stove" his boat some years before, and was never able to get another; had two sons at sea; paid two shillings a week for the room, which they said was one shilling too dear, being only large enough to allow of two or three chairs, a table, and a turn-up bed. Poor Sarah took off her frock and washed it before me, without a sign of distress or embarrassment; and then we went off together and had a bit of a dance,—a rough-and-tumble fore-and-after,—at the nearest booth. With her bonnet off, and neat cap, her beautiful complexion and dark hair and eyes, how happened it that she was really modest and well-behaved? And how came she there? After some resolute questioning, I determined to see her home, at least so far as to set her down in safety in the neighborhood where she lived. The coach was crowded with strangers. It was late, and they were silent, and I thought sulky. Just as we were passing a lamp, after we had entered a wide thoroughfare, I saw a man's face under a woman's bonnet. Though not absolutely frightened, I was rather startled, and more and more unwilling to leave the poor girl to the mercy of strangers; for I saw, or thought I saw, signs of intelligence between two of the party; and in short, I never left her till the danger was over.
There were mountebanks and fortune-tellers and gypsies at every turn. The prettiest I met with told my fortune. "You are liked better by the women," said she, "than by the men." Very true. "You are loved by a widow named Mary." My landlady was a widow, and her name was Mary. "Which do you like best, Mary or Bessie?" In addition to Mary, there was another pleasant friend, supposed to be a natural daughter of George IV., named Bessie. But how the plague did the little gypsy know this? I found out, I believe, long after the whole affair was forgotten. There was present, without my knowledge, a man who was always full of such tricks, who knew me well, and who threw the gypsy in my way and put her up to all she knew. This was Humphries the engraver.
There was a great ball too,—a magnificent ball,—one shilling entrance. More than fifty couples stood up for a contra-dance, and tore down the middle and up outside, and cast off, as if they were all just out of a lunatic hospital. And yet, as I have said before, I believe, there was no drunkenness and no quarrelling.
Shooting the Bridge.—Wanting to go to the Tower, I took a boat above London Bridge at the wrong time of the tide, in spite of all remonstrances, and came near being swamped. Not being a good swimmer, and aware that people were often drowned there, I cannot understand what possessed me; but as the watermen were not afraid, and asked no questions, why should I be troubled? For aught they knew, I might be made of cork, or have a swimming-jacket underneath my coat, or a pocket life-preserver ready to be blown up at a moment's notice; and they were sure of the fee. At the mouth of the St. John's River, New Brunswick, they have a fall both ways, at a certain time of tide, through which and up and down which boats and rafts plunge headlong so as to take away your breath, while you are watching them from the bridge; but really, this little pitch of not more than three or four feet under London Bridge I should think more dangerous, and the people seem to think so too, for they are always on the watch after the tide turns, and swarm along the parapets, and rush from one side to the other, as the wherry shoots through the main arch, with a feeling akin to that of the man who followed Van Amburgh month after month to see him "chawed up" by the lion or tiger.