We were at breakfast,—it was rather late.
"Where on earth is your good husband?" said I to Mrs. Pierpont.
"In bed, making poetry," said she.
"Indeed!"
"Yes, flat on his back, with his eyes rolled up in his head."
Soon after, the gentleman himself appeared, looking somewhat the worse for the labor he had gone through with, and all the happier, that the throes were over, and the offspring ready for exhibition. "Here," said he, "tell me what you think of these two lines,"—handing me a paper on which was written, with the clearness and beauty of copperplate,
"Their reverend beards that sweep their bosoms wet
With the chill dews of shady Olivet."
"Charming," said I. "And what then? What are you driving at?"
"Well, I was thinking of Olivet, and then I wanted a rhyme for Olivet; and rhymes are the rudders, you know, according to Hudibras; and then uprose the picture of the Apostles before me,—their reverend beards all dripping with the dews of night."
How little did he or I then foresee what soon followed,—soon, that is, in comparison with all he had ever done before! The "Airs of Palestine," like the night-blooming cereus,—the century-plant,—flowering at last, and all at once and most unexpectedly too, after generations have waited for it, as for the penumbra of something foretold, until both their patience and their faith have almost failed. But, from the very first, there were signs of growth not to be mistaken,—of inward growth, too,—and oftentimes an appearance of slowly gathered strength, as if it had been long husbanded, and for a great purpose. For example,—