No wonder Karlee was a gentleman; for the Vishnu Pooran was his Chesterfield, and he had its precepts by heart. "A wise man," he would say to the pert young Kitmudgars, as they bragged and wrangled, between their hubble-bubbles, on the back stairs,—"a wise man will never address another with the least unkindness; but will always speak gently, and with truth, and never make public another's faults. He will never engage in a dispute with either his superiors or his inferiors: controversy and marriage are permitted only between equals. Nor will he ever associate with wicked persons: half an instant is the utmost time he should allow himself to remain in their company. A wise man, when sitting, will not put one foot over the other, nor stretch forth his foot in the presence of a superior; but he will sit with modesty, in the posture styled virasama. Above all, he will not expectorate at the time of eating, offering oblations, or repeating prayers, or in the presence of any respectable person; nor will he ever cross the shadow of a venerable man or of an idol."
For those who imagine that polygamy is a popular institution in Hindostan, the answer of a Hill-man to a Mofussil magistrate should suffice. "Do you keep more than one wife?" "We can hardly feed one; why should we keep more?" In fact, the privilege of maintaining a plurality of wives is restricted to a very few,—those only of the largest means and smallest scruples,—except in the case of Kooleen Brahmins, that superlative aristocracy of caste which is supposed to be descended from certain illustrious families who settled in Bengal several centuries ago. Wealthy Hindoos of low degree eagerly aspire to the honor of mixing their puddle blood with the quintessentially clarified fluid that glorifies the circulatory systems of these demigods, and the result is a very pretty and profitable branch of the Brahmin business,—Kooleen marrying sometimes as many as fifty of such nut-brown maids of baser birth, in consideration of a substantial dowry attached to each bride, and a solemn obligation, accepted and signed by the paternal Puddle, forever to feed at home her and her improved progeny. So the fifty continue to roost in the old paternal coops, while Kooleen, like a pampered Brahmapootra, struts, in pompous patronage, from one to the other, his sense of duty satisfied when he has left a crow and a cackle behind him. It is said that many fine fowls of the Brahmin breed, who do not happen to be Kooleens, complain of the monopoly.
So Karlee had but one wife,—the handy, thrifty ayah already mentioned. She was nine and he twelve years old when they were betrothed, and they never saw each other until they were married. A professional match-maker, or go-between,—female, of course,—was employed by the parents to negotiate terms and arrange the preliminaries; and when horoscopes had been compared and the stars found all right, with a little consequential chaffering, the hymeneal instruments were "executed." There was no trouble on the score of caste, both families being soodra; otherwise, the sensitive social balance would have had to be adjusted by the payment of a sum of money. When the skirts of the bride and bridegroom had been fastened together with blades of the sweet-scented cusa grass,—when he had said, "May that heart which is thine become my heart, and this heart which is mine become thy heart,"—when, hand in hand, they had stept into the seventh of the mystic circles,—Mr. and Mrs. Karlee were an accomplished Hindoo fact.
To the parents on both sides, the wedding was a costly performance. There were the irrepressible and voracious Brahmins to propitiate, the hungry friends of both families to feast for three days, the musicians and the nautch-girls and the tamasha-wallahs[19] to be bountifully buksheeshed; and when the bridal palanquin was borne homeward, it was a high-priced indispensability that the procession should satisfy the best soodra society,—
"With the yellow torches gleaming,
And the scarlet mantles streaming,
And the canopy above
Swaying as they slowly move."
Karlee has assured me that neither his father nor his father-in-law, although both were soodras of fair credit and condition, ever quite recovered from the financial shock of that "awspidges okashn."
A Hindoo very rarely pronounces the name of his wife, even to his most intimate friends,—to strangers, and especially foreigners, never; on the part of a native visitor it is the etiquette to ignore her altogether, and for the husband to allude to her familiarly is an unpardonable breach of decorum. When, therefore, Karlee, to gratify my friendly curiosity, led in the happy grandmother, I felt that I was the recipient of an extraordinary mark of respect and confidence, involving a generous sacrifice of prejudice. As she made her modest salaam, and, in the manner of a shy child, sank to the floor in the habitual posture of an ayah, I had before me the well-preserved remains of a Hindoo beauty, according to the standard of the Shasters,—a placid, reposeful woman, almost fat, with rather delicate features of Rajpoot fairness, the complexion of high caste, wealth, and ease, such as her less-favored sisters vainly strive to imitate with a sort of saffron rouge. Her expression was chaste and gentle, her voice dulcet; and to the practice of carrying light burdens on her head she was indebted for a carriage erect and graceful. On Broadway or Tremont Street, Mrs. Karlee would have passed for a very comely colored woman. If she was not like Rama, fair as the jasmine, or the moon, or the fibres of the lotos, neither had she, like Krishna, the complexion of a cloud. If she was not so delicate as that dainty beauty who bewitched the hard heart of Surajah Dowlah, and weighed but sixty-four pounds, neither did she reproduce the unwieldy charms of that Venus of one of the Shasters "whose gait was the gait of a drunken elephant or a goose." A prudent man, says the Vishnoo Pooran, will not marry a woman who has a beard, or one who has thick ankles, or one who speaks with a shrill voice, or one who croaks like a raven, or one whose eyebrows meet, or one whose teeth resemble tusks. And Karlee was a prudent man.
From the extravagant and clumsy complications, the stupid caprices and discords, and studious indecencies of our women's fashions, to the prudent simplicity, the unconscious poetry and picturesqueness and musically blended modesty and freedom of the good ayah's unchangeable attire, my thought reverts with a mingled sense of refreshment and regret. A single web of cloth, eight or nine yards long, having a narrow blue border, was drawn in self-forming folds around her shoulders and bosom, and hung down to her feet,—the material muslin, the texture somewhat coarse, the color white. No dressmaker had ever played fantastic tricks with it: it was pure and simple in its entireness as it came from the loom.
Other women, of the laboring class, and very poor, passed to and fro on the street, half naked, their legs and shoulders bare, and with only a piece of dirty cloth—blue, red, or yellow—around the loins and hips; while here and there some superfine baboo's wife floated past in her close palanquin, or sat with her children on the flat roof of her house, or peeped through her narrow windows into the street, arrayed in fancy bodice and petticoat,—Mohammedan fashion.
But the simplicity of Mrs. Karlee's attire began and ended with her drapery. Her ornaments were cumbersome, clumsy, and grotesque. On her arms and ankles were many fetter-like bands of silver and copper; rude rings of gold and silver adorned her fingers and great toes; small silver coins were twisted in her hair; and the naturally delicate outline of her lips was deformed by a broad gold ring, which she wore, like a fractious ox, in her nose. This latter vanity is as precious as it is ugly; in some of the minor castes its absence is regarded as a badge of widowhood; and for no inducement would the pious ayah have removed it from its place, even for an instant. Had it fallen, by any dreadful chance, the house would have been filled with horror and lamentation. The half-naked wife of my syce rejoices in a nose-ring of brass or pewter, and her wrists and ankles are gay with hoops of painted shell-lac; and even she stains her eyelids with lampblack, and tinges her nails with henna. Much lovelier was our pretty ayah in her maidenhood, when her dainty bosom was decked with shells and sweet-scented flowers, and her raven hair lighted up with sprays of the Indian jasmine, which first she had offered to Seeta.