"God bless you! Good by." And I sailed for Gallipoli.
FOOTNOTES:
[B] I am writing in Westerly's snuggery, and in Providence they believe in Webster. I dare say it is worse in Worcester. A good many things are.
[C] The reader who cares to follow the detail is referred to Diodorus Siculus, XII.; Strabo, VI.; Ælian, V. H. 9, c. 24; Athenæus, XII. 518; Plutarch in Pelopidas; Herodotus, V. and VI. Compare Laurent's Geographical Notes, and Wheeler and Gaisford; Pliny, III. 15, VII. 22, XVI. 33, VIII. 64, XXXI. 9; Aristotle, Polit. IV. 12, V. 3; Heyne's Opuscula, II. 74; Bentley's Phalaris, 367; Solinus, 2, § 10, "luxuries grossly exaggerated"; Scymnus, 337-360; Aristophanes, Vesp. 1427, 1436; Lycophron, Alex. 1079; Polybius, Gen. Hist. II. 3, on the confederation of Sybaris, Krotan, and Kaulonia,—"a perplexing statement," says Grote, "showing that he must have conceived the history of Sybaris in a very different form from that in which it is commonly represented"; third volume of De Non, who disagrees with Magnan as to the site of Sybaris, and says the sea-shore is uninhabitable! Tuccagni Orlandini, Vol. XI., Supplement, p. 294; besides the dictionaries and books of travels, including Murray. I have availed myself, without other reference, of most of these authorities.
THE PIANO IN THE UNITED STATES.
Twenty-five thousand pianos were made in the United States last year!
This is the estimate of the persons who know most of this branch of manufacture, but it is only an approximation to the truth; for, besides the sixty makers in New York, the thirty in Boston, the twenty in Philadelphia, the fifteen in Baltimore, the ten in Albany, and the less number in Cincinnati, Buffalo, Chicago, St. Louis, and San Francisco, there are small makers in many country towns, and even in villages, who buy the parts of a piano in the nearest city, put them together, and sell the instrument in the neighborhood. The returns of the houses which supply the ivory keys of the piano to all the makers in the country are confirmatory of this estimate; which, we may add, is that of Messrs. Steinway of New York, who have made it a point to collect both the literature and the statistics of the instrument, of which they are among the largest manufacturers in the world.
The makers' prices of pianos now range from two hundred and ninety dollars to one thousand; and the prices to the public, from four hundred and fifty dollars to fifteen hundred. We may conclude, therefore, that the people of the United States during the year 1866 expended fifteen millions of dollars in the purchase of new pianos. It is not true that we export many pianos to foreign countries, as the public are led to suppose from the advertisements of imaginative manufacturers. American citizens—all but the few consummately able kings of business—allow a free play to their imagination in advertising the products of their skill. Canada buys a small number of our pianos; Cuba, a few; Mexico, a few; South America, a few; and now and then one is sent to Europe, or taken thither by a Thalberg or a Gottschalk; but an inflated currency and a war tariff make it impossible for Americans to compete with European makers in anything but excellence. In price, they cannot compete. Every disinterested and competent judge with whom we have conversed on this subject gives it as his deliberate opinion that the best American piano is the best of all pianos, and the one longest capable of resisting the effects of a trying climate; yet we cannot sell them, at present, in any considerable numbers, in any market but our own. Protectionists are requested to note this fact, which is not an isolated fact. America possesses such an astonishing genius for inventing and combining labor-saving machinery, that we could now supply the world with many of its choicest products, in the teeth of native competition, but for the tariff, the taxes, and the inflation, which double the cost of producing. The time may come, however, when we shall sell pianos at Paris, and watches in London, as we already do sewing-machines everywhere.
Twenty-five thousand pianos a year, at a cost of fifteen millions of dollars! Presented in this manner, the figures produce an effect upon the mind, and we wonder that an imperfectly reconstructed country could absorb in a single year, and that year an unprosperous one, so large a number of costly musical instruments. But, upon performing a sum in long division, we discover that these startling figures merely mean, that every working-day in this country one hundred and twelve persons buy a new piano. When we consider, that every hotel, steamboat, and public school above a certain very moderate grade, must have from one to four pianos, and that young ladies' seminaries jingle with them from basement to garret, (one school in New York has thirty Chickerings,) and that almost every couple that sets up housekeeping on a respectable scale considers a piano only less indispensable than a kitchen range, we are rather inclined to wonder at the smallness than at the largeness of the number.