The little shadow at the end of the mouth often has to be reduced, often at the risk of spoiling the shape of the lips, but sitters will insist upon it being done, and say "You have made my mouth much too large." Freckled faces are perhaps the most difficult to retouch, as it is well nigh impossible to remove the black patches caused by the freckles without at the same time destroying the modelling of the face. Yet it must be done, for probably the most severe stickler for truth would not insist on the black blotches that freckles produce in a photograph.
A great deal can be done to improve a hard negative as soon as it leaves the fixing bath, by applying a mixture of hypo solution and a solution of ferricyanide (not ferro) of potash with a piece of cotton wool to the dense parts. The proportions for this reducing bath are as follows:—To each ounce of the ordinary hyposulphite of soda fixing bath add a few drops of a 10% solution of ferricyanide of potassium or red prussiate of potash, making the whole about the colour of pale brandy. By adding more of the ferricyanide solution the reducing action is quicker, but there is a greater liability to stain the film. The work should be done over a sink with a tap of running water at hand. The solution should be of a deep lemon colour (it is almost impossible to give exact quantities), and after a short application must be washed off under the tap, and the negative may then be examined, and the reducer applied again and again till the desired reduction is obtained. It is advisable to make a few trials on spoilt plates. For if any really good work is to be done there will be plenty of rejected negatives. Probably, of all the plates exposed on portraits by first-rate professional photographers, not more than one-fourth ever get as far as the printing-frame.
Moral: Do not be chary of exposing plates, they are cheap enough now. Don't feel, "Oh! this will be good enough. I won't do another." On the other hand don't expose carelessly and recklessly and say, "It will all come right in developing." Good work is not done that way. Use every opportunity of seeing good work. Study the work of great portrait painters, but don't neglect the photographers. Go to all the exhibitions of pictures and photographs within reach.
Don't be satisfied with what you have done, but make a resolve to do something better next time. Remember, what is worth doing at all is worth doing well.
Harold Baker.
Off Boulogne.A. Horsley Hinton.