| The Holy Night | Correggio | [Frontispiece] | |
| PAGE | |||
| The Holy Night | C. Müller | facing | [16] |
| The Arrival of the Shepherds | Lerolle | " | [40] |
| The Bells | Blashfield | " | [72] |
| The Madonna | Bellini | " | [96] |
| The Virgin adoring the Infant Christ | Correggio | " | [120] |
| The Madonna | Murillo | " | [152] |
| Holy Night | Van Ulade | " | [184] |
| The Holy Family with the Shepherds | Titian | " | [216] |
| Madonna della Sedia | Raphael | " | [272] |
| The Adoration of the Magi | Paolo Veronese | " | [304] |
| The Adoration of the Magi | Memling | " | [344] |
I
SIGNS OF THE SEASON
- SIGNS OF THE SEASON
- An Hue and Cry after Christmas
- The Doge's Christmas Shooting
- Thursday Processions in Advent
- The Glastonbury Thorn
- In the Kitchen
- Christmas in England
- Christmas Invitation
- A Christmas Market
- The Star of Bethlehem in Holland
- The Pickwick Club goes down to Dingley Dell
- A Visit from St. Nicholas
- Crowded Out
THE time draws near the birth of Christ:
The moon is hid; the night is still;
The Christmas bells from hill to hill
Answer each other in the mist.
Four voices of four hamlets round,